GAMABA Flashcards

1
Q

given to a group of artists recognized by Philippine government for their contributions to the nation’s cultural heritage

A

GAMABA

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2
Q

when was GAMABA institutionalized and under what law

A

april 1992

republic act no. 7355

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3
Q

what does GAMABA stand for

A

Gawad sa Manlilikha ng Bayan

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4
Q

criteria for gamaba

A

technical and creative skill

artistic quality

community tradition

folk art tradition

character and integrity

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5
Q

what does technical and creative skill mean

A

mastery of tools and materials needed by the art

established reputation as an art master

maker of extraordinary technical quality

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6
Q

what does artistic quality mean

A

work of the candidate must be outstanding aesthetically

must produce arts consistently over a significant period

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7
Q

what does community tradition mean

A

transferred and/or willing to transfer to other members in the community the skills

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8
Q

what does folk art tradition mean

A

folk-art tradition must be in existence for more than 50 years

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9
Q

what does character and integrity ean

A

candidate must command respect and admiration for the country for his character and integrity

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10
Q

categories of folk arts (12)

A

folk architecture

maritime transport

textile weaving

mat weaving

carving

performing arts

literature

graphic and plastic arts

ornament

textile or fiber art

pottery

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11
Q

awards for GAMABA (PMDVFI)

A

plaque/medal

money - 100k + 10k monthly til death

documentation

vocational course - materials & procedures to be taught to nearby art schools

feasibility study

invited to manila-based events

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12
Q

what does the award logo represent

A

human artform used in traditional cloth

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13
Q

he was a poet from hanunuo mangyan and he was born on 1993

A

ginaw bilog

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14
Q

ginaw bilog is best known for promoting

A

ambahan and surat mangyan

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15
Q

oral-tradition literature of hanunuo mangyans

A

ambahan

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16
Q

ambahan ends with how many end syllables per line

A

ends w/ 7 rhyming end syllables per line

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17
Q

what are the contents of ambahan

A

metaphors and images of the mangyan life (birth to death)

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18
Q

how is ambahan performed

A

recited with no music accompaniment

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19
Q

where is ambahan usually etched

A

bamboo

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20
Q

what is the ancient writing form of mangyans

A

surat mangyan

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21
Q

he was a musician and storyteller in palawan

A

masino intaray

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22
Q

masino is an outstanding master in what instruments (BKB)

A

basal

kulilal

bagit

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23
Q

masino also plays what kind of instruments

A

aroding (mouth harp) and babarak (ring flute)

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24
Q

he is a prolific and pre-eminent epic chanter and storyteller

A

masino intaray

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25
Q

what can intaray chant based from creative memory, endurance and clarity of intellect + spiritual purpose (TST)

A

tultul (epics)

sudsungit (narratives)

tuturan (myths or origin)

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26
Q

gong ensemble (basal) consist of? (GSA)

A

gimbal

sanang

agung

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27
Q

the basal spiritually connects the palawan to two great lords

A

ampo and the master rice

ampo’t paray

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28
Q

an accurate and wonderful metaphor for the basic custom of sharing among the palawan

A

basal

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29
Q

music no instrument predominates

A

basal

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30
Q

highly lyrical poem expressing passionate love

A

kulilal

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31
Q

kulilal is sang with the accompaniment of?

A

kusyapi

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32
Q

in kulilal, which is played by a man?

A

kusapi (2-stringed lute)

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33
Q

in kulilal, which is played by a woman?

A

pagang (bamboo zither)

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34
Q

instrumental music depicting the rhythms, movements, and sounds of nature, birds, monkeys, snakes, chirping of insects, rustling of leaves, the elements and the like

A

bagit

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35
Q

he was a musician in maguindanao who is known to have achieved the highest level of excellence in kutyapi

A

sumaon sulaiman

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36
Q

who achieved the highest level of excellent in the art of kutyapi

A

sumaon sulaiman

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37
Q

at what age did sumaon sulaiman become a master and teacher of his own instrument

A

35

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38
Q

sumaon is also proficient in what instruments (KAGPT)

