Hamlet Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

Hamlet - “Frailty thy name is woman”

Act 1, Scene 2. Soliloquy 1

A

Context: When Hamlet comes back from Uni and finds out his mother married Claudius.

Analysis: Literary Apostrophe

‘frailty’ - connotes to more than the physical, functioning as a direct reference to moral weakness and being fickle. Disloyal.

“Women” - imbues all womankind with traits of moral weakness and disloyalty. Actions of one are generalised to womenkind

Themes/Topics: Misogyny, relationship with Gertrude. Gender. Disloyalty, betrayal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Hamlet - “A beast that wants discourse of reason would have mourned longer”

Act 1, Scene 2. Soliloquy 1

A

Context: After frailty, Hamlet returns from Uni and finds out his mother married Claudius.

Analysis: bestial imagery - used to emphasise his cruel views on women.

BEAST: Connotations of wildness and barbarianism, beasts are unfeeling and without sentiment.

Elizabethans - GCOB, see beasts and all below on the Chain as soulless and unable enter heaven.

Themes/Topics: Misogyny towards Gertrude. Gender. Disloyalty, betrayal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Hamlet - “Tis an unweeded garden, that grows to seed; things rank and gross in nature”

Act 1, Scene 2. Soliloquy 1

A

Context: Spoken by Hamlet after the banquet/celebration of Claudius and Gertrude.

Analysis: Weeds - unwanted, suffocating, hard to manage, destructive.
Garden - synonymous with civilisation, order, and logic (GARDEN OF EDEN)
Rank – grotesque, rotting or class, position

Themes/Topics: Corruption of Denmark, Natural/unnatural

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Hamlet - “Hyperion to a Satyr”

Act 1, Scene 2. Soliloquy 1

A

Context: Hamlet is comparing his late father to his uncle (Claudius) in his first soliloquy, where he is overcome with grief and incredulity. He is questioning/insulting/berating why his mother married Claudius.

Analysis: Hyperion - Titan of the sun ‘god from above’ personification of the sun. strength and power, immortality and eternal being, superiority is paramount

Satyr - Connotations of trickery, lies, devil, lude behaviour

Themes/Topics: Masculinity, the ideology of man, greek gods

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Horatio - “This bodes some strange eruption to our state”

Act 1, Scene 1

A

Context: Said by Horatio after seeing the ghost.

Analysis:
“Strange” – supernatural, something bad is coming
“Eruption” – volcanoes, building up, spilling  bursting, hot, fiery

Supernatural disturbance has visited Denmark as an outward warning of infection beneath

Themes/Topics: Denmark, Chaos,
Unnatural bad, natural good.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Hamlet - “The native hue of resolution/is sickled over with pale cast of thought”

Act 3, scene 1.

A

Context: As he ponders the nature of existence, Hamlet comes to the conclusion that the reason why humanity chooses to endure struggle rather than take action is because of fear of the consequences.

Analysis: Self-flagellation is a sickness, the more you overthink you become more sick. Metaphor of sickness positions the audience against inaction and delay.

Themes/Topics:
DISEASE THOUGHT/ACTION PROCRASTINATION DELAY NATURE MASCULINITY

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Hamlet - “I am pigeon-livered and lack gall to make oppression bitter”

Act 2, scene 2.

A

Context: third soliloquy

Analysis: Pigeons known to have small miniscule livers.
Liver - where they believed iron was produced, small liver means he is not strong

GCOB – self worth is lowered to animal

Themes/Topics: action/inaction, imagery, self flagellation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Hamlet - “I could interpret between you and your love, if I could see the puppets dallying.”

act 3, scene 2.

A

Context: Hamlet to Ophelia. Hamlet is rude to ophelia and criticising her passiveness
During the play

Analysis:
Puppets –> control, possessive, tied down

Dallying –> dally” meant “to act or speak sportively, make sport, amuse oneself

Hamlet saying that Ophelia’s love is controlled by her father. Being told what to do and think.

Theme/topic
Misogyny by Hamlet, control, women as deceivers.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Hamlet - “I have heard of your paintings well enough. God hath given you one face and you make yourselves another”

act 3, scene 1

A

Analysis: “paintings” – façade, fake, deception.

