general cards Flashcards

1
Q

what is catharsis

A

Aristotles theory that says witnessing horrifying things purges the viewer of those feelings

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2
Q

how does phantasmagoria work

A

essentially a camera in reverse– projection with a magic lantern. meant to scare

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3
Q

who are some guys that are anti catharsis

A

brecht, haneke, and glazer. also is alienation/distancing effect that pulls you away from the film and out of the story– reinforcing your audience role

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4
Q

how are Dracula and Nosferatu the same? how are they different?

A

both are based on Dracula, but obv the name is different, Dracula is more freely moving and it is not obvious he is a monster. nosferatu returns to vampire histories’ roots

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5
Q

what does it mean “what’s old is new in nosferatu” is said

A

the added context of literature folklore and history is OLD vampire history but new with nosferatu, as it was not in Dracula

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6
Q

the Oberhausen manifesto: what and when

A

ppl who wanted to change films and make them more political, inspired new German cinema in 1962. “papas cinema is dead”

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7
Q

what is art that would be considered degenerate

A

the cabinet of dr caligari, an abstract sculpture based on an indigenous mask

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7
Q

what is art that is not degenerate

A

a classicist sculpture of a naked man, fritz lang’s film version of the medieval epic “the song of the Nibelungs”

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8
Q

what happened to degenerate art

A

it was burned after being shown publicly

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9
Q

what video talks about degenerate art

A

architecture of doom

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10
Q

what are the four modalities of cinema

A

sound, mis en scene, editing, and cinematography `

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11
Q

what does mis en scene include

A

acting, blocking, lighting, objects, colours, objects associated with characters that have symbolic value

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12
Q

what does cinematography include

A

cuts, perspective, lenses– anything the camera does

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13
Q

what does sound include

A

sound beyond the frequency we can hear, diegetic and non diegetic, silence, score

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14
Q

what does editing include

A

cuts, how many or few

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15
Q

zone of interest sound specifics

A

the film you see vs. the film you hear. stereo sound aka front wall– flattened. sounds of machinery rather than sounds of dying. implied violence instead. the sounds gradually get louder throughout the film so that you cant tune out the background noise. sound has primal reaction that elicits feeling before thought

16
Q

what is acousmatic sound

A

sound that is outside of the character for but they still can hear it

17
Q

the music in zone of interest

A

the score puts us in and takes us out of the film, plays a role in sensationalization. takes u to a place below or beyond what you are seeing. disruptive, guttural sonic punctures convey buried embodied responses like nausea and guilt. music cant seem to stay in the same key– ears first, feels unnatural.

18
Q

the zone of interest and similarities to haneke

A

the zone of interest is an ethical interrogation on the refusal to listen– refusal to communicate is what haneke does

19
Q

what is sunbeams

A

the song played on the piano by the polish girl, written by a jewish survivor of auschwitz.

20
Q

how did expressionism continue in golden era Hollywood horror

A

many filmmakers flee Germany and become part of golden era in Hollywood. hybridizing genre and milking audience for all theyre worth with films

21
Q

what is genrefication

A

making similar films and sequels at a furious rate, mass production model. conventions, given meaning only by adjacency

22
Q

what is affect

A

fear of unease, discomfort, anxiety, shock, disgust, revulsion. general ineffable block of sensation. may differ depending on genre

23
Q

does affect or emotion come first

24
hollywood film noir created by who
some cases German emigres, fritz lang, Robert sion,ak, Edgar g ulcer
25
what is mirror theory
suggests that the film as a media form reflects the prevailing beliefs, cliches, and anxieties of the society that produces it