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Module 3 Chemical Services > Hair Color > Flashcards

Hair Color Flashcards

1
Q

Color is

A

A phenomenon of light
It is a group of electromagnetic waves
And it can be seen if wavelengths are reflected off an object

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2
Q

Primary colors

A

Red
Blue
Yellow

Create all other colors

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3
Q

What colors are produced by mixing 2 primary colors in varying proportions

A

Secondary colors are produced by mixing 2 primary colors in varying proportions

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4
Q

A mixture of red and yellow creates what color

A

Red and yellow = orange

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5
Q

Varying proportion of blue and yellow create what color

A

Blue and yellow=green

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6
Q

Tertiary colors

A

Yellow-orange
Red-violet
Blue-green
Red-orange

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7
Q

Mixing varying proportion of a primary color with its neighboring secondary color produces

A

Tertiary colors

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8
Q

Warm colors

A

Tones generally fall into the yellow orange and red half of color wheel

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9
Q

Cool colors

A

Fall into the green blue and violet half of color wheel

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10
Q

Mixing colors found opposite one another on the color wheel produces

A

Gray black and brown

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11
Q

colors found opposite each other on the color wheel

A

Complementary colors

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12
Q

An application of which colors would help rid client of unwanted orange tones

A

Blue based color

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13
Q

A level 12 hair color

A

The lightest level

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14
Q

The vividness brightness or saturation of a color is referred to

A

Intensity

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15
Q

Which colors coat only the surface of the cuticle and do not enter the cortex

A

Temporary colors

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16
Q

A nonoxidative process that uses large and small color molecules and allows small color molecules to penetrate the cuticle and enter the cortex

A

Semi permanent coloring

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17
Q

Semi permanent colors

A

Deposit color only does not require retouch service does not involve a chemical change to alter hair

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18
Q

A vegetable dye that produces reddish highlights is

A

Henna

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19
Q

Chemical services should not be performed on hair that has been colored with

A

Henna
Metallic dyes
Compound dye

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20
Q

Which color tool is used to apply a thick or creamy consistency

A

Color brown and brush

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21
Q

What consists of nylon bristles on one end and a pointed tip on the other

A

Color brush

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22
Q

Which color tool is commonly used to apply color products with a thinner consistency

A

Applicator bottle

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23
Q

What color tool is used to comb and part the hair

A

Tail comb

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24
Q

What color tool is commonly used with highlights

A

Foils

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25
Q

Hair color products that are mixed with a developer to create a chemical change

A

Oxidative colors

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26
Q

Type of hair that uses low-volume hydrogen peroxide that can only deposit color or add Tobe to tge hair would be

A

Long lasting semi permanent

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27
Q

Long lasting semi permanent colors will generally last

A

4 to 6 weeks

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28
Q

Demi permanent colors

A

Add tone
Deposit color
Last 4 to 6 weeks
Do not lift existing color

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29
Q

Permanent hair colors are sometimes called

A

Oxidative tints with ammonia

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30
Q

The combination of hydrogen peroxide and which of the following items will allow for the lift and lightening of the hours natural color

A

Hydrogen peroxide and ammonia

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31
Q

Product that requires skin patch test

A

Permanent color

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32
Q

What may be required if desired amount of lift is not achieved using single process color

A

Prelightening

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33
Q

Which item is most commonly used developer or oxidizing agent

A

Hydrogen peroxide

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34
Q

Which product contains aniline derivatives

A

Permanent colors and they required a predisposition test before service

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35
Q

20 volume hydrogen peroxide solution will generally lift the hair

A

Two levels

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36
Q

A 30 volume hydrogen peroxide solution will generally lift the hair how many more levels than 20 vol.