“yourselves” – plural – demonstrate how he is referring to women more generally,

Themes/Topics:
Relationship with Ophelia reavelas hamlets cruelty towards women
Gender roles/ double standards

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Laertes - “to cut his throat in the church”

A

Context: Laertes talking to Claudius about his plan of revenge on hamlet. In response to the murder of polonius – subjunctive tense – hypothesising.

Analysis: “Church” – law to not spill blood in the church

“cut his throat” – how they execute livestock.
Don’t have to look in the eye - a cowardly way to kill (ignoble)

Themes/Topics:
Can use to show how people suffer from revenge

consequences of corruption

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Laertes - “The canker galls the infants of the spring too oft before their buttons be disclosed”’

A

Context: Laertes talking to Ophelia, warning about Hamlet’s attentions.

Analysis: Metaphor,

“Infants of the spring - flower, new, very first shoot, delicate, fragile,
“disclosed” - shared, welcomed,

women are delicate, victims, vulnerable (casting as being weak)

Themes/Topics: Gender roles (women virginity)

Shakespeare warns that traditional roles of femininity, render women vulnerable.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Marcellus - “Something is rotten in the state of Denmark”

A

Context: Marcellus speaks this to Horatio as they decide whether or not to follow Hamlet and the Ghost—Act 1, Sc4. This is prior to the murder being revealed.

Analysis: Rotten (decaying, decomposition) State (meaning condition AND royal family/King as manifestation of state AND country) In (at the core. Not superficial.)
The “thing” is the ghost—supernatural. King=Denmark

Themes/Topics: DECEPTION DISLOYALTY CORRUPTION CLAUDIUS TRUTH MORALITY CHAOS DISEASE NATURE

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

“chariest maid is prodigal enough”

A

Context:

Analysis

Themes/Topics:

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Laertes - “chaste treasure open”

A

Context: This is Laertes’ reasoning behind cautioning his sister regarding her relationship with Hamlet. (one of a few reasons)

Analysis: Metaphor.
“chaste” - purity, virginity, innocence

Ophelia virginity as a valuable property. Without pureness, women somehow lose the most valuable piece of themselves.

Themes/Topics: MASCULINITY, FEMININITY, GENDER NATURE FAMILY DOUBLE STANDARDS HAMLET

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Hamlet - “my father brother, no more like my mother, than I to hercules”

A

Context: First soliloquy at the banquet.

Analysis:
Hercules - greek god - connotation of exceptional strength and courage.
Comparison of himself shows that he sees himself as weak following the death of his father.
Glorifies his father as a god among men,

Themes/Topics: Maculinity, spirituality,

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Hamlet - “plucks my beard and blows it in my face”

Third soliloquy

A

Context: Prompted and shamed by a visiting Players emotive monologue, Hamlet is quick to decry his own alleged lack of action

Analysis: pluck my beard - take his masculinity away. is not living up to his father by inaction.

Themes/Topics: thought vs action. masculinity.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Hamlet - “that i must like a whore unpack my heart with words”

A

Context:

Analysis:
SIMILIE
- motif of prostitution (equated with weakness, lying, deceit) in ‘like a whore’

– implies that he is overly feminine, sentimental, and incapable of action.

Audience: positioned to understand that Hamlet’s inaction is indeed a weakness as the imagery suggests a moral ineptitude – a notion Elizabethan audiences would feel more strongly than a modern one.

Themes/Topics: Gender / thoughts / supernatural

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Hamlet - “I do not set my life at a pins fee”

A

Context: When the Ghost beckons Hamlet to follow it alone, the Prince dismisses Horatio’s misgivings by suggesting any mortal consequences would be meaningless, as the Prince’s life has no value.

Analysis: Hyperbole - Set (as is “set the value of”)
Pin’s fee (to the Elizabethans, cheap pin

Themes/Topics: GRIEF THOUGHT/ACTION HAMLET TRANSFORMATION SYMPATHY SUFFERING

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Ghost - “the serpent that did sting thy fathers life. Now wears his crown”

A

Context: Ghost to Hamlet,

Analysis: Serpentine imagery.

Serpent - a deceptive, sly creature or trickster, untrustworthy, dangerous.

Elizabethan knowledge of the Garden of Eden, the fall of paradise.
Poisoning caused by Claudius (snake) causes Denmark to fall.