A

suspended gong with wide rim:

kulintang

agong

gandingan (bossed gong with narrow rim)

palendag (lip-valley flute)

tambul

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39
Q

favorite solo instrument among both muslim and non-muslim filipinos

A

kutyapi

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40
Q

it is reach in melodic and rhythmic invention

A

kutyapi

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41
Q

what does kutyapi explore

A

wide range of timbres and sound phenomena

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42
Q

what does kutyapi possess

A

subtle and variable tuning system

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43
Q

kutyapi is deeply what

A

poetic in nature

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44
Q

what is the most technically demanding and difficult to master instrument

A

kutyapi

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45
Q

a box-shaped lute

frets which are all placed on the neck of the ins. w/ none of the body

A

palawan kusyapi

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46
Q

elaborately carved owing to their skill as master wood carvers

has two strings with movable frets that are attached using beeswax

A

mindanao kutyapi

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47
Q

she is a textile weaver from t’boli

A

lang dulay

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48
Q

how old was lang dulay when she first learned how to weave

A

12

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49
Q

what is the main design of lang dulay

A

t’nalak

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50
Q

sub-designs under t’nalak

A

bulinglangit (clouds)

bankiring (hair bangs)

kabangi (butterfly)

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51
Q

why is lang dulay doing things the old way

A

to honor elders

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52
Q

traditional clothing and eventually became their way of livelihood that range from different varieties of artistic design that reflect one’s rich and colorful culture

A

t’nalak

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53
Q

what is the equivalent term for t’nalak weavers

A

dream weavers

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54
Q

where is t’nalak made from

A

handwoven abaca fibers

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55
Q

she is a textile weaver from tagabawa manobo

A

salinta monon

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56
Q

at what age did salinta present herself to her mother to be taught how to weave

A

12

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57
Q

who are the remaining bagobo weavers in the manobo community

A

salinta monon and her sister

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58
Q

what reputation did salinta build for her work

A

quality of her work and the intricacies of her design

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59
Q

traditional ancestral cloth of tagabawa manobo, customarily used as garment for ancestral royalty

A

inabal

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60
Q

what is inabal made of

A

abaca fibers and ikat (tie-dyed resist)

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61
Q

he is a musician and dancer from kalinga

A

alonzo saclag

62
Q

a Kalinga master of performing arts and also traditional instruments (of Kalinga)

A

alonzo saclag

63
Q

what do alonzo advocate for

A

documentation of Kalinga philosophies

before they become eroded by foreign influences

64
Q

where did his campaigns bring him

A

schools where he discusses various issues with administrators

65
Q

what did he argue for

A

broadcast of traditional kalinga music alongside the contemporary music in the local radio station

66
Q

what group did he form

A

Kalinga Budong Dance Troupe

67
Q

hectares of land in Lubuangan and transformed it into a kalinga village

A

Awichon

68
Q

what can be found in awhichon

A

native houses

collection of native instruments

69
Q

what are held in awhicon

A

cultural performances

70
Q

what can be tried on in awhicon

A

kalinga attire

71
Q

he is an epic chanter in sugod-bukidnon

A

federico caballero

72
Q

what is federico’s nickname

A

nong pedring

73
Q

what documentations does federico work for

A

documentation of oral literature, particularly epics

74
Q

what organizations did federico collaborate with

A

humadapnon and labaw dunggon epics

75
Q

what bureau does federico work with

A

bureau of nonformal education

76
Q

who taught federico to epic chant

A

parents

77
Q

he is a musician in yakan

A

uwang ahadas

78
Q

what is uwang’s sort of illness

A

near-blindness

79
Q

what do his people think of the reason behind his illness

A

form of retribution from the nature of spirits that dwelled in bohe libaken

80
Q

where was uwang born and bathed

A

bohe libaken

81
Q

where did uwang’s training begin

A

ardent observation of the older

82
Q

what is yakan tradition’s instrument for woman

A

kwintangan

83
Q

what is yakan tradition’s instrument for man

A

agung

84
Q

at what age did uwang learn the most important instruments of yakan, especially ____

A

20; kwintangan

85
Q

she is a textile weaver in tausug

A

darhata sawabi

86
Q

darhata is a weaver of what

A

pis syabit

87
Q

what does her own community recognize in darhata’s works

A

expertise in craft

88
Q

what kind of color is evident in darhata’s work

A

bold contrasting colors

89
Q

what is up with darhata’s arrangement of weave

A

evenness of weave and faithfull to traditional design

90
Q

traditional cloth tapestry worn as a head covering or headdress by the tausug men of jolo

A

pis syabit

91
Q

how many days does it take for pis syabit to be made

A

3 days

92
Q

how to do pis syabit

A

stringing black and red threads across a banana and bamboo frame to form base of tapestry

