guilt, death and suffering

Question 1

‘ h - - / p - - - - - - - / c - - - - - - / h - - / b - - - / t - - / w - - - - - / f - - / us/ to/ l - - - - - / h - - / f - - - / as / t - - - / of a/ m - - - - - - / g - - - / m - - ‘

Answer 1

‘his previous conduct has been too wicked for us to lament his fall as that of a morally good man.’
- C.V Boyer’s
reasoning as to why Bosola’s death fails to move the audience

Question 2

‘ u - - - / e - - - - - - - / f - - - / t - - / o - - / a - - / m - - - - - - - / t - - - - - - - - / to / s - - - - - - - - / t - - / d - - - - / s - - - - - ‘

Answer 2

‘uses elements from the old ars moriendi tradition to structure the death scenes’
- Bettie-Anne Doebler

Question 3

‘ c - - - - - - - - - / d - - - - / p - - - - - - - / t - - / p - - - - - - - - - - - - / c - - - - - - - - - - - / h - - - / f - - / a/ f - - - - - / j - - - - - - ‘

Answer 3

‘christian dying provides the predominantly conventional hope for a future justice’
- Bettie-Anne Doebler

Question 4

‘in/ s - - - - / of/ B - - - - - - / c - - - - - - - - - / to a / m - - - - - - - / of / r - - - - - - / we / a - - / l - - - / d - - - - - - - / t - - - / t - - / w - - - - / c - - / c - - - - - ‘

Answer 4

‘in spite of Bosola’s conversion to a minister of revenge we are left doubting that the world can change’
- Bettie-Anne Doebler