Hamlet Critics Flashcards

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1
Q

Jamieson (Satisfaction)

A

Claudius dies too late for Hamlet to derive any satisfaction from it

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2
Q

Claudius dies too late for Hamlet to derive any satisfaction from it

A

Jamieson

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3
Q

Jamieson (afterthought)

A

‘revenge as an afterthought and in many ways anticlimatic’

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4
Q

‘revenge as an afterthought and in many ways anticlimatic’

A

Jamieson

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5
Q

Hazlitt (prince)

A

Hamlet is the ‘prince of philosophical speculators’

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6
Q

Hamlet is the ‘prince of philosophical speculators’

A

Hazlitt

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7
Q

Belsey

A

Revenge is extremist

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8
Q

Revenge is extremist

A

Belsey

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9
Q

Bell

A

Hamlet the play fulfils the conventional revenge tragedy - eruption of violence at the end

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10
Q

Hamlet the play fulfils the conventional revenge tragedy - eruption of violence at the end

A

Bell

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11
Q

Hazlitt (emotions)

A

Hamlet embodies a whole range of human emotions

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12
Q

Hamlet embodies a whole range of human emotions

A

Hazlitt

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13
Q

Hazlitt (will)

A

hamlet has no strength of will but has refinement of feeling

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14
Q

hamlet has no strength of will but has refinement of feeling

A

Hazlitt

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15
Q

Kastan (profound)

A

Shakespearean tragedy’s are profound as there are no clear cut answers to the reasons behind human suffering

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16
Q

Shakespearean tragedy’s are profound as there are no clear cut answers to the reasons behind human suffering

A

Kastan

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17
Q

Kastan (absense)

A

it is Shakespeare’s absense of answers that makes his writing so compelling, the uncertainty is the point

18
Q

Bluer

A

Hamlet delays a violent act because it’s fundamentally not in his nature

19
Q

Hamlet delays a violent act because it’s fundamentally not in his nature

A

Bluer

20
Q

Cantor

A

Hamlet’s religious beliefs intervene to ensure the damnation of his soul

21
Q

Hamlet’s religious beliefs intervene to ensure the damnation of his soul

A

Cantor

22
Q

Bacon

A

Revenge is a kind of wild justice

23
Q

Revenge is a kind of wild justice

A

Bacon

24
Q

Molony

A

The players held up a mirror to him, and in his newfound reflection he tries out some anger to see how it fits… but its empty noise

25
Q

The players held up a mirror to him, and in his newfound reflection he tries out some anger to see how it fits… but its empty noise

A

Molony

26
Q

Coleridge

A

Hamlet loses the power of action in the energy of resolve

27
Q

Hamlet loses the power of action in the energy of resolve

A

Coleridge

28
Q

Adelman

A

‘he is only interested in saving his mother due to fears about her sexuality’
‘more motivated by his mother than his father’

29
Q

Ryan

A

the main cause of the whole tragic chain of events is Hamlet’s compulsion to postpone

30
Q

‘he is only interested in saving his mother due to fears about her sexuality’
‘more motivated by his mother than his father’

A

Adelman

31
Q

the main cause of the whole tragic chain of events is Hamlet’s compulsion to postpone

A

Ryan

32
Q

Bate

A

Hamlet, like a senecan tragic hero, cannot be easily defined as hero or villain

33
Q

Hamlet, like a senecan tragic hero, cannot be easily defined as hero or villain

A

Bate

34
Q

Bradley (women)

A

because of gertrudes incestuous wedlock, hamlet is ‘poisoned’ against women
and therefore Ophelia as she is a woman

35
Q

What is the feminist criticism?

A

gender roles have little to do with how people are but rather how society views them

36
Q

Bloom

A

‘we are horatio, hamlet’s perpetual audience’ - dramatic irony, the audience forms a relationship with Hamlet through his stream of conscience

37
Q

‘we are horatio, hamlet’s perpetual audience’ - dramatic irony, the audience forms a relationship with Hamlet through his stream of conscience

A

Bloom

38
Q

‘polonius seems to love his children; he seems to have the welfare of the kingdom in mind. his means of actions, however, are totally corrupt’

A

Smith

39
Q

Smith

A

‘polonius seems to love his children; he seems to have the welfare of the kingdom in mind. his means of actions, however, are totally corrupt’

40
Q

Kerregan

A

He is surrounded by people that remind him of the dead king

remembrance haunts him, even to the point of madness

the ghost condemns hamlet to an endless fruitless yearning for a lost figure

hamlet never promises to revenge, only remember

41
Q

He is surrounded by people that remind him of the dead king

remembrance haunts him, even to the point of madness

the ghost condemns hamlet to an endless fruitless yearning for a lost figure

hamlet never promises to revenge, only remember

A

Kerregan