93
Q

where is pis syabit made from

A

cotton or silk

94
Q

he is a metal smith in pampanga

A

eduardo mutuc

95
Q

where did eduardo mutuc dedicate his life

A

creating religious and seculra art in silver, bronze and wood

96
Q

what art does eduardo make

A

pinukpuk

97
Q

when did he start woodcarving (age)

A

29

98
Q

who taught him the art of silver plating

A

colleague

99
Q

what is the art of silvering plating

A

technique used to emulate gold and silver leaf in the decoration of saints and religious screens found in colonial churches

100
Q

decoration for retailed retablos, mirrors, altors and carosas

A

pinukpuk

101
Q

whats the first step for pinukpuk

A

detailed drawing

transfer design on block of wood by chiseling details

102
Q

she is a mat weaver from tawi-tawi

A

haja amina appi

103
Q

haja appi is recognized as the what among the Sama indigenous community

A

master mat weaver

104
Q

where does haja appi weaves

A

central strip to form a mat’s backbone then expands the mat from within

105
Q

why is haja appi rspected in her community

A

unique designs

106
Q

what are haja’s unique designs

A

straightness of edging (tabig)

fineness of her “sasa” and “kima-kima”

107
Q

what did haja experiment with

A

color and developing her own tints to obtain the desired hues

108
Q

sama women craft

A

mat weaving

109
Q

colorful mats with their complex geometric patterns exhibiting precise sense of design, proportion, symmetry and sensitivity to color

A

mat weaving

110
Q

he is a casque maker from abra

A

teofilo garcia

111
Q

through his own efforts, a lot of people have discovered about the wonders of what

A

tabungaw

112
Q

at what age has he been a master artisan

A

age of 15

113
Q

what school has been using tabungaw hats

A

san quintin national high school

114
Q

tabungaw hat is a waterproof hat made of what

A

upo or goard

115
Q

what half of upo is made to use tabungaw

A

upper half

116
Q

what is the hat known as locally

A

strongkis

117
Q

she is a textile weaver from iloilo

A

magdalena gamayo

118
Q

magdalena is known as the what

A

best filipino abel weaver

119
Q

where does magdalena rely on in making abel weaving

A

instincts

praticed hands

innate skills

120
Q

at what age did magdalena learn how to make abel

A

16

121
Q

what does magdalena prefer to work on

A

linen

122
Q

traditional patterns of magdalena

A

binakol

inuritan (geometric)

kusikos (spiral)

sinan-sabong (flowers)

123
Q

traditional woven product of vigan and ilocos region

A

abel weaving

124
Q

what is abel made from

A

yarns of cotton or sagut

125
Q

what adjective can the process of abel weaving be categorized as

A

intricate and labor-intensive

126
Q

what must weavers master in abel weaving

A

synchronizing movements of hands and feet to properly use the wooden handloom

127
Q

she is a textile weaver of yakan textiles

A

ambalang ausalin

128
Q

what is suwah bekkat

A

cross-stitch

129
Q

what is suwah pendan

A

embroidery-like embellishment

130
Q

what is bunga sama

A

floral and bold designs

131
Q

ambalang is renowned for weaving what

A

sinalu’an

132
Q

design or category of weave with stripes of the diamond twill technique

A

sinalu’an

133
Q

secret of intricately-woven cloth resides the comb

A

yakan textiles

134
Q

type of comb

A

sud dendam

135
Q

pandey

A

midwife

136
Q

wooden bar used in cutting umbilical cord

A

bayre

137
Q

she is a mat weaver in sarangani

A

estelita bantilan

138
Q

what estelita she first born as

A

labnai tumndan

139
Q

what did estelita become after being a labnai tumndan

A

bantilan

140
Q

who did estelita marry

A

a bantilan

141
Q

upper-lasang weaver

A

estelita bantilan

142
Q

what is estelita’s nickname

A

princess

143
Q

hospital ground to thrive in estelita

A

mathematical precision

aesthetic quality

144
Q

estelita’s products served as a what

A

gift to the poeple

145
Q

what is mat weaving made from

A

romblon and puri plant

146
Q

she is a textile weaver in b’laan south cotabato

A

yabing masalon dulo

147
Q

name of yabing dulo

A

fu yabing

148
Q

where did fu live

A

youth in an environment with density of stimuli that encouraged skill of imagination

149
Q

warp ikat

A

lutay textiles

150
Q

extinct form of art-making, community-making and equilibrium-making

A

ikat

151
Q

dyeing is an extinct form o f human endeavor in a world gone way of the forests

A

blaan ikat