A

One more level than 20

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37
Q

Which product is used before a color service to provide an even base bt filling in porous or damaged areas

A

Filler

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38
Q

Lightners

A

Used to diffused or remove pigment

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39
Q

On scalp lightners

A

Have a pH of about 9

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40
Q

Off scalp lightners

A

Special effects such as highlighting

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41
Q

Which process involves lightening the hair and then recoloring to the desired color result

A

Double process

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42
Q

Small concentration of eumelanin will produce

A

Light blond hair

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43
Q

A predominant amount of pheomelanin produces

A

Red hair

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44
Q

Which hair texture may tend to process slightly lighter than the intended level

A

Coarse

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45
Q

Which type of porosity may take longer to absorb coloring

A

Resistant

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46
Q

With resistant porosity cuticles are

A

Smooth tightly packed and compact

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47
Q

Common reasons for a color change

A

Create fashion statements
Enhance existing or natural hair color
Cover or blend gray and mimic or correct the sun’s lightening effects

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48
Q

What color design principle can draw attention away from the texture of a design and focus on the silhouette

A

Repetition

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49
Q

The texture of a hair design can be emphasized or re-emphasized based

A

Color pattern

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50
Q

Selective color placement in a specific are can create

A

Focal point

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51
Q

Three levels of observation are

A

Basic
Detail
Abstract

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52
Q

Which design principle changes from one color to another repeatedly

A

Alternation

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53
Q

Which design principle refers to an ascending or descending scale of colors

A

Progression design

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54
Q

Repeats one color in a given area

A

Repetition

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55
Q

Creates a relationship of opposites

A

Contrast

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56
Q

Which technique is performed on the surface of the hair to create a highlighted or lowlights color effect

A

Free-form painting

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57
Q

A highlight technique in which a crochet hook is used to pull strands through a perforated Cap

A

Cap method

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58
Q

Which technique is used to add tone or darken the existing color along the entire strand

A

Base to ends

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59
Q

Retouch application

A

Applying color to base

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60
Q

A color technique popular with clients who request ombre

A

Away from base coloring

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61
Q

The guest experience begins with

A

Building rapport and trust

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62
Q

Greeting your client with a firm handshale is part of which service essential

A

Connect

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63
Q

Producing a functional predictable and pleasing result

A

Create

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64
Q

Asking questions and analyzing clients anatomical features

A

Consult

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65
Q

Reinforcing guest satisfaction

A

Complete

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66
Q

Client record houses

A

Client contact information
Color formulation
Processing time

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67
Q

Draping for a color service should include a cape and

A

Towel

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68
Q

A predisposition test should be performed how many hours before a color service

A

24 to 48 hours

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69
Q

A skin patch test will help determine

A

If client has a sensitivity or allergic reaction

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70
Q

Coloring the hair back yo it’s natural color

A

Tint back

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71
Q

Following a color removal procedure the designer should

A

Condition and dry the hair

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72
Q

Which of the following responses could be the reason for a color result that is too light

A

Color formula was too light

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73
Q

How often should the client typically schedule a retouch after receiving a lighter result hair service

A

3 to 6 weeks
New growth on lighter is more visible
Frequent retouched

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74
Q

What could be done to solve the problem of insufficient coverage of gray hair

A

Choose darker color to solve problem

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75
Q

When performing a double process technique on a client the lightener is first applied

A

1/2 in (1.25 cm) applied away from scalp out to the porous ends

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76
Q

Mixing varying proportion of primary colors with its neighboring secondary color will produce

A

Tertiary colors

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77
Q

In a permanent hair color procedure the small colored molecules enter the hair with the aid of an alkaline substance

A

Ammonia

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78
Q

Which term is the most commonly used developer or oxidizing agent

A

Hydrogen peroxide

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79
Q

On the scalp lighteners

A

Available in two forms
Oil and cream
Have a pHof around 9
Lighten the natural pigment

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80
Q

The guest experience begins

A

Building rapport and trust

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81
Q

What colors are produced by mixing two of the 3 primary colors un varying proportion

A

Secondary colors

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82
Q

Following a color removal procedure

A

Designer Should condition and dry hair

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83
Q

In order to become active a developer needs ti ve mixed with ammonia or

A

Alkaline compounds

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84
Q

A 20 volume hydrogen peroxide solution will generally lift the hair

A

Two levels

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85
Q

The connect service essential

A

Building rapport

Developing a relationship with the client

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86
Q

Which of the following color techniques is generally referred to as a retouch application

A

Base

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87
Q

Hair should never be lightened or decolorized to

A

White

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88
Q

A coloring technique that lightens isolated strands by weaving or slicing

A

Highlighting

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89
Q

The vividness brightness or saturation of a color

A

Intensity

90
Q

Color

A

Phenomenon of light

Group of electromagnetic waves can be seen if wavelengths are reflected off an object

91
Q

Varying proportion of blue and yellow create

A

Green

92
Q

Which of the following responses could be the reason for a color result that is too light

