Gothic Conventions - Frankenstein Flashcards

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1
Q

Ominous Atmosphere/Setting:

A

Isolated, darkness, the unknown (laboratories a key setting in ‘Frankenstein’).

Weather will also reflect the atmosphere: most commonly mist, fog, lightning, thunder. (Pathetic Fallacy).

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2
Q

The Supernatural:

A

Creatures of another world. Unattainable, outside of nature, but may have a natural cause.

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3
Q

The Doppelganger:

A

A double to depict the vices of each of the two characters. E.g: the Creature and Frankenstein.

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4
Q

The Taboo:

A

Characters often punished for engaging in the taboo. E.g: murder, grave-robbing, mutilation, etc (all crimes Victor is guilty of).

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5
Q

Extreme Emotion:

A

Mary Shelley challenges the notion that women are ‘hysterical’ by using the emotion to fit Victor.

Feelings of fear, panic, terror, hysteria, etc.

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6
Q

Prophecy/Omen/Foreshadowing:

A

Impending doom/evil is foreshadowed by symbolic animals, weather, comments, etc.

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7
Q

The ‘Noble Savage’:

A

A literary stock character who embodies the concept of the ‘outsider’ who has not been “corrupted” by civilisation. Without civilisation humans are essentially good; it is civilisation that makes them act in bad ways. E.g: the Creature.

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8
Q

Realism:

A

Verisimilitude.

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9
Q

Symbolic Settings:

A

Settings and atmospheres that often symbolise/represent a character’s feelings, thoughts, etc, or can foreshadow an event.

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10
Q

Over-reacher:

A

Typical in Gothic literature. Someone who breaks (transgresses) moral and social boundaries in the pursuit of forbidden knowledge.

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11
Q

Themes of madness, death, decay, mystery, obscurity, illness, insanity, hubris:

A
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12
Q

The Uncanny:

A

A warped, distorted human. We recognise some level of humanity in them but they are deformed. Look human but recognise something sinister: the humanity makes them more unnerving.

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13
Q

Epistolary form:

A

A part of the narrative is told through letters.

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14
Q

Frame Narrative

A

Frankenstein has multiple narratives: Walton, Victor and the Creature. This leads to bias as we cannot trust any of them: unreliable narrators.

Walton’s story frames the narrative

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15
Q

The Sublime:

A

Can either be overwhelmingly terrifying or overwhelmingly restorative.

Makes us feel insignificant/small in either a relieving or panic-inducing way.

Cannot connect to something = it has no sublime power over us.

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