gatsby Flashcards

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1
Q

Berman - Myrtle

A

Acts as if she had a script in mind (acc all book characters do)
Daisy identifying a woman’s ideal position as that of a fool, adopting the popular media trope of agreeable female stupidity

“A beautiful little fool” and “basic insincerity”

“Anchored balloon”
“Like silver idols weighing down their own white dresses”
- purposeless, floundering movement

Jordan too is a product of media - reminds Nick of a ‘good illustration’
Myrtle is a more blatant fraud of high society
“Furniture entirely too large for it”
“That boy” - Myrtle calling a waiter for ice, ‘these people’ - separates true life with chosen identity
“You can’t live forever, you can’t live forever” - Sense of carpe diem urgency - repetition shows intense desire for inaccessible new life

  • ‘i thought he was a gentleman’, ‘he borrowed somebodys best suit to get married in’
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2
Q

Berman Gatsby

A

Gatsby doesn’t want to be praised for what he is, but rather for what he is not
“womb of his purposeless splendour”
“Invisible cloak of uniform” - War enables anonimity, artificial remaking of oneself to escape barriers
“a penniless young man without a past”

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3
Q

Tripp masculinity

A

Link between class identity and masculinity - success positions him as saviour of humanity, but really embodies social decline and facade
“Civilisations going to pieces”

“first man who ever made a stable out of a garage” - hostile to modernisation, polo ponies are indicative of his status

“Mr Nobody from Nowhere”
next theyll ‘have intermarriage between black and white’

vs - NY - “wild promise of all the mystery and beauty in the world”
“Anything can happen now that we’ve slid over this bridge”

illicit - wolfsheim (1919 world series baseball team succumbed to bribery - rothstein)

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4
Q

Sanderson

A

Characters become symbols for eachother - Nick admires his commitment to his ‘incorruptible dream’
Daisy still retains her value as a symbol in a deceptive world

“he found that he had committed himself to the following of a grail”

“I dont think he had ever really believed in its existence before”

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5
Q

Pearson valley of ashes

A

The Valley of ashes is dust made of corrupted and perverted American dream
“ashes grow like wheat” - after industrialisation, all life has been eradicated

“The rich get rich and the poor get children” - Striking contrast between two worlds - overindulgence vs struggles
“safe and proud above the hot struggles of the poor.”

jay gatsby had “Broken up like glass against Tom’s hard malice”

valley of ashes recalls the bleak landscape of TS Eliots poem The Waste Lnad (published in the year that gatsby is set)
- CONCERN WITH THE SPREAD OF MATERIALIST VALUES
- decline of western civilisation and lack of spirituality
Psalm 23 - the valley of the shadow of death

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6
Q

Churchwell - satire

A

satirical nick’s probity “trust” company in a time of swindles and scams, making fun of people who desire money
- mocks the follies of contemporary social life, shallowness, hypocrisy, greed

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7
Q

Churchwell hope

A

Great genius was to take an emotion like hope and nationalise it - national faith that it is never too late to start afresh
“Milk of wonder” “incarnation was complete”
“extraordinary gift for hope”
‘only the dead dream fought on’

gatsby is the story of american failure - he doesnt fulfil his dreams
- in a land of promise, failure is inevitable
“Pearls were around her neck” - subverting American Dream, ultimate end is acquisition of money, and any means are justified
- paradox - success in material term inescapably mean failure in terms of the ideal

eg. continuing involvement of us in armed conflict signals the failure of an early ideal - aspiration to be a peaceful nation

but the world becomes ‘grotesque’ and ‘frightening’ when bereft of his dream of daisy - sartre’s roquentin, existential panic

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8
Q

trilling

A

gatsby inevitably stands for all of america itself
meditation of the fate of american ideals in the modern world

“Platonic conception”
“ghostly heart”
“Unfamiliar world”

fitzgerald requested name change of title to ‘under the red, white, and blue’

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9
Q

tanner - green light

A

the green light offers gatsby a suitably inaccessible focus for his yearning
preserves american ideals of limitless possibility and personal fulfilment - but when approached too closely revert to ordinariness (“colossal significance” is “vanished”)

belief in “the green light, the orgastic future”
may seem trivial when compared to “fresh green breast” of america but is charged with intensity of gatsbys vision
- symbolically preserves same values of hope, dream, and desire that the new world held for settlers
- living and flourishing has diminished to artificial marker of a rich mans property
fresh green breast VS keeping lawn trimmed, material perfection, distant from vitality

“rock of the world was founded securely on a fairy’s wing”
- material world is dependent upon an ideal world, and magical touch of the ideal can transform material reality

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10
Q

steinbrink

A

moments of happiness or triumpth from the past can neither be recaptured nor repeated, and for that reason seldom can they be forgotten

“Cant repeat the past? Why of course you can”
“Im going to fix everything just the way it was before
desire to go back to louisville and be married from her house - ‘just as if it was five years ago’

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11
Q

Cowley West Egg

A

name carries connotations of the wetward movement that characterised america’s frontier past - idea that both nick and gatsby preserve american ideals that have been lost in sophisticated cities of the east

ironic, as both eggs are located on the eat coast + eggs seems to promise new life but are in fact sterile