A

Color formula was too light

93
Q

A predisposition test should be performed how many hours before a color service

A

24 to 48

94
Q

Which type of hair colors are capable of lightening natural pigment and depositing artificial pigment in one process

A

Permanent hair colors lift the natural pigment and deposit artificial pig in one process

95
Q

What should be applied when dropping for a color service to prevent irritating and starting the hairline

A

Barrier cream

96
Q

With resistant porosity cuticles are

A

Smooth tightly packed and compact

97
Q

Which colors coat only the surface of the cuticle and do not enter the cortex

A

Temporary colors

98
Q

Which type of color products deposit colorlift and deposit color in a single process technique

A

Oxidative colors -permanent

99
Q

A predisposition test for all products containing an aniline derivative ingredient is a requirement from

A

The u.s federal food drug and cosmetic act when

100
Q

When applying color to a client with 75% gray apply

A

One level darker

101
Q

Mixing colors found opposite one another on the color wheel produces

A

Gray black brown

102
Q

During a retouch procedure for a lighter resultapply mixture to

A

New growth area only

103
Q

Reasons for a color change

A

Create a fashion statement
To enhance existing natural hair color
Cover or blend gray
Mimic or correct sun’s lightening effects

104
Q

Lightners utilize ingredients such as ammonia and peroxide to penetratethe cortex

A

Cassette melanin yo break down

105
Q

Hair color products that are mixed with a developer to create a chemical change

A

Oxidative colors permanent

106
Q

the action performed by oxidative color after initial application

A

Oxidative tints cause the hairstrand to swell

107
Q

Why are color molecules able to penetrate the cuticle later of the hair when using semi permanent products versus temporary colors

A

Molecules are smaller in size molecules penantrate cuticle layer of the hair

108
Q

What product comes in powder form and mixed with hydrogen peroxide becomes a strong lightening product

A

Off the scalp lightners

109
Q

When two of the three primary colors are mixed in varying proportions the three secondary colors produced are

A

Orange green violet

110
Q

Hair breakage and discoloration can happen when coloring hair that has been previously colored with

A

Henna
Metallic dyes
Compound dyes

111
Q

Anilinr derivative products can’t be used

A

To color eyelashes or eyebrows can cause blindness

112
Q

Which hair texture may tend to process slightly lighter than the intended level

A

Coarse hair

113
Q

A predominant amount of Pheomelanin will produce

A

Red hair

114
Q

The texture of a hair design can be emphasized or de-emphasized based on

A

Color pattern

115
Q

In artificial hair coloring the predominant tone is known as

A

Base color

116
Q

What base toner would be used to produce a neutral blond or prelightened pale yellow hair

A

Violet based toner

117
Q

Which of the following color groups are considered the 3 pure colors

A

Red blue and yellow

118
Q

Which of the following methods may be needed if a hair color service result in a darker color than the client desires

A

Hair color removal technique

119
Q

A color technique popular with clients who request ombre

A

Away from the base coloring

120
Q

A type of hair colors that uses a low volume hydrogen peroxide that can only deposit color or add tone to the hair would be

A

Long lasting semi permanent

121
Q

In a double process technique after rinsing the Lightner and checking for scalp abrasions you should

A

Mix and apply toner

122
Q

Fine hair which is generally less resistant may appear to process in what manner when color is deposited

A

Fine hair which is less resistant may appear to process darker when color is deposited

123
Q

The degree of lightnessor darkness of color relative to itself and to other colors is know as color level

A

Hue

124
Q

Draping for color service should include cape

A

And towel

125
Q

Regarding color services which of the following may help the school or salon owner avoid retribution as a result of any damage or accidents

A

Client release statement

126
Q

When should the salon professional ask a client about past color services

A

Consult service

127
Q

Coloring the hair back to its natural color

A

Tint back

128
Q

During the consult service essential prior to the service which if the following items could be used to better understand the ckients specific desires

