Genres Flashcards

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1
Q

Ballad

A
  • Series of verses tell story, often historical or personal
  • Sung in strophic musical form
  • Circulated on large sheets of paper called broadsides
  • Often broadsides added a catchy chorus, repeated between verses
  • British ballad tradition is one of the main roots of American music
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2
Q

Old-time music

A

• Broadly refers to early American styles including string band music, ballad songs, sacred songs, and work songs

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3
Q

Gospel music

A
  • Large body of sacred song with evangelical, religious texts
  • Influenced by popular songs, in use of repetition and memorable combinations of melody and text designed for mass consumption
  • Usually accompanied by musical instruments
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4
Q

Black spirituals

A
  • Genre created by black slaves in the 19th century
  • Energetic, improvisational, call-and-response style
  • African-American aesthetic focus of polyrhythmic textures
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5
Q

Habanera

A
  • The first Latin-American style to have an international impact
  • A Cuban musical style introduced to Europe in the 1850s
  • Involves a characteristic syncopated rhythm, usually in the bass
  • Tango was influenced by the habanera rhythm
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6
Q

Minstrel show

A
  • First form of musical and theatrical entertainment to be regarded as distinctively American
  • Featured mainly white performers in blackface parodying African-American mannerisms
  • Typical 1840s minstrel song was sung by one member, accompanied by a fiddle, banjos, tambourine, and rib bones
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7
Q

Waltz

A
  • Rose to popularity in the U.S. in the 1820s, initially regarded as scandalously intimate
  • By the end of the century, regarded as a symbol of sophistication
  • Smooth, graceful, triple-meter accompaniment
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8
Q

Brass band concerts

A
  • From Civil War through 1910s, one of the most important musical aspects of American life
  • Brass band popularity spread rapidly during and after the Civil War (1861 on)
  • Many bands played arrangements of popular sheet music hits as well as patriotic music
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9
Q

Tin Pan Alley

A
  • By the 1880s, a publishing firm boom erupted in New York City, centered around a block in lower Manhattan that became known as Tin Pan Alley (because of the cacophony)
  • Rise of the modern American music business, aimed at providing hits for an urban market
  • Shared mutually beneficial relationship with Broadway in the 20s and 30s (“golden age”)
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10
Q

Vaudeville

A
  • Popular theatrical form descended from minstrelsy
  • Originated around the turn of the century
  • Most important medium for popularizing Tin Pan Alley songs
  • Consisted of a series of unrelated acts presented sequentually
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11
Q

Ragtime

A
  • Emerged in the 1880s, peaking in popularity in the 1910s
  • In some regards a descendant of minstrelsy, with white musicians using simplified African American elements
  • Often involved Tin Pan Alley composers adding syncopated rhythms to spice up pop tunes
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12
Q

Plantation songs

A
  • Descended from the minstrel tradition
  • Popular in the 19th century
  • Best-known composer is James A Bland
  • Accused of pandering to white stereotypes of blacks
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13
Q

Jazz Age

A
  • Sparked by the recordings of the ODJB (Tiger Rag, etc)
  • Represented cultural shift, intensification of African American influence on musical taste
  • Created more opportunities for black musicians (including Noble Sissle and Eubie Blake)
  • Still an era of racial inequality (segregation, blackface in The Jazz Singer)
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14
Q

Tango

A
  • Reached popularity in the 1910s, with the help of Vernon and Irene Castle
  • Changed the face of American popular dance
  • Represented departure from restrained movements, towards syncopated dance styles
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15
Q

Parlor song

A
  • Reached peak of popularity in the 19th century
  • Most popular songs were by Paul Dresser and Harry von Tilzer
  • Success was driven by selling sheet music and cheap pianos to the middle class
  • Piano remained the center of domestic music-making until the radio in the 20s
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16
Q

Crooning

A
  • Introduction of the microphone enabled shift from exaggerated vaudeville style to a more private musical experience
  • First emerged in the 1920s