Themes/Topics: serpents, deception, betrayal, degeneration of the state, poison.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Laertes - “virtue its escapes not calumnious strokes”

A

Context:

Analysis:

Themes/Topics:

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

“you speak like a green girl, unsifted and perilous circumstances”

A

Context:

Analysis:

Themes/Topics:

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Hamlet - “I have heard of your painting… god hath given you one face and you make yourselves another”

A

Context: After realising that Ophelia is being used to spy upon him, Hamlet lashes out at her supposed deceptive ways, and his true feeling regarding women are revealed.

Analysis: Paintings (constructed, effort, manufactured beauty) Make (crafted, intention) God (sacrilege, defying His intent) plural s (not about just one woman)

Themes/Topics: GENDER DECEPTION FEMININITY HAMLET OPHELIA GERTRUDE PRETENSE TRUTH, DISLOYALTY

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

“thus conscience does make cowards of us all”

A

Context:

Analysis:

Themes/Topics:

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Polonius - “Your bait of falsehood takes this carp of truth”

A

Context: Polonius is speaking to Renaldo. Sending him to France to spy on Laertes Giving instructions to Renaldo what to do when he gets to France

Analysis: Metaphor
“carp”: prize catch – truth is aligned with the object we are trying to catch
“bait”: lie/deceit

Put falsehood out into the world and you might catch prize you are looking for

Connotation - Lying to Polonius is as easy as a sport – fun/leisure activity – comes easy

Themes/Topics:
Deception, lying

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

Hamlet - Such dexterity to incestuous sheets

Act 1, Scene 2. Hamlet 1st soliloquy

A

Context: When Hamlet comes back from Uni and finds out his mother married Claudius. Initial feelings of grief and betrayal.

Analysis:
Dexterity - skill in performing tasks, especially with the hands.

Incestuous sheets - G and C’s marriage is incest.

Audience - explicitly forbidden by the Catholic and Anglican faiths.

Themes/Topics: Family, Claudius as a catalyst for chaos. Hamlets moral degeneration with his treatment to women.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

Ghost - “Swift as quicksilver it courses through the natural gates and alleys of the body” act 1

A

Context: Ghost says it to Hamlet in the first interaction .

Analysis: Metaphor
Quicksilver –> mercury, highly poisonous

Gate and alley - alluding to a city and bloodstreams of the body.

of the body –> reference to how Old hamlet died, but also alluding to how Denmark is being poisoned as well.

Themes/Topics: Audience view claudius murder as a catalyst for the degeneration of denmark .

27
Q

Hamlet to Polonius - “For if the Sun breeds maggots in a dead dog”

Act 2, Scene 2.

A

Context: Says Hamlet, in the midst of making a series of bitter jests at Polonius, while being spied on.

Analysis: Imagery. Hamlet believes all people possess evil qualities that rot from the inside out. humanity is corrupted by evil.

Themes/Topics: Disease, rot, decay.

28
Q

Hamlet - “Now could I drink hot blood, and do such bitter business as the day would quake to look on

✅.”

A

Context: He’s filled with rage and is desperate for revenge.

Analysis: Aesthetic allusion and hyperbole

Hot - fever, sickness, rage fuelled –> relishing murder

Hamlets degeneration - Commit violent immoral and unnatural acts.

Elizabethans believed that witches would drink blood

Themes/Topics: Influx of violence, imagery of blood, supernatural, moral degeneration, Impulsiveness

29
Q

Hamlet - And is’t not be damn’d to let this canker of our nature come in futher evil?

A

Context: Hamlet having a conversation with Horatio as they prepare for the final confrontation with Laertes. The scene takes place just before the fencing match in which Hamlet and Laertes will face each other. Talking about how he is doing the right thing by killing Claudius.

Analysis:
Canker – growth, disease of the natural world. Rot, eats away. Gnawing, tearing it down. Worms

“our nature” means our common human nature

King as a kind of disease who will make other people worse and destroy our faith

Themes/Topics: natural vs unnatural, action vs inaction, critical reflection, corruption, disease.

30
Q

Claudius - O, my offence is rank it smells to heaven; It hath the primal eldest curse upon’t,

A

Context - After Claudius is disturbed by and storms out of The Murder of Gonzago, he attempts to pray, but finds he is unable to repent.

