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1984 > hamlet act 2 > Flashcards

hamlet act 2 Flashcards

1
Q

what does polonius do with Laertes

A
  • polonius gave money and letters to Laertes through Reynaldo
  • p tells r to exaggerate and create false stories to create a new identity
  • doing this because he wants to see if its dispelled based on how ppl know how Laertes is like
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2
Q

reinforcements

A

positive (Laertes is not like that) and negative (get more info..”oh right did you also know this”)
- polonius isn’t considering: that people may not know so it seems true to everyone

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3
Q

Polonious Father Complex

A
  • untrusting of Laertes
  • motivated by power
  • politics comes first: wants to see how others perceive him and his family
  • polonius may be worried about his own reputation being damaged by Laertes
  • stark contrast: this situation + “to thine own self be true”
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4
Q

polonius losing track of thought indicates what

A
  • fool
  • check if Reynaldo is really listening
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5
Q

your bait of falsehood takes the carp of truth

A
  • said by polonius
  • he needs to use the bait of telling smaller lies about laertes to uncover what Laertes is like
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6
Q

polonius and ophelia when antic disposition occurred

A
  • polonius has identified that the grief of H extends to Ophelia:
  • believes he’s found a possible reason for hamlet’s behaviour, goes to Claudius to get praise from Claudius
  • P apologizes for his mischaracterization of hamlet
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7
Q

hamlet’s antic disposition

A

hamlet wants polonius to intentionally go to the king
- potential distraction method
- lessens C’s worry that hamlet will try to take the throne

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8
Q

ophelia’s guilt

A
  • afraid of hamlets condition
  • since she’s ghosted him, feeling guilty
  • may think of herself as the cause
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9
Q

rosencrantz and guildenstern

A
  • hamlets childhood friends
  • Claudius calls them to identify what’s bothering him (Hamlet)
  • parallel between what polonius is doing and what Claudius is doing
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10
Q

“more than his father’s death and thus hath put him so much from h’understanding of himself, I cannot dream of”

A
  • claudius=speaker
  • literary device: dramatic irony, audience knows something that the character doesn’t know, Claudius doesn’t know that hamlet knows about the poisoning
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11
Q

“My too much change’d son. Go, some of you, and bring these gentlemen…”

A
  • strange because as hamlet mother she should have an idea of what’s wrong with hamlet
  • only spoke to hamlet (thus far) in public…does she really love him?
  • clueless that her speedy marriage to Claudius bothers her son
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12
Q

ambassadors of Norway return to say what?

A

-

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13
Q

Gertrude character analysis

A
  • gertrude acknolwedges that hamlet sr.’s death and the quick marriage are potential causes of hamlet’s antic dispoition
  • admission of guilt (to an extend), actively engaged in not converting with hamlet is in someway responsible
  • cause of not talking to hamlet: she doesn’t want to open the Pandora’s box of her questionable behaviour
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14
Q

gertrude vs opehlia

A

Gertrude is powerful and makes herself powerless, selfish as a mother
- ophelia does the opposite, she makes herself known and heard to an extent

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15
Q

polonius asking “what do you think of me?” to C

A
  • P thinks that his daughters reflections are a direct reflection on him, insecurity; worried about perception
  • C calls him loyal and honourable and P says he will prove it to him (recounts)
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16
Q

fishmonger

A

pimp; H isn’t aware of P using O (H is also using O), H doesn’t know P read his letters
- H was confident that by acting crazy, O would tell P who would tell C, we can assume H saw P talking to C+G, therefore using O

17
Q

“For if the sun breeds maggots in a dead dog…”

A
  • H to P
  • maggots eat smth else to benefit themselves: P eating O
  • P doesn’t understand, confused
18
Q

irony with P in movie

A
  • p hired someone else to spy on his son, but conducts meeting in presence of prostitute
19
Q

why have the g+C meeting in bedroom

A
  • ref to intimacy
  • privacy
  • pressure; king’s chambers
20
Q

fortune

A

Lady Luck, personification
- women=emotional=fickle
- fortune=fickle
- rooted in menstruation=changing, inconsistent hormones
- strumpet=whore, choices make 0 sense traditionally

