Hamlet Critical Quotations Flashcards

1
Q

What action did Amleth take upon finding an intruder?

A

He stabbed the intruder and disposed of the body parts in the sewer

Reference from Historicae Danicae by Saxo Grammaticus, 1514.

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2
Q

According to Erasmus, who deserves the title ‘prince’?

A

Only those who govern for the good of the state

Reference from The Education of a Christian Prince, 1516.

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3
Q

What advice did Juan Luis Vives provide regarding parental relationships?

A

Do not desert your parents for lovers

Reference from The Education of a Christian Woman, 1524.

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4
Q

What is stated about kings and princes in A Homily Against Disobedience?

A

They rule by God’s ordinance and subjects must obey

Reference from Anonymous, 1574.

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5
Q

How does Timothy Bright describe melancholy?

A

As sad, fearful, and can include feelings like distrust and despair

Reference from A Treatise on Melancholy, 1586.

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6
Q

What is the greatest trust between people, according to Francis Bacon?

A

The trust of giving counsel

Reference from The Essays: ‘Of Counsel’, 1597.

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7
Q

What does King James VI say about the devil?

A

He is the source of all ghostly apparitions

Reference from Daemonologie, 1597.

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8
Q

Complete the phrase: ‘When the bad bleed then is the _______ good.’

A

[tragedy]

Reference from The Revenger’s Tragedy, 1606.

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9
Q

What does Sir John Coke claim about poisoning?

A

It is the worst type of murder for several reasons including being secretive

Reference from Sir John Croke, 1614.

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10
Q

What does Francis Bacon say about revenge?

A

Revenge is a kind of wild justice

Reference from The Essays: ‘Of Revenge’, 1625.

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11
Q

What did George Buchanan say about vengeance towards tyrants?

A

People would be right to seek vengeance on an arrogant tyrant

Reference from 1579.

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12
Q

What was John Evelyn’s opinion on the play’s reception?

A

The play began to disgust this refined age

Reference from 1660.

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13
Q

How did Jeremy Collier criticise the depiction of Ophelia?

A

He called it lewd and unreasonable

Reference from 1698.

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14
Q

What did James Drake say about the plot’s poetic justice?

A

It admirably distributes poetic justice through crime and punishment

Reference from 1699.

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15
Q

What criticism did Anthony Cooper make about Shakespeare’s style?

A

He noted natural rudeness and a lack of method and coherence

Reference from 1710.

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16
Q

What did Thomas Hanmer say about Hamlet’s conduct?

A

He described it as cruel and bloody

Reference from 1736.

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17
Q

What did Lewis Theobald say about Hamlet’s indecent pun?

A

He believed it deserved whipping for its ribaldry

Reference from 1726.

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18
Q

What did Voltaire say about Hamlet’s vulgarity?

A

He criticised Hamlet’s responses to the gravediggers as disgusting

Reference from 1748.

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19
Q

What did Samuel Johnson say about Hamlet’s actions?

A

He described Hamlet as rather an instrument than an agent

Reference from 1765.

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20
Q

What does Johann Wolfgang von Goethe suggest about Hamlet’s intellect?

A

His intellect paralyses his power for direct action

Reference from 1795.

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21
Q

How does Samuel Taylor Coleridge characterise Hamlet’s thoughts?

A

They are more vivid than his actual perceptions

Reference from 1813.

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22
Q

What does William Hazlitt say about Hamlet’s capacity for action?

A

He is incapable of deliberate action and acts only in extremities

Reference from 1817.

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23
Q

What does Edgar Allan Poe claim is the most poetic topic?

A

The death of a beautiful woman

Reference from 1846.

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24
Q

How does Friedrich Nietzsche describe Hamlet?

A

As the archetype of the violent and visionary ‘Dionysiac’ man

Reference from 1872.

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25
Q

What does A.C. Bradley say about the waste of good in tragedy?

A

The tragedy is that expelling evil involves wasting good

Reference from 1904.

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26
Q

What does Howard Mumford Jones say about Hamlet and Claudius?

A

Hamlet is independent and solitary, while Claudius is mature and shrewd

Reference from 1918.

27
Q

What is T.S. Eliot’s view on Hamlet as a piece of art?

A

He describes it as an artistic failure, akin to the Mona Lisa

Reference from 1919.

28
Q

What does D.H. Lawrence say about Hamlet’s soliloquies?

A

They are as deep as the soul of man can go

Reference from 1921.

29
Q

What does John Dover Wilson say about Hamlet’s breakdown?

A

It may stem from disturbances planted in infancy

Reference from 1935.

30
Q

How does Harley Granville-Barker describe Gertrude?

A

As a nurturing and caring maternal presence

Reference from 1946.

31
Q

What does Valerie Traub say about male power and women’s sexuality?

A

Male power is restored through the vilification of women

Reference from 1988.

32
Q

What does Lisa Jardine say about the domestic spaces of early modern gentlewomen?

A

The closet was the only place they had total control

Reference from 1996.

33
Q

Complete the phrase: ‘Hamlet’s soliloquies are one of the most interesting features of the play. Their recurrent themes are _______.’

A

[conscience and consciousness of the human condition]

Reference from Nigel Alexander, 1971.

