Gothic Critics/Soundbites Flashcards

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1
Q

Ann Radcliffe on Terror/Horror

A

Terror - “expands the soul and awakens the faculties to a high degree of life”

Horror - “freezes and nearly annihilates”

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2
Q

Angela Carter

1974

A

“We live in Gothic times”

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3
Q

Stephan King

A

” We make up horrors to help us cope with the real ones”

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4
Q

Sarah Perry

2018

A

“The Gothic is a sensation, like hunger or desire; you’ll know it when you feel it”

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5
Q

Hugh Blair on the Sublime

1796

A

“produces a sort of internal evaluation and expansion of the mind above its ordinary state”

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6
Q

Fred Botting

A

“Gothic presents a recasting of the nature of social and domestic fears’

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7
Q

Fred Botting

A

(Gothic protagonist) “usually male, the individual is outcast, part victim, part villain”

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8
Q

Fred Botting

A

“Gothic becomes a fiction of unconscious desire, a release of repressed energies and anti-social fantasies”

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9
Q

Fred Botting

2002

A

“In Gothic times, margins may become the norm”

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10
Q

Fred Botting

A

“Gothic signifies a writing of excess”

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11
Q

Makinen

1992

A

“Women alienated from themselves within the male gaze”

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12
Q

David Punter on the Gothic lens

1996

A

” the Gothic is a distorting lens, a magnifying lens… nonetheless a reality which cannot be apprehended in any other way”

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13
Q

Mustafa Suleyman

2023

A

“If you’re not frightened you haven’t been paying attention” (AI)

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14
Q

Sigmund Freud on the Uncanny

A

“Uncanny is in reality nothing new or alien, but something which is familiar and old-established in the mind and which has become alienated from it only through the process of repression.”

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15
Q

John Berger ‘Ways of Seeing’

1972

A

“men gaze at women with the assumption they can do something to or for them, whereas women view themselves at being looked at”

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16
Q

Sue Chaplin

A

“women’s inability to defend themselves against forms of abuse…permitted by the patriarchal systems of power”

17
Q

David Punter

2003

A

“The creature’s own narrative suggests that Frankenstein’s main sin is not his act of creation but his failure to take responsibility for what he produces”

18
Q

David Punter

2003

A

“As soon as science begins to disturb notions of the human, it becomes a particular interest to the Gothic writer”

19
Q

Jeff Vandermeer

A

“fairy-tales clothe themselves in stereotypes and archetypes”

20
Q

Susan Ferraro

1990

A

‘Rice’s vampires are […] lonely, prisoners of circumstance, compulsive sinners, full of self-loathing and doubt. ‘

21
Q

fabulist

A

“Fabulist fiction tends to privilege internal and interpersonal conflict over large-scale, action-heavy plots; its elements of unreality follow a kind of magical thinking.”

22
Q
A

In the Gothic, transgressive behaviour is not necessarily evil

23
Q
A

In the Gothic, women have no control over their destiny

24
Q
A