“Consoling proximity of millionaires”
Daisy - “appalled” by West Egg and parties
“blazed gaudily”
East was “distorted” for Nick

Horace greeley - offered advice ‘go west’ to americans seeking opportunities for self-advancement (associated with american hope for a new beginning and boundless potential)

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12
Q

cowley - daisy/myrtle

A

daisy - delicate natural flower, but irony as life is entirely manufactured
opens up “in a flower-like way”, but artificiality makes this simle as unconvincing as nick being compared to a rose

myrtle - dark,hardy shrub - foil

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13
Q

Cowley - TJ Eckleburg

A

the objective correlative (a term coined by poet and critic T. S. Eliot that refers to an object that takes on greater significance and comes to symbolize the mood and world of a literary work)

eyes - concern with vision, mistaken for omniscient god
- recreating the citizens of america in its own image
- but world is godless and blind
tanner - allusion to a god who has becomes a deus absconditus who no longer wants to care for man
daisy’s “impersonal eyes” echo

“You can’t deceive God - God sees everything” vs “eternal blindness”

advertisement hoarding - consumer culture
- the arbitrariness of the upper class’s lives, which are empty due to the oversaturation of meaningless consumerism that the wealthy trivially indulge in
consumerism and materialism have taken the place of spiritual values in modern america and have become pervasive!!

gatsby is described as “son of god” - advertising + resurrecetion
‘the advertisement of the man’ - daisy to gatbsy

“renewals of complete faith”
“incarnation was complete”

expensive parties are an elaborate advertising display designed to impress daisy

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14
Q

cowley - “feudal silhouette”

A

ironic imitation - characteristic in us is change, dynamism, creation of new markets

+ ‘high gothic library’ - revival and imitation of the style during the middle ages

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15
Q

cowley - serf

A

older meaning of bondsman was a labourer bound to a master - ironic light upon america’s purported clean break from their european past

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16
Q

cowley - automobile

A
  • embodiment of freedom of movement and symbolic of social and physical mobility

but also symbol of death and mutilation

“fresh, green breast of the new world” - visionary reality with brutality of myrtles death to undermine the power of vision
“swinging loose like a flap” - america mutilated and violated, material world is repeatedly shown to be in conflict with visionary ideals.
‘the death car’

SHOWINESS OF GATSBYS CARE PLAYS A CRUCIAL PART IN HIS DOWNFALL

dimock - the automobile - ‘labyrinth of wind-shields’
- classical mythology meeting modern high-tech mythology
- ‘green leather conservatory’ - what is growing in gatsbys heart, can only be preserved and nourished by high-tech machines

17
Q

cowley - clock

A

“over-wound clock”
- may recall clock ticking by his bedside as the imagined new self into existence
- gatsby envisages his future in terms of an event that is irretrievably in the past
“clock ticked on the washstand” -

final words “borne back ceaselessly into the past”
- ideal american future has been cast frequently as a return to eden - radiant world that ceased to exist before history
- return to paradise was an ideal rather than material reality (new world)

18
Q

tony tanner - time

A
  • repeatability of time - breaking of clock (deep refusal to accept the linear irreversibility of history)

clock appears to be “defunct”
- material witness to the attempt he is making to stop time
“tilt dangerously”, “set it back in place”

unusually large number of time words - over four hundred

TRIMALCHIAN FEAR OF TRANSIENCE - no doubt he would like to break all the clocks

19
Q

cars

A

cars were firstly seen as a symbol of wealth and luxury - became a status symbol for peoples wealth and success

Tom Buchanan represents old money. Tom owns a classy, blue coupe

Gatsby represents the new money side and enjoys showing off the wealth he has ; he owns a flashy, yellow Rolls-Royce; the bright yellow color attracts all of the attention that he could want.
Tom even believes that Gatsby’s flashy, yellow car is tacky, stating it is a “circus wagon.”

Jordan Baker is a character who in many ways represents the carelessness and freedom of the 1920s
her name is made up of two of the largest automobile companies at the time - Jordan Motor Car Company and Baker Motor Vehicle
The Jordan Motor Car Company was significant as it was one of the first to its market to women

carelessness = Nick tells us a memory of Jordan at one point where she “left a borrowed car out in the rain with the top down, and then lied about”

“bad driver”, “incurably dishonest”

20
Q

dimock gatsby

A

maxwell perkins (editor) - g is somewhat vague and dim – counter realism

  • ‘as if he were related to one of those intricate machines that register earthquakes’
    • never any full fledged physical description of gatbsy, only abstract ones
    • conditional tense - ‘if’
    • long distance tenacity and persistence - across time being able to be faithful to one idea of a woman (transposition of a temporal attribute onto a spacial one)
21
Q

dimock telephone

A
  • telephone as impalpable bond of audibility that brings one person to the presence of another person
    • ‘the telephone rang inside, startingly’
    • also charged with intense emotions, but association of high-tech machines as an intrusive force into traditional household

+ technological environment - decade of mass production