GAMABA Artists Part 3 Flashcards

1
Q

She was recognized as a master in weaving abel—

A

Magdalena Gamayo

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2
Q

She is skilled in executing new designs without copying patterns.

A

Magdalena Gamayo

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3
Q

She learned by herself all traditional patterns of binakol, inuritan (geometric design), kusikos (spiral forms similar to oranges) and sinan- sabong (flowers) by observation and practice.

A

Magdalena Gamayo

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4
Q

Is an Ilocano maker of tabungaw—a casque or gourd hat.

A

Teofilo Garcia

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5
Q

.He is metal smith of religious and secular art. He developed his skills in pinukpuk or beaten metal

A

Eduardo Mutuc

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6
Q

She can execute the suwah bekkat (cross-stitch like embellishment), and suwah pendan

A

Ambalang Ausalin

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7
Q

She is also renowned for weaving the sinalu’an—this is a design or category of weaves with stripes of a diamond twill technique.

A

Ambalang Ausalin

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8
Q

Princess. The term of endearment is spoken with the lightness of heart; also with genuine respect, especially from the other mat weavers of Upper Lasang.

A

Estelita Bantilan

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9
Q

She was expert in making of fine warp ikat textiles. With the GAMABA recognition, it is clear she has prevailed.

A

Yabing Masalon Dulo

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10
Q

the Ilocano textile hand-woven from local cotton and other fibers.

A

abel

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11
Q

one the two master designers of the B’laan tribe’s mabal tabih.

She started weaving at the age of 14, creating two “tabih” (handwoven dyed abaka) masterpieces. One of these pieces is displayed at the National Museum.

A

Yabing Masalon Dulo

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12
Q

mabal tabih

A

Yabing Masalon Dulo

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13
Q

The finished cloth is traditionally sewn as trousers as well as upper wear.

A

sinalu’an

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14
Q

When she got married, she raised a family in the foreign faith, but she remains faithful to mat weaving.

A

Estelita Bantilan

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15
Q

 At birth, she was known as Labnai Tumndan—it was a recognizable name in the language of B’laan.

A

Estelita Bantilan

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16
Q
A