Great Expectations Flashcards

1
Q

Pip: initial respect

A

“Don’t cut my throat, sir”

“pitying his desolation”, “I am glad you enjoy it”

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2
Q

Pip: realises he is common

A

“coarse hands” and “common boots”

“vulgar appendages”

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3
Q

Pip: becomes gentleman through education, growing snobbery

A

“vain of my knowledge”

“modest patronage”

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4
Q

Pip: others treat him more respectfully

A

Joe: “Sir”
Biddy: “Mr Pip”
“servile” Pumblechook: “May I?”

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5
Q

Pip: snobbery

A

“ashamed of the dear good fellow” at Miss Havisham’s
Joe’s dialect: “your elth’s your elth”
“would have paid money” to keep him away

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6
Q

Pip: surrounded by criminality; guilt

A

“the pale young gentleman’s blood was on my head”
first “impression of the identity of things” is of Magwitch
Mrs Joe: convicts “always begin by asking questions”
crime is like a “stain”
“contaminated” by Newgate

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7
Q

Pip: Trabb’s boy demonstrates Pip’s distance

A

Satire/parody: “Don’t know yah!”

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8
Q

Pip: generosity towards Herbert

A

“only good thing I had done”

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9
Q

Appreciation of Magwitch’s love

A

heart “heavy and anxious at parting from him”
after capture: “my repugnance to him had all melted away”
wrote a “petition to the Home Secretary” => no longer ashamed

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10
Q

Pip: changed attitudes once he loses his fortune

A

Pumblechook: “ostentatious clemency”

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11
Q

Estella: cruel and cold

A

Repeatedly calls Pip “boy”
“scornful” as if a “queen”
“cold, careless smile”

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12
Q

Estella: beauty

A

Aptronym = star
“I admire her dreadfully”
“worshiping the very hem of her dress”

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13
Q

Estella: damage to Pip

A

“hard twist at my hair”

“never had one hour’s happiness in her society”

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14
Q

Estella: honesty to Pip

A

“deceive and entrap” others — “all of them but you”

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15
Q

Estella: damaged by Miss Havisham

A

“Who taught me to be hard?”
“You address nothing in my breast”
“nature formed within me”

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16
Q

Estella: softened by marriage

A

“friendly touch of the once insensible hand”

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17
Q

Joe: physical strength

A

“Hercules in strength”

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18
Q

Joe: uncomfortable at Satis House

A

“persisted in addressing me instead of Miss Havisham”

also uncomfortable at Barnard’s Inn (dropping hat) => parallels?

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19
Q

Joe: kindness, honesty

A

“mild, good-natured, sweet-tempered”
“you and me is ever friends”
blacksmith/goldsmith/partings welded together metaphor => more self-awareness than Pip

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20
Q

Joe: forgiveness

A

“I forgive you, if I have anythink to forgive”

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21
Q

Joe: literacy and learning

A

drunk father “hammered” Joe, a “drawback on my learning” => disadvantaged poor
“uncommon fond of reading” -> pretence
Pip’s “modest patronage” towards Joe => snobbery

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22
Q

Magwitch: animal imagery

A

“growled”

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23
Q

Magwitch: cannibalism

A

“young man”

“I’ll have your heart and liver out”

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24
Q

Magwitch: death imagery

A

“from among the graves”

“eluding the hands of the dead people”

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25
Q

Magwitch: shows love on marshes

A

“Something clicked in his throat” (shown love)
gives Pip a “look I didn’t understand”
takes blame for Pip stealing the pie

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26
Q

Magwitch: pathetic fallacy (on return)

A

“stormy and wet”
wind “assailed and tore” (personification) at the sound of the bells (religion)

=> gives Magwitch a gothic, supernatural presence

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27
Q

Magwitch: ghostly imagery (on return)

A

“footstep of my dead sister”

“voice from the darkness beneath”

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28
Q

Magwitch: thinks being a gentleman is about money

A

“a diamond all set round with rubies”

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29
Q

Magwitch: physical effect of his return on Pip

A

“room began to surge and turn”
=> reminiscent of first meeting
=> also turns Pip’s life upside-down

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30
Q

Magwitch: made Pip

A

Frankenstein?

“I’m your second father”

31
Q

Magwitch: troubled childhood

A

brought up to be “a warmint” (vermin) => disadvantaged
“in jail and out of jail” tricolon
-> no escape, predetermined
“ragged little creetur

32
Q

Magwitch: hard to disguise

A

“Convict in the very grain of the man”

=> lack of social mobility

33
Q

Magwitch: tension with genteel Pip

A

touches Pip: “shuddered”, “blood ran cold”

“I ain’t a going to be low” (dialect => no choice but to be low)

34
Q

Magwitch: slowly dies in prison

A

“slowly weaker and worse” (=> prison conditions)

35
Q

Magwitch: Pip’s prayer

A

“O Lord, be merciful to him, a sinner!” (irony?)