Analysis: Offence (breach law)
Rank (rotting, stench, royal rank)
Smells to heaven (hyperbolic, great distance, God condemns)

Primal (C+A, brothers, jealousy) Curse (ongoing punishment)

Emphasise corruption/cruelty in Claudius’ act and why Denmark is suffering

Themes/Topics: DECEPTION PRETENSE TRUTH DISLOYALTY CORRUPTION DISEASE

31
Q

Claudius - Unmanly grief…tis a fault to heaven, A fault against the dead, a fault to nature

A

Context: Hamlet’s refusal to take part in celebration causes Claudius to publicly condemn his display of grief

Analysis:
“unmanly” - advocates an unemotional existence that audiences reject

“Heaven” - Invoking God to guilty and condemn Hamlet—cruel and ultimately hypocritical

Hamlet’s grief (juxtaposed against “auspicious and dropping eye”) is genuine and contextually appropriate given the time period—it is C+G that act unnaturally.

Themes/Topics: MASCULINITY FEMININITY GENDER ISOLATION GRIEF MADNESS NATURE CLAUDIUS+FATHER IMPACT

32
Q

Hamlet - This physic but prolongs thy sickly days

A

Context: Even at the opportune moment, Hamlet does not strike his uncle down despite having confirmed Claudius’ guilt.

Analysis: “Physic” - purging of sins in prayer, also Hamlet’s “cure”
“Sickly” - diseased, infectious, suffering—King infects state
“Prolongs” - allows to infect state over time
While hamlet delays his vengeance, Claudius will becomes more sick.

Themes/Topics: DISEASE CORRUPTION DECEPTION SYMPATHY REVENGE RESPONSIBILITY THOUGHT ACTION RELIGION MORALITY

33
Q

Ophelia - “now see that noble and most sovereign reason like sweet bells jangled, out of turn and harsh”

A

Context: Ophelia’s primary concern after Hamlet’s verbal abuse is the Prince’s deterioration, as she laments the (seeming) loss of an ideal masculine figure.

Analysis: “Sovereign reason”
- term means both ruler and primary, reason as foremost importance

“Sweet bells…harsh” music metaphor—beauty to discordance. Same instrument but no longer logical

audience is made aware of the depth of Hamlet’s downfall

Themes/Topics: HYPOCRISY DECEPTION TRANSFORMATION SUFFERING

34
Q

Ophelia - “blasted with ecstasy”

A

Context: after sweet bells.

Analysis: Blasted (infected, affected, destroyed by madness)

audience is made aware of the depth of Hamlet’s downfall OR that through hamlets “antic disposition” the audience criticises the way Ophelia has been led to despair

Themes/Topics:

35
Q

Hamlet - Hoist with his own petard
“Tis the sport..” Act 3, Scene 4

A

Context: Hamlet declares he will make sure that R+G will be the victim of their own machinations.

Analysis: “Hoist” - to be thrown
“Petard” medieval bomb–notoriously unstable. Deception/disloyalty is like an unstable weapon, likely to hurt the perpetrator
“Sport” Hamlet will take joy in this like a game–no conscience..

Themes/Topics: DECEPTION DISLOYALTY CONSCIENCE

36
Q

Hamlet - Nay, but to live/In the rank sweat of an enseamed bed,
Stew’d in corruption, honeying and making love/ Over the nasty sty

A

Context: Hamlet seeks to force his mother to confess her sin—the incestuous marriage—to receive salvation.

Analysis: “Rank sweat”
- grotesque, but also rank like hierarchy—Claudius’ sweat
“Enseamed” defiled, polluted “Sty” - pigsty, mud, dirt, impure

Audience condemns Gertrudes weakness = she is corrupted and tainted by her continued association with Claudius.

Themes/Topics: CORRUPTION DISEASE GENDER GCOB (self)DECEPTION MORALITY

37
Q

Laertes: To hell, allegiance! vows, to the blackest devil!/Conscience and grace, to the profoundest pit!/I dare damnation

Act 4, Scene 5

A

Context: After being informed of polonius’s unexpected death, Laertes becomes enraged and wants to seek revenge. After I will not be juggled with.

