Gold medal theory Flashcards

1
Q

Cambre

A

To arch

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2
Q

Petit battement sur le cou de pied

A

Small beats on the neck of the foot

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3
Q

Attitude ordinaire

A

4th arms with same arm up as the working leg

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4
Q

Attitude in opposition

A

4th arms with opposite arm up as the working leg

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5
Q

Attitude a Deux Bras

A

attitude with two arms

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6
Q

Arabesque ouverte

A

arabesque open/ first arabesque

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7
Q

Arabesque croise

A

arabesque crossed/ second arabesque

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8
Q

Arabesque a deux bras

A

arabesque with two arms/ third arabesque

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9
Q

pas de bourree over

A

front, side, behind

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10
Q

pas de bourree under

A

behind, side, front

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11
Q

allegro

A

lively/ brisk

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12
Q

ferme

A

to close

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13
Q

renverse

A

to reverse

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14
Q

batterie

A

beaten steps

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15
Q

entrechat

A

interweaving

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16
Q

quatre

A

four

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17
Q

ballonne

A

ball-like

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18
Q

compose

A

a compound step

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19
Q

solo

A

a dance for one

20
Q

pas de deux

A

a dance for two

21
Q

In grand plies, in which position do the heels remain flat throughout?

A

2nd position

22
Q

in a rond de jambe en l’air which part of the leg remains still?

23
Q

which joint executes the circular movement in a rond de jambe en l’air?

A

the knee joint

24
Q

why do we do battement fondu?

A

to help develop elasticity when bending on one leg and to further strengthen the supporting leg

25
name one group of steps battement frappe will assist building speed for?
batterie, allegro, and pointe work
26
what will petit battement help to develop?
quick movements of the lower leg
27
name one thing that will assist in achieving greater height of legs in developpe.
1. increased flexibility 2. increased core strength 3. use of abdominals so the back does not arch 4. controlled placement of leg and pelvis without movement of the hips
28
how should the supporting food appear at the height of the releves?
turned out
29
is the accent up or down in releves?
up
30
what is the last thing to leave the floor and the first thing to touch the floor in a grand battement?
the big toe
31
what does a grand battement commence and finish with before closing?
battement tendu
32
does the supporting foot move when executing the 1/4 turn in grand battement?
yes
33
as well as beautiful use of arms, head, eyes and expression what should we also see in port de bras?
use of artistry
34
how do you define artistry?
quality of movement. a combination of using good expression together with use of the upper body to enhance carriage of head and arms.
35
Name three attitudes
Ordinaire, opposition, and a deux bras
36
name three arabesques
Ouverte, croise, a deux bras
37
where can attitudes and arabesques be executed?
A terre and en l'air
38
which way do you turn in pirouettes en dehors?
outwards, away from the stationary body
39
which way do you turn in pirouettes en dedans?
inwards, toward the stationary body
40
which type of pirouettes are pose coupe pirouettes?
en dedans
41
In pose coupe pirouettes what is required prior to movement?
An effective fondu on the supporting leg.
42
In the petit allegro enchainement do the jetes travel?
No, they are executed sur place (on the spot)
43
are sissonnes a step of elevation?
yea
44
how do we commence a sissonne?
In a demi plie, push off from two feet at the same time.
45
what is a ballonne compose en avant?
a soft bouncing step comprised of a ballonne simple, a step forward, degage derriere and close in 5th position
46
in which famous ballet do you particularly see ballonnes?
Giselle, act 1