34
Q

What does Elaine Showalter say about Ophelia’s role in the play?

A

She appears in only five scenes and has no story without Hamlet

Reference from 1994.

35
Q

What does Hamlet encounter Ophelia as?

A

A sexualised subject

This implies a complex dynamic in their relationship and the societal views on women.

36
Q

Under what condition did church courts prosecute unlawful marriages?

A

If a complaint was brought by someone

This indicates the reliance on community reporting for legal actions during that time.

37
Q

What does John Kerrigan say surrounds Hamlet that reminds him of the dead king?

A

People and places

This highlights Hamlet’s constant reminders of loss and duty.

38
Q

What does the use of weapons to kill Claudius signify according to John Kerrigan?

A

Spontaneous retaliation

This suggests that Hamlet’s actions are impulsive rather than premeditated.

39
Q

What aspect of Old Hamlet does John Kerrigan highlight?

A

He does not return to triumph over the corpses of his enemies

This emphasizes the theme of revenge and its complexities.

40
Q

What does Paul Yachnin say about the representation of power on stage?

A

It was normally not allowed to coalesce into univocal meaning

This indicates the nuanced portrayal of authority in drama.

41
Q

How does Carol Chillington Rutter frame Ophelia in her funeral scene?

A

As a vampire bride

This metaphor suggests a reclaiming of control over femininity and sexuality.

42
Q

What does Stephen Greenblatt claim the ghost initiates?

A

A nightmare

This reflects the theme of horror and unresolved issues in the play.

43
Q

How is the Ophelia figure described by Allan Ingram?

A

A kind of feminine ideal: totally passive, sexualised, and defined by romantic relationships

This highlights the limited roles available to women in early modern society.

44
Q

What significant transition does James Shapiro attribute to Hamlet’s birth?

A

The death of chivalry and the birth of globalisation

This situates the play within broader historical changes.

45
Q

Why were revenge tragedies set in allegedly more hot-tempered locations according to Sean McEvoy?

A

It was more politic

This suggests a strategic choice to reflect societal tensions.

46
Q

Who traditionally claimed the right to exact private punishment without legal process?

A

The aristocracy

This illustrates the power dynamics of the time.

47
Q

What archetypes do Ophelia and Gertrude represent in early modern drama?

A

The virgin and the whore

This dichotomy reflects societal views on women’s sexuality.

48
Q

What shift in the understanding of madness does Sean McEvoy discuss?

A

From divine or demonic possession to a medical condition

This marks a significant change in psychological perspectives.

49
Q

What does Sean McEvoy say about Hamlet’s inability to kill Claudius?

A

He identifies with him

This suggests a psychological complexity in Hamlet’s character.

50
Q

What type of state does Nicholas Hytner describe the play as being about?

A

A surveillance state

This reflects the political context of the time and its impact on society.

51
Q

What are soliloquies described as by S. Gauci?

A

A calculated performance

This highlights the intentional nature of characters’ expressions.

52
Q

How is Polonius characterized according to Richard Vardy?

A

A stock character, frequently wrong in his judgments

This emphasizes his role in providing comic relief.

53
Q

What is murder by poison considered when committed by men in power, according to Piotr Sadowski?

A

Beneath contempt, unchivalric, and deceitful

This reflects societal expectations of honor in conflict.

54
Q

What is the unsettling nature of murder by poison attributed to?

A

Its perceived ‘unnaturalness’ and violation of fair play

This indicates moral implications and audience reactions.

55
Q

What does Maurice Atkinson suggest about Hamlet’s role?

A

He is mis-cast and finds himself in the wrong role and in the wrong play

This raises questions about identity and purpose in the narrative.

56
Q

What does Charles Clarke say about Edwin Booth’s portrayal of Hamlet?

A

A man of first class intellect but second class will

This implies a struggle between intellect and action.

57
Q

What memorable aspect of Olivier’s Hamlet does Redwine highlight?

A

Its sense of brooding intensity

This reflects the overall atmosphere of the production.

58
Q

What does Kenneth Branagh state about royal families in his 1997 film?

A

They have no private life

This emphasizes the theme of surveillance and public scrutiny.

59
Q

How does Stephen Pimlott characterise Claudius in his 2001 production?

A

A man of the world with his eye on the ball

This suggests a pragmatic approach to leadership and morality.

60
Q

What was the audience’s reaction to Hamlet stabbing Polonius twenty times in Nick Walton’s 2009 production?

A

They found it appalling to watch

This indicates the emotional impact of violence on stage.

61
Q

How is Gertrude portrayed in Matthew Warchus’ 1997 production?

A

Dressed in red, the scarlet woman

This reflects perceptions of her character and actions.

62
Q

What is Jude Law’s portrayal of Hamlet described as in Michael Grandage’s 2009 production?

A

Alight with ire and thickened with disgust

This emphasizes the emotional intensity of the character.

63
Q

What does Susannah Clapp say about Rylance’s performance in Ron Daniels’ 1989 production?

A

He was wild and jeered, spat in Ophelia’s face

This suggests a raw and provocative interpretation.

64
Q

What does Kate Kellaway say about Gertrude and Claudius in Robert Icke’s 2017 production?

A

Their sexual infatuation is blatant

This highlights a more overt portrayal of their relationship.