Greek + Asian Theatre Flashcards

1
Q

Aristotle

A

Greek Philosopher, wrote the poetics, identified the tragic form in theatre

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2
Q

The Poetics

A

Written by Aristotle, analyzed the form of Greek tragedies

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3
Q

Thespis

A

Supposedly first “actor” in dithyramb, inspo for the term thespian

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4
Q

Aeschylus

A

First to develop drama into a form separate from singing, dancing, or storytelling, resized chorus to twelve

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5
Q

Sophocles

A

Introduced a third actor into dramas, Noted for his superb plot construction,
Known for writing “Oedipus The King”

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6
Q

Euripides

A

Considered more “modern” due to his
sympathetic portrayal of women, realism, and mixture of comedy and tragedy

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7
Q

Aristophanes

A

Best known comic playwright of ancient Greek Golden Age

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8
Q

Menander

A

Best-known representative of Athenian New Comedy, Works by Plautus and Terence were supposedly inspired by him

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9
Q

Plautus

A

Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata Comoedi

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10
Q

Terence

A

Wrote plays with simple conversational Latin, pleasant and direct, while less visually humorous to watch

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11
Q

Seneca

A

Developed Senecan tragedy, a division into five acts with Choruses—and in the English imitations often a dumb show expressive of the action

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12
Q

Horace

A

Horace is known for detailed self-portraits in genres such as epodes, satires and epistles, and lyrics

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13
Q

The Art of Poetry

A

Horace’s written piece on poetry. He claims poetry should both “instruct and delight

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14
Q

Bharata Muni

A

Bharata was a muni sage of ancient India. He is traditionally attributed authorship of the influential performing arts treatise Natya Shastra

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15
Q

Natyasastra

A

A Sanskrit treatise on the performing arts. The text is attributed to sage Bharata

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16
Q

Sudraka

A

An Indian playwright, to whom three Sanskrit plays are attributed: Mrichchhakatika, Vinavasavadatta, and a bhana, Padmaprabhritaka

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17
Q

Shankuntala

A

Sanskrit: Śakuntalāa, is the wife of Dushyanta and the mother of Emperor Bharata. Her story is told in the Adi Parva, the first of eighteen parts of the ancient Indian epic Mahabharata

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18
Q

Kalidasa

A

Kālidāsa was a Gupta era, Classical Sanskrit author and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy

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19
Q

Guan Hanqing

A

Guan Hanqing, sobriquet “the Oldman of the Studio”, was a Chinese dramatist, playwright, and poet during the Yuan Dynasty

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20
Q

Li Yu

A

A Chinese playwright, novelist and publisher

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21
Q

The Orphan of Zhao

A

A Chinese play from the Yuan era, attributed to the 13th-century dramatist Ji Junxiang

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22
Q

City Dionysia

A

An ancient dramatic festival in which tragedy, comedy, and satyric drama originated; it was held in Athens in March in honour of Dionysus, the god of wine

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23
Q

Dithyramb

A

A wild choral hymn of ancient Greece, especially one dedicated to Dionysus

24
Q

Satyr Play

A

Theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes

25
Q

Deus ex Machina

A

A plot device whereby a seemingly unsolvable problem in a story is suddenly or abruptly resolved by an unexpected and unlikely occurrence

26
Q

Skene

A

A building behind the playing area that was originally a hut for the changing of masks and costumes but eventually became the background before which the drama was enacted

27
Q

Orchestra

A

A level space where the chorus would dance, sing, and interact with the actors who were on the stage near the skene

28
Q

Periaktoi

A

Device used for displaying and rapidly changing theatre scenes

29
Q

Recognition (Anagnorisis)

A

The startling discovery that produces a change from ignorance to knowledge

30
Q

Reversal (Perepeteia)

A

The turning point in a drama after which the plot moves steadily to its denouement

31
Q

Hamarita

A

A fatal flaw leading to the downfall of a tragic hero or heroine

32
Q

Six Elements

A

Plot, character, thought, diction, melody, and spectacle

33
Q

Old Comedy

A

Initial phase of ancient Greek comedy (c. 5th century bc), known through the works of Aristophanes. Old Comedy plays are characterized by an exuberant and high-spirited satire of public persons and affairs

34
Q

Middle Comedy

A

Represents a transition from Old Comedy, which presented literary, political, and philosophical commentary interspersed with scurrilous personal invective, to New Comedy

35
Q

New Comedy

A

Greek drama from about 320 bc to the mid-3rd century bc that offers a mildly satiric view of contemporary Athenian society, especially in its familiar and domestic aspects

36
Q

The Happy Idea

A

A concept that is silly, but would be ideal

37
Q

Agon

A

The dramatic conflict between the chief characters in a literary work

38
Q

Parabasis

A

An important choral ode in Greek Old Comedy delivered by the chorus at an intermission in the action while facing and moving toward the audience

39
Q

Atellan Farce

A

Were masked improvised farces in Ancient Rome

40
Q

Decorum

A

A principle of classical rhetoric, poetry, and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject

41
Q

Naumachiae

A

A mimic sea battle and the specially constructed basin in which such a battle sometimes took place

42
Q

Total Theatre

A

Total or unified work of art, in which all elements – music, voice, movement and spectacle – work together

43
Q

Rasa

A

A sentiment or emotion evoked in each member of the audience by the art

44
Q

Bhava

A

The central concept in Indian performing arts such as dance, drama, cinema, literature etc. Means “to become”

45
Q

Nataka

A

Ancient Indian theatrical tradition that is closely based on themes of mythology and Indian epics

46
Q

Prakrana

A

A drama of India involving fictional situations from ordinary life

47
Q

Kudiyattam

A

Traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu

48
Q

Khon

A

A Thai classical court masked dance

49
Q

Confucianism

A

An ancient Chinese belief system, which focuses on the importance of personal ethics and morality

50
Q

The Pear Garden

A

First known royal performing arts and musical academy in China

51
Q

Zaju

A

Form of Chinese opera which provided entertainment through a synthesis of recitations of prose and poetry, dance, singing, and mime, with a certain emphasis on comedy

52
Q

Nanxi

A

Early form of Chinese opera, developed from ancient traditions of mime, singing, and dancing

53
Q

Sheng

A

Male role in Peking Opera

54
Q

Dan

A

Female roles in Peking Opera

55
Q

Jing

A

Prominent male character with striking looks and high social position

56
Q

Chou

A

Comedy role in Peking Opera

57
Q

Beijing/Peking Opera

A

Combines music, vocal performance, mime, dance and acrobatics