Glossary of Poetic Devices Flashcards
Allegory
An extended metaphor in which the characters, places and objects in a narrative carry figurative meaning.
Allusion
A brief, intentional reference to a historical, mythic, or literary person, place, event, or movement.
Anadiplosis
The repetition of the last word of one clause or sentence at the beginning of the next.
Anaphora
Often used in political speeches and occasionally in prose and poetry, anaphora is the repetition of a word or words at the beginning of successive phrases, clauses, or lines to create a sonic effect.
Anthropomorphism
A form of personification in which human qualities are attributed to anything inhuman, usually a good, animal, object, or concept.
Assonance
The repetition of vowel sounds without repeating consonants; sometimes called vowel rhyme.
Aysndeton
The omission or absence of a conjunction between parts of a sentence, as in “I came, I saw, I conquered”.
Blank verse
Unrhyming iambic pentameter, also called heroic verse. This 10-syllable line is the predominant rhythm of traditional English dramatic and epic poetry, as it is considered the closest to English speech patterns.
Caesura
A stop or pause in a metrical line, often marked by punctuation or by a grammatical boundary.
Chremamorphism
Chremamorphism is giving characteristics of an object to a person.
Dramatic monologue
A poem in which an imagined speaker addresses a silent listener, usually not the reader.
Eclogue
A brief, dramatic pastoral poem, set in an idyllic rural place but discussing urban, legal, political, or societal issues.
End-stopped
A metrical line ending at a grammatical boundary or break - such as a dash or closing parenthesis - or with punctuation such as a colon, a semicolon, or a full stop.
Enjambment
The running-over of a sentence or phrase from one poetic line to the next, without terminal punctuation; the opposite of end-stopped.
Free verse
Nonmetrical, nonrhyming lines that closely follow the natural rhythms of speech. A regular pattern of sound or rhythm may emerge in free-verse lines, but the poet does not adhere to a metrical plan in their composition.