36
Q

Orlick: negative description

A

“morose” (ill-tempered)

“slouching”

37
Q

Wemmick: separation of the professional from the private

A

“moat”
“twin Wemmicks”
parody of Victorian ‘separate spheres’ ideology

38
Q

Drummle: animal imagery

A

“sluggish”
“uncomfortable amphibious creature”
“the Spider” => violent, manipulative

39
Q

Drummle: comparison to Orlick and Magwitch

A

“morose”, “slouching” (same words as Orlick)
“slouching shoulders” “reminded me of Orlick”

“growled” (same word as Magwitch)

40
Q

Herbert: judged by Pip

A

“he would never be very successful”

41
Q

Herbert: kindness to Pip

A

“kindest of nurses”

42
Q

Herbert: Pip’s negative influence

A

“corrupted the simplicity of his life”

43
Q

Mr Pocket: climbed via education

A

“educated at Harrow and Cambridge”

44
Q

Mrs Pocket: domestic knowledge

A

“guarded from the acquisition of plebeian domestic knowledge”

Mr Pocket, a “lecturer on domestic economy”, has more knowledge

45
Q

Herbert: realistic about Estella

A

“a Tartar”

“may lead to miserable things”

46
Q

Jaggers: dark side of London

A

office next to Smithfield Market

“filth and fat and blood”

47
Q

Jaggers: negative portrayal of legal system

A

“partially drunk minister of justice”
throws of Jew with “supreme indifference”

Inhumane trial:
32 men and women “penned in the dock”
sheriffs had nosegays (flowers to block the smell)
Magwitch too weak to stand

48
Q

Jaggers: dehumanising

A

“washed his clients off”
Wemmick walks among Newgate prisoners “as a gardener might walk among his plants”
“I’ll have no feelings here. Get out.” (to Mike the Jew)

49
Q

Jaggers: a parody of lawyers

A

Overly cautious language: “put the case”, “I make no admissions”
“cross-examined his very wine” (humorous)

50
Q

Jaggers: two casts

A

“brutal casts”

“celebrated” cases got them a world of credit

51
Q

Jaggers: brings out the worst

A

=> legal system implications?
“extort”
invited Pip’s “whole gang” => criminal implications

52
Q

Jaggers: controlling

A

at dinner, “kept everything under his own hand”

53
Q

Jaggers: no personal life

A

all books about law

house “in want of painting” (unlike Wemmick’s)

54
Q

Jaggers: doesn’t look in the eyes

A

=> deceit? emotionlessness? formality?

“determined resistance” (at Estella)

55
Q

Jaggers: human side (once he is not Pip’s guardian)

A

saved Estella from the criminal world
“started” when hearing Magwitch is her father
advises Pip not to reveal Estella’s secret (for her sake)

56
Q

Miss Havisham: physical deterioration

A

“corpse-like”

57
Q

Miss Havisham: mental deterioration

A

“sick fancy”

Satis House is a metaphor

58
Q

Miss Havisham: detached from reality/outside world

A

“never since looked upon the light of day”

“spoilt child”

59
Q

Miss Havisham: uses Estella

A

“You can break his heart”

“beautiful creature she had reared”

60
Q

Miss Havisham: uses Pip

A

“enjoyment of Sarah Pocket’s jealous dismay”
“love her, love her, love her”
“a model with a mechanical heart to practise on”

61
Q

Miss Havisham: realises the harm she did Estella

A

“What have I done?”

“fear infused” in her manner towards Estella (at what she created / Frankenstein?) after Estella’s daylight metaphor for love

62
Q

Miss Havisham: realises the harm she did Pip

A

“ghastly stare of pity and remorse”

63
Q

Miss Havisham: punished by her own doing

A

“punishment in the ruin she was”

64
Q

Miss Havisham: begs Pip for forgiveness

A

“dropped on her knees” and “wept”

65
Q

Miss Havisham: ironic cause of death

A

“dry” and “brittle” dress caught fire

66
Q

Miss Havisham: Gothic death

A

prediction she will be laid on the dining table

“disturbed beetles and spiders”

67
Q

Miss Havisham: redemption

A

through helping Herbert (like Pip)

leaves money to Mr Pocket

68
Q

Mrs Joe: unpleasant personality

A

“coarse apron” “stuck full of pins and needles”

69
Q

Mrs Joe: Pip learns of her death

A

via letter => impersonal

to an “honoured sir” (not addressed by name)

70
Q

Mrs Joe: haunts Pip

A

“haunted night and day”

“footstep of my dead sister”

71
Q

Mrs Joe: beautiful imagery when buried

A

“larks sang high above”, “beautiful shadows”

=> Pip’s forgiveness, or relief?

72
Q

Biddy: great learner

A

“an extraordinary girl”

learns “everything that I learn”

73
Q

Biddy: in love with Pip

A

unrequited: “she was common, and could not be like Estella”

74
Q

Biddy: can see Pip will be unhappy

A

Pip’s conscience?

“don’t you think you are happier as you are?”