H-p Flashcards

1
Q

​a figure of speech that uses an incredible exaggeration or overstatement, for effect. “If I told you once,
I’ve told you a million times….”

A

Hyperbole

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

the use of language to evoke a picture or a concrete sensation of a person, a thing, a place, or an experience

A

Imagery

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

​the reversal of the normal word order in a sentence or phrase.

A

Inversion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

a discrepancy between appearances and reality.

A

Irony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

occurs when someone says one thing but really means something else.

A

Verbal irony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

​takes place when there is a discrepancy between what is expected to happen, or what
would be appropriate to happen, and what really does happen.

A

Situational irony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

​is so called because it is often used on stage. A character in the play or story thinks one
thing is true, but the audience or reader knows better

A

Dramatic irony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

poetic and rhetorical device in which normally unassociated ideas, words, or phrases are placed next to one another, creating an effect of surprise and wit. Ezra Pound: “The apparition of these faces in the crowd;/ Petals on a wet, black bough.” ​Juxtaposition ​is also a form of contrast by which writers call attention to dissimilar ideas or images or metaphors. Martin Luther King: “Injustice anywhere is a threat to justice everywhere.”

A

Juxtaposition

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

​is a form of understatement in which the positive form is emphasized through the negation of a negative form: Hawthorne— “…the wearers of petticoat and farthingale…stepping forth into the public ways, and wedging their ​not unsubstantial persons​, if occasion were, into the throng…”

A

Litotes

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

one in which the main clause comes first, followed by further dependent grammatical units. See periodic sentence​. Hawthorne: “Hester gazed after him a little while, looking with a half-fantastic curiosity to see whether the tender grass of early spring would not be blighted beneath him, and show the wavering track of this footsteps, sere and brown, across its cheerful verdure.”

A

Loose sentence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

a figure of speech that makes a comparison between two unlike things without the use of such specific words of comparison as like, as, than, or resembles

A

Metaphor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

a metaphor that is extended or developed as far as the writer wants to take it. (conceit if it is quite elaborate).

A

Extended metaphor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

is a metaphor that has been used so often that the comparison is no longer vivid: “The head of the house”, “the seat of the government”, “a knotty problem” are all dead metaphors

A

Dead metaphor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

is a metaphor that has gotten out of control and mixes its terms so that they are visually or imaginatively incompatible. “The President is a lame duck who is running out of gas.”

A

Mixed metaphor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

​a figure of speech in which a person, place, or thing, is referred to by something closely associated with it. “We requested from the crown support for our petition.” The crown is used to represent the monarch.

A

Metonymy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

An atmosphere created by a writer’s diction and the details selected

A

Mood

17
Q

​a recurring image, word, phrase, action, idea, object, or situation used throughout a work (or in several works by one author), unifying the work by tying the current situation to previous ones, or new ideas to the theme. Kurt Vonnegut uses “So it goes” throughout Slaughterhouse-Five to remind the reader of the senselessness of death.

A

Motif

18
Q

the reasons for a character’s behavior

A

Motivation

19
Q

​the use of words whose sounds echo their sense. “Pop.” “Zap.”

A

Onomatopoeia

20
Q

​a figure of speech that combines opposite or contradictory terms in a brief phrase. “Jumbo shrimp.” “Pretty ugly.” “Bitter-sweet”

A

Oxymoron

21
Q

​a relatively short story that teaches a moral, or lesson about how to lead a good life.

A

Parable

22
Q

a statement that appears self-contradictory, but that reveals a kind of truth.

A

Paradox

23
Q

(parallelism) the repetition of words or phrases that have similar grammatical structures

A

Parallel Structure

24
Q

a work that makes fun of another work by imitating some aspect of the writer’s style.

A

Parody

25
Q

​a figure of speech in which an object or animal is given human feelings, thoughts, or attitudes.

A

Personification

26
Q

the series of related events in a story or play, sometimes called the storyline

A

Plot

27
Q

​introduces characters, situation, and setting

A

Exposition

28
Q

complications in conflict and situations (may introduce new ones as well)

A

Rising action

29
Q

​that point in a plot that creates the greatest intensity, suspense, or interest. Also called “turning point”

A

Clímax

30
Q

​the conclusion of a story, when all or most of the conflicts have been settled; often called the
denouement

A

Resolution

31
Q

​the vantage point from which the writer tells the story

A

Point of view

32
Q

one of the characters tells the story.

A

First person point of view

33
Q

​an unknown narrator, tells the story, but this narrator zooms in to focus
on the thoughts and feelings of only one character.

A

Third person point of view

34
Q

​an omniscient or all-knowing narrator tells the story, also using the third
person pronouns. This narrator, instead of focusing on one character only, often tells us everything about many characters.

A

Omnisciente point of view

35
Q

a narrator who is totally impersonal and objective tells the story, with no
comment on any characters or events.

A

Objective point of view

36
Q

the central character in a story, the one who initiates or drives the action. Usually the ​hero ​or anti-hero​; in a ​tragic hero​, like John Proctor of The Crucible, there is always a ​hamartia​, or ​tragic flaw ​in his character which will lead to his downfall.

A

Protagonist

37
Q

a “play on words” based on the multiple meanings of a single word or on words that sound alike but mean different things

A

Pun