General Questions Flashcards

1
Q

The Man

A

George O’Brien

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2
Q

The Wife

A

Janet Gaynor

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3
Q

The Woman from the City

A

Margaret Livingstone

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4
Q

What is the impact of the films opening montage as a stylistic device that sets up the films mood and tone?

A
  • juxtaposition of city life and countryside reflect the man’s internal conflict
  • intertitle gives an idea of the grand narrative
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5
Q

How is The Woman from the City represented?

A
  • classy and rebellious
  • black clothes symbolise malice and temptation
  • waltzes around seductively; connotes her role as a temptress
  • 1920s flapper style shows she is liberated, whereas the wife is more traditional
  • giving up conservative Victorian lifestyle/beliefs
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6
Q

How is The Man represented?

A
  • conflicted but ultimately makes the ‘correct’ choice
  • getting beard shaved possibly symbolises change/starting over
  • unkempt and tired at start
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7
Q

How is The Wife represented?

A
  • wears light and long dresses
  • no makeup, natural
  • traditional and conventional
  • lighter hair connotes purity and innocence
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8
Q

How does the use of setting and mise en scene complement the plot that the two illicit lovers create? (Marsh scene)

A
  • calm countryside setting
  • chiaroscuro lighting shows dilemma
  • marsh is private, dark and dirty: suggests it is shameful
  • moonlight suggests more alluring things will happen
  • artificial fog and deserted setting suggests horror
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9
Q

How is mise en scene used to contrast the City Woman and Wife?

A
  • wife’s hair is tied back
  • long hair shows innocence
  • city woman wears dark clothing and makeup
  • dark vs light = convention vs unconvention, temptation vs commitment
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10
Q

How does the director create suspense for the audience in the boat journey sequence? Why doesn’t the Man go through with the plot?

A
  • long sequence to build tension
  • the dog running after them suggests that the dog senses danger: dramatic irony as the wife doesn’t know she is being set up
  • the Man realises what he is doing and that the affair is purely pleasure
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11
Q

How is the visit to the church significant for their relationship?

A
  • they witness a marriage and so renew theirs
  • reminisce upon when they were a happy couple
  • wife accepts his apology
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12
Q

How is the visit to the barber and the ‘masher’ significant for their relationship?

A
  • the Man is making an effort to be presentable for his wife
  • wife shows loyalty by ignoring the masher
  • the man shows protection by slashing the masher’s buttonhole
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13
Q

How is the visit to the photographer significant for their relationship?

A
  • they want to cherish the moment
  • captures their happiness and harmony
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14
Q

How is the visit to the fair and the drunken pig significant for their relationship?

A
  • both able to have fun together, shows the joyful side of the man
  • drunken pig could symbolise the affair
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15
Q

How is the ‘peasant dance’ significant for their relationship?

A
  • shows their connection and bond has been restored
  • traditional dance, shows contrast between countryside and city
  • modernist city looking down at lower class: it wasn’t their choice to do that dance
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16
Q

How are no realistic expressionist visual devices such as superimposition and forced perspective used in the city sequence?

A
  • shows contrast between city and country
  • exaggerated the size of the city and makes it look bigger than it really is
17
Q

What does the storm on the way home symbolise and how is cross cutting used in this sequence to create suspense?

A
  • symbolises something is going wrong
  • hardship
  • cross cutting makes it impactful and shows what is at stake (the baby)
18
Q

How would different audiences respond to the film’s resolution?

A
  • Older audience; would find comfort in the fact the husband overcame temptation and stayed with the wife
  • Modern audience: would find it shocking the wife stayed with him