Analysis: He is willing to die for revenge, and he dares for this to be a damning act because he is actually avenging his father

Allegiance - loyalty or commitment to a superior

Topic/themes: Revenge/duty, Laertes spiritual/moral degeneration for revenge.

38
Q

HAMLET: He that hath killed my king and whored my mother, popp’d in between the election and my hopes,/Thrown out his angle for my proper life,

A

Context: Hamlet exposes the depths of Claudius’ depravity to Horatio, and in turn reveals his own increased confidence and desire to rule.

Analysis: King (Not father—position is key.
Connected to restoring proper order) Whored (Cruel term, BUT Active role is Claudius—not Gertrude)
Hopes (Desires to lead now—sees future)
Thrown…angle (Fishing metaphor—lowers position on GCOB)
Proper (Rightful place as King).

Topic/theme: TRANSFORMATION, HAMLET, CLAUDIUS, CONFIDENCE, NATURAL ORDER

39
Q

HAMLET: Abuses me to damn me: I’ll have grounds/More relative than this.

A

Context: While the Ghost—in the form of Hamlet’s father—has exposed the villainy of Claudius, the Prince decides to proceed with caution and find more definite proof of the murder.

Analysis:
Weakness/Melancholy (grief as weakness)
Abuses…damn (condemn to Hell for unjust murder)
Grounds more relative (double meaning of relative–define, grounds as foundation or substance)

Valorise Hamlet’s caution—due to not killing without ground

Topic/themes: HAMLET CAUTION IMPULSIVITY SYMPATHY APP/REAL DECEPTION REVENGE

40
Q

ROSENCRANTZ: The cease of majesty/Dies not alone, but, like a gulf, doth draw/What’s near it with it

A

Context: When Claudius orders R+G to convey a supposedly mad Hamlet to England, they readily agree, citing the need to keep the King safe. (irony…)

Analysis: Cease..Majesty (literal death of king, but also death of what is majestic: magnificence, grandeur, nobility)

Literal death of Kings: CONDEMN Claudius is responsible for the degradation of Denmark. Metaphorical death of Majesty: Hamlet’s degeneration pulls others down with him.

Topic/themes: NATURAL ORDER CORRUPTION DISLOYALTY LEADERSHIP DECEPTION HAMLET CONSEQUENCES MORALITY

41
Q

Hamlet: For this point forward my thoughts be bloody, or nothing worth”

Act 4, Scene 4

✅✅✅✅✅

A

Context: Hamlet sees Fortinbras taking action on revenge by going to Poland and decides he wants to take action.

Analysis: The imagery of blood alludes to - murder, and death and demonstrates Hamlet’s hunger for revenge. Losing morality. Shakespeare highlighting that revenge is a violent act

Topic/themes: Revenge, degeneration of Hamlet, blood.

42
Q

to whom i will trust as I will adders fang’d

A

Context:

Analysis:

Topic/themes:

43
Q

Hamlet: Like Niobe, all tears

A

Context: Hamlet first soliloquy. Mad at gertrude.

Analysis: Niobe - Greek mythology - her children were killed - cried so much she turned to stone

Mother’s grief was not profound and didn’t last very long.

Topic/theme: Gertrude fickleness.

44
Q

Hamlet: Rogue and peasant slave

act 2, scene 2.

A

Context: The princes third soliloquy exposes how his inability to take immediate, violent revenge catalyses a spiralling degeneration specifically in his perception of self.

Prompted and shamed by a visiting Player emotive monologue, Hamlet is quick to decry his own alleged lack of action

Analysis:
Rogue - rascal like,
Peasant - labelling himself as the lowest of the heirachy - bottom feeder, useless, followers.
The metaphor of peasant slave- with its connotations of unsophistication, poorness, and lowest societal rank

Hamlet’s melancholia and pitiably view of himself has come as a direct result of Claudius

Topic/Themes: Self-flagellation, degeneration of self, masculinity, corruption, action v inaction.

45
Q

Hamlet: This too too sullied flesh would melt and thaw

Act 1, Scene 2

A

Context: Hamlet’s first soliloquy. Overwhelmed with grief of his late father and betrayal by his mother.

Analysis: “Sullied” – something once pristine has now been spoiled, damaged, and decayed.

