general rep

Question 1

Chopin, posthumous Nocturne in Cmin

Answer 1

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 2

Chopin, posthumous Nocturn in C#min (lento…)

Answer 2

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 3

Chopin, posthumous Waltz in Amin

Answer 3

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 4

Chopin, “L’Adieu” waltz

Answer 4

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 5

McCorkle, “Lament for Ukraine”

Answer 5

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 6

McCorkle, “Interlude in Amin””

Answer 6

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 7

McCorkle, “Waltz in Gmin”

Answer 7

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 8

JS Bach, French Suite in Cmin, Air & Sarabande

Answer 8

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 9

JS Bach, Sinfonia 6 in Emaj

Answer 9

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 10

Leroy Anderson, “Forgotten Dreams”

Answer 10

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 11

John Williams, Theme from “Schindler’s List”

Answer 11

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 12

Mike Springer, “Far Away Friend”

Answer 12

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 13

Mike Springer?, “I’ll Be Home For Christmas”

Answer 13

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 14

Heinrich Hofmann, “To The Lute”, op 36 bk 2 no 1

Answer 14

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 15

Martha Mier, “Blue Interlude”

Answer 15

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 16

Earle Hagen, “Harlem Nocturne”

Answer 16

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 17

Arthur Herzog/Billie Holiday, “God Bless The Child” (arr. Eric Baumgartner)

Answer 17

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 18

Over The Rainbow

Answer 18

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 19

Gershwin, “Summertime”

Answer 19

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work

Question 20

Larry Unger, “Two Rivers”

Answer 20

5 - bulletproof (or deferred)
4 - casual performance
3 - getting close
2 - rough
1 - needs lots of work