21
Q

H calls Denmark

A

prison

22
Q

Hamlet questioning

A

1) why r u here
2) why r u in elsinore
3) are u here on ur own
4) did they send u

23
Q

nay then I have an eye on you

A

H to rosencrantz and guild, doesn’t trust them

24
Q

“I have of late, but wherefore I know not-lost all my mirth”

A
  • recently, I feel nothing idk why
  • hamlet
25
Q

what a piece of work Is a man! how noble in reason, how infinite in faculty

A
  • perfect invention=human
  • noble reasoning capacity
  • unlimited thinking
  • hamlet
26
Q

and yet to me what is this quintessence of dust

A
  • what are we but dust, insignificance
  • hamlet
  • ACTIONS TO ASHES + DUST TO DUST, come from nothing, go to nothing
27
Q

hamlet soliloquy.

A

1) upset bc of circumstances
2) struggling with human emotions
- isolation continues

28
Q

pyrrhus context

A
  • pyres vowed to avenge fathers murder, hid inside trojan before siege , found PRIAM hesitated before killing him and then killed, Priam’s wife Hecuba cried loud

2 FOIL
- hamlet
- fortinbras

29
Q

“oh what a rogue and peasant slave am I!”

“Is it not monstrous that…for Hecuba”

“like John-a-dreams, unpregnany of my cause”

A

calling himself a low life

unrelated to the actions undergone by Pyrrhus, but gets so emotional, if he knew hamlet’s story he’d be so emotional

has the motive to act, but asks himself why he is hesitant

30
Q

who calls me villain, am I a coward, plucks off my beard and blows it in my face

A
  • emasculating hamlet
  • hamlet type of person to endure taunting instead of standing up for himself
  • has the resources but won’t act, thinks of himself as a coward
31
Q

this is most brave…by heaven and hell

A
  • hamlet
  • sarcastically calling himself brave and strong
  • heaven and hell ref to a ghost telling him
32
Q

what does he call himself

A
  • condemns himself for acting like a woman, calls himself a whore
  • respond emotionally and speak but don’t act
  • unpacking my words like a prostitute
  • should commit to one person but they don’t, “not doing what they are supposed to”
33
Q

hamlet compares himself to the actor and his emotions

A
  • couldn’t speak anymore because of how emotional he was over hecuba
34
Q

“the plays the king” wherein ill catch the conscience of the king

A
  • devil could be ghost and wants hamlet to commit murder, where C Is potentially innocent
  • H wants to confirm C guilt, tone change
35
Q

purpose of antic disposition

A
  • might backfire to gain attention
  • clearing space
  • distracts people
  • gives him opportunities
  • keeps him off the throne
  • not in control of his emotions
36
Q

I am sorry that with better heed and judgement I had not quoted him

A
  • sorry abt his idea of hamlet (p)
  • wants reward
37
Q

take this to this

A

p
- im always right
- cut my head off if im wrong

38
Q

let her not walk in the son, conception is a blessing…

A
  • targeting parenting
  • pregnancy=hidden

In this passage, Hamlet is speaking to Polonius, who is trying to use his daughter Ophelia to spy on Hamlet. Hamlet is warning Polonius not to let Ophelia be exposed to the dangers of the world, metaphorically represented by “walking in the sun.” He acknowledges that conception (pregnancy) is a blessing, but he implies that it’s not the kind of conception Polonius would want for his daughter, suggesting that the world is full of corruption and deceit.

This quote can be interpreted in a couple of ways. On one level, Hamlet is expressing concern for Ophelia’s well-being and warning Polonius not to exploit her. However, there’s also a layer of irony here, as Hamlet himself will later contribute to Ophelia’s downfall through his own erratic behavior and treatment of her.

39
Q

u cant take from me any thing that I will more willingly partake…except my life

A

so this line can have more than one meaning because It can represent how we can truly see his suffering even behind his facade alongside the struggle for questioning, however, could we also say that since hamlet mentioned that avenging his fathers death would be the sole goal of his life, giving him purpose, him stalling (calling himself a coward in soliloquy) is also leading to that psychological issue, since if he isn’t acting on his intent, he won’t have a purpose

1984 (3 decks)

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