A

Hair color swatches

129
Q

Lightens hair faster

A

Off the scalp lightner

130
Q

Which type of mixing bowls may cause hydrogen peroxide to weaken

A

Metal mixing bowls may cause hydrogen peroxide to weaken

131
Q

Which design principle refers to an ascending or descending scale of colors

A

Progression

132
Q

When applying an oxidative color for a darker result color is applied

A

Base to ends

133
Q

Peroxide can act as an oxidizer and lift or subtract color when activated by

A

A higher pH substance

134
Q

Temporary colors are usually applied to

A

Clean towel dried hair

135
Q

What color tool is used to command part the hair

A

Tail vomb

136
Q

What affects the processing time when decolorizing hair

A

Amount of natural pigment in hair

137
Q

What color design principle can draw attention away from the texture of a design and focus in the silhouette

A

Repetition

138
Q

If the hair accepts color easily

A

It has Average porosity

139
Q

Henna

A

Reddish tones

140
Q

Roman women used mixtures of wood ash unsealed lime and sodium bicarbonate

A

To lighten their hair

141
Q

August Wilhelm von Hofmann and William Henry perkin

A

Accidentally discovered how to create permanent dyes

Led to synthetic hair colorants that are used today

142
Q

Temporarily

A

By adding color pigment that shampoos out

Immediately or over time

143
Q

Permanently

A

Either by adding or removing color pigment

144
Q

Color

A

The visual perception of the reflection of light

Phenomenon of light

145
Q

Sir Issac Newton

A

Discovered that without light there would be no color in 1676

146
Q

Electromagnetic waves

A

Wavelengths

147
Q

Colors not visible to the eye

A

Radio waves

Infrared waves

148
Q

Wavelengths that can be seen

A

Create color and are known as visible light

149
Q

Wavelengths

A

Can’t be seen unless they are reflected off an object

150
Q

Law of color

A

States that only three colors
Red yellow blue
Are pure colors

151
Q

Primary colors

A

Red
Yellow
Blue

152
Q

Pure colors

A

They can’t be created by mixing any other colors

153
Q

When two or 3 primary colors are mixed in varying proportions

A

They produce 3 secondary colors

154
Q

Secondary colors

A

Orange
Green
Violet

155
Q

Orange

A

Red and yellow

156
Q

Green

A

Blue and yellow

157
Q

Violet

A

Red and blue

158
Q

Mixing a primary color with its neighboring color in varying proportions make

A

Tertiary colors

159
Q

Six tertiary colors

A 
Yellow-orange 
Red- orange
Red-violet
Blue-violet
Blue- green
Yellow- green
160
Q

Color wheel

A

12 hue color circle that is created from the 3 primary colors which then are used to create fge 3 secondary and 6 tertiary colors positioned in a circle allowing any mixed color to be described in relation to the primary colors

161
Q

Tone/hue

A

Color

162
Q

The name of a color is identified

A

By its position on the wheel

163
Q

Tone of hair color can be described as

A

Warm cool or neutral

164
Q

Colors can be classified as either

A 
Warm colors (warm tones)
Cool colors (cool tones)
165
Q

Warm color tones

A

Yellow orange or red half of the color wheel

166
Q

Cool color tones

A

Green blue and violet half of the color wheel

167
Q

Yellow-green and violet-red

A

Can be considered warm or cool depending on whether they contain more of the cool tones or warm tones

168
Q

If someone is classified as warm

A

Means their hair and skin coloring fall into the yellow red orange category
Has undertones

169
Q

How to identify warm and cool undertones on a client

A

Turn wrist over blue veins 💙 cool undertones
Green veins 💚 warm undertones
Combination means neutral

170
Q

Complementary colors

A

Colors found opposite one another on the color wheel

Often used to correct or neutralize unwanted tones

171
Q

When 2 complementary colors are combined

A

Results contain all 3 primary colors

172
Q

When complimentary colors are mixed together in varying portions

A

They neutralize or cancel another out
Producing a neutral color
Gray black or brown

173
Q

Color that don’t exhibit warm or cool tones

A

Considered neutral

174
Q

Brassy orange tones get corrected by

A

Blue based color neutralizes brassy

175
Q

Color has 3 main characteristics

A

Hue
Level/value
Intensity

176
Q

Hue

A

Named and abbreviated for easy reference based on their position on color wheel

Yellow
Red 
Blue
Green 
Orange 
Violet

RO
BV

177
Q

Level/ value

A

The degree of lightness or darkness if a color relative to itself and to other colors