Hamlet’s disgust at his contaminated body is emphasised by his desire for his ‘flesh’ to melt.

topic/themes: grief, self flagellation, betrayal

46
Q

Hamlet: virtue cannot so inoculate our old stock but we shall relish of it:

Act 3, Scene 1.

A

Context - Ophelia attempts to return Hamlets gifts, Hamlet berates her and leaves

Analysis: ‘old stock’ that men will always fall for virtuous women (even if it’s a façade, which Hamlet believes it always is)

Topic/themes: Deception / aesthetic – motif of disease

47
Q

Ghost: “leperous distillment”

A

Context: Ghost says it to Hamlet in the first interaction, before gates and alleys.

Analysis:
Leprosy is a disease that infects the skin (what was poured into the king).
Claudius is the most evil infecting – especially the king - with this.

Topic/themes: good for context, villain, Claudius, disease.

48
Q

Gertrude - “Poor wretch… muddy death”

Act 4, Scene 7

A

Context: Claudius and Laertes are plotting Hamlets death, when gertrude enters and reveals ophelias death.

Analysis:
Poor wretch - miserable person, passive voice, victim because of no recourse

muddy - tainted, unclear. Madness had overtaken her and let herself sink.

Connotations of baby and the ultimate vulnerability. Passivity in death/lack of agency (imbued with diction of passivity)

Topic/themes: Consequences of corruption, deception, gender roles.

49
Q

Hamlet to Ophelia - “get thee to a nunnery… breeder of sinners

Act 3, Scene 1

A

Context: Hamlet develops idea of women’s fickleness and his disappointment with his mother is projected on to all women. Berating Ophelia as she returns his letters and the gifts he has given her

Analysis:
“Nunnery” was an Elizabethan slang term for a brothel.

women who give birth to men are breeders of ‘sinners’, because all men are sinners.

Topic/themes: Conflict/gender. Hamlets misogyny

50
Q

Hamlet: “That his heels may kick up at heaven, soul may be as damned and black as hell”

Act 3. Scene 4

A

Context: Bloodthirsty hamlet finds Claudius kneeling, praying for forgiveness, Hamlet refrains from murdering him just yet, hungry for true vengeance

Analysis:
“Damned and black” –> evil, suffering, violent, lifeless.
Wants him to be lifted up to heaven and then fall right down to the depths of hell. Where Hamlet justly thinks he belongs.

Topic/theme: exposes his bloody revenge and puts personal desires over justice violence.

51
Q

Laertes - Anoint my sword

Act 4, Scene 7.

A

Context: Claudius discusses with Laertes how they will full proof Hamlet’s death.z

Analysis: Sword symbolises revenge.
Anoint - apply poison
act of deception.

Topic/themes: moral degeneration.
act of deception - laertes. suffering of character.

52
Q

Hamlet to polonius - “I took thee for thy better”

A

Context: Hamlet has stabbed Polonius through the arras

Analysis:

Topic/themes:

53
Q

Hamlet - “to put an antic disposition on”

Act 1, Scene 3

A

Context: Hamlet is warning Horatio and marcellus that he will be feigning madness and that they must keep what they know a secret

Analysis: Hamlet means that he is going to pretend to be crazy.

Deception. Hiding behind something.

Topic/themes: Deception/madness

54
Q

Hamlet - “Exposing what is mortal and unsure…Even for an eggshell.”

A

Context: Hamlet about fortinbras.

Analysis: Show how cruel and ridiculous Fortinbras action are

eggshell - something completely worthless.

Topic/themes: inhumanity

55
Q

cast thy nighted colours off

A
56
Q

revenge is most foul and unnatural murder

A
57
Q

“O wretched state, O bosom black as death! O lime soul that, struggling to be free”

A
58
Q

marriage vows as false as dicers oaths

A
59
Q

Hamlet: the spirit i have seen may be the devil

A
60
Q

Hamlet: go to their graves like beds.

A
61
Q

Laertes: I’ll will not be juggled with

A
62
Q

you can fret me yet you cannot play upon me

A
63
Q

Hamlet about R & G: they are not near my conscience, their defeat does by their own insinuation grow

A
64
Q

Hamlet: for a fantasy and trick of fame, go to their graves like beds. numbers cannot try the cause.

A