Yellow- light color
Red- medium color
Blue- dark color

178
Q

2 wats to talk about Value

A

Fields and level

179
Q

Three major hair color fields

A

Light
Medium
Dark

180
Q

The level system

A

Is a numbering system that identifies the lightness or darkness of hair colors

181
Q

Hair color is divided into

A

10 numbered levels

Darkest hair level 1
Lightest level is 10 (12)

182
Q

Lighter colors

A

Come forward

183
Q

Darker colors

A

Recede

184
Q

Intensity

A

Vividness brightness or saturation of a color within its own level

Mild to strong

Strength of a colors tone not its lightness or darkness

185
Q

Strong intensity

A

Deep vibrant rich

186
Q

Soft intensity

A

Subtle muted soft

187
Q

Intense version of color is called

A

Pure because it’s the most saturated version of that color

188
Q

Blue

A

The darkest of the 3 primary colors

189
Q

Yellow

A

Lightest

190
Q

Red

A

Medium

191
Q

Motivations to change colors

A

Create a fashion statement
Enhance existing or natural hair color
Cover or blend gray hair
Mimic or correct sun’s lightening effects

192
Q

An all over application of a darker color

A

Draws attention to the overall form of a design

193
Q

Placing darker colors in close fitting areas and lighter colors where more expansion is desired

A

Can enhance the form of the design

194
Q

Effect of color on form

A

Repetition of color throughout draw attention away from texture and focus on silhouette

195
Q

Effects of color on texture

A

Emphasize or de-emphasized based in pattern and degree between colors chosen

196
Q

A repetition of color

A

Visually calm and otherwise activated texture

197
Q

An alternation in a selected area

A

Can accentuate the sculpted texture

198
Q

Effects of color as a focal point

A

Selective placement can create a focal point or accentuate a focal point

199
Q

A darker color at the nape

A

Visually narrows the head shape

Lighter blonds towards face create softness

200
Q

A dark shadow with bright accent color

A

Frames the fame creates dynamic focal point that emphasizes the eyes and geometric fringe

201
Q

A soft fusion of warm colors throughout Mid lengths and ends

A

Gives appearance of more movement and dimension

202
Q

Lighter accent pieces in interior of overall dark design

A

Draw attention and emphasize the longer lengths

203
Q

Color design analysis

A

Existing and desired color

Patterns shapes and techniques

204
Q

Three levels of observation

A

Basic
Detail
Abstract

205
Q

Basic

A

Visualizing in black and white to help determine lightness or darkness

Light 
Medium
Dark
Same color throughout 
Pattern of colors
206
Q

Detail

A

Hair color family
Warmth or coolness
Intensity
Whether it’s is alight warm brown medium or cool brown

207
Q

Abstract

A

Imagine placement of color to create effects you see
Placement of color
Pattern and shapes used

208
Q

Solid form

A

Deeper tones at perimeter enhance the form line and add visual weight

Highlights around face create focal point
Highlights throughout create the illusion of surface activation and more movement

209
Q

Graduated form

A

Darker tones in exterior enhance the tapered effect and angular shape of nape
Interior highlights create more activated appearance to balance sculpted activated texture in exterior
Repetition diminishes contrast of sculpted textures and draws attention to shape and form

210
Q

Increase layers

A

Lighter ends show activated texture and elongation of form
Lighter tones in interior create illusion of more volume
All over highlights increase illusion of texture activation particularly on the long interior layers

211
Q

Uniformly layered

A

Repetition enhances shape form
Highlights near face create focal point
Alternation adds appearance of texture activation p

212
Q

zones

A

Subdivide the head into multiple areas to create a color design with a combination of colors

213
Q

Areas that can be colored in zones

A 
Fringe 
Top
Crown
Nape
Perimeter
214
Q

Shapes used in color design

A

Rectangles
Triangles
Circles or portions of circle

215
Q

Design principles elements

A

Form
Texture
Color

216
Q

Design principles

A

Repetition
Alternation
Progression
Contrast

217
Q

Repetition

A

Repetition of color creates maximum light reflection and shine

218
Q

Alternation

A

Colors change from one to another repeatedly

Creates illusion of height and depth or texture

Can be used throughout or zones and shapes

219
Q

Progression

A

Ascending or descending scale of colors

Can be created with zonal patterns
Or along hairstrand

220
Q

Contrast

A

Relationship of opposites

3 levels apart darker colors create depth
Lighter colors come forward
Illusion of volume

Module 3 Chemical Services (1 decks)

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