Fundamentals Flashcards

0
Q

Definition of Line

A

●Defines the boundaries between planes

●Defines shapes

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1
Q

Two-dimensional art

A

●Is flat
●Has height and width, but not depth
●Includes drawing, painting, graphic design, and printmaking.

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2
Q

Functions of Line

A

●Directs the viewer’s eye

●Conveys a sense of movement and energy

Connects two points

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3
Q

Regular Lines

A

● express control and planning

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4
Q

Regulated line

A

● communicates objectivity and accuracy

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5
Q

Implied Line

A

●Line can be implied by a series of marks

●Implied line gives us the impression we are seeing a line where there is no continuous mark

●No actual solid line is present; just the idea of a line is created

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6
Q

Directional Line

A

Used to direct where the artist wants a person to look

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7
Q

Contour Line

A

●A contour is the outer edge or profile of an object

●Contour lines can suggest a volume in space by giving us clues about the changing character of a surface

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8
Q

Communicative Line

A

●The directions of lines both guide our attention and suggest particular feelings

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9
Q

Vertical, horizontal, diagonal indicates

A

●Vertical lines tend to communicate strength and energy

●Horizontal lines can suggest calmness and passivity

●Diagonal lines are associated with action, motion,
and change

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10
Q

Shape

A

●A two-dimensional area the boundaries of which are defined by lines or suggested by changes in color or value

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11
Q

Geometric Shapes

A

A geometric shape is mathematically regular and precise

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12
Q

Organic Shapes

A

Organic shapes are made up of unpredictable, irregular lines that suggest the natural world

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13
Q

Implied Shape

A

●Implied shapes are shapes we can see where no continuous boundary exists
●Just as line can be implied, so too can shape

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14
Q

Contrast

A

●When an artist uses two noticeably different states of an element, he or she is applying the principle of contrast

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15
Q

What’s the 2D and 3D

A

2D objects are called shapes

3D objects are called forms

16
Q

Form

A

Forms are 3D

17
Q

Geometric Form

A

●Regular forms, readily expressible in words or numbers

●Cubes, spheres, cylinders, cones, and pyramids are simple examples

18
Q

Organic Form

A

●Organic forms are derived from living things

●Irregular and unpredictable

●Can be used for expressive effect

19
Q

Volume

A

●Volume is the amount of space occupied by the form

20
Q

Open Volume

A

●When artists enclose a space with materials that are not completely solid, they create an open volume

21
Q

Mass

A

●Mass suggests that something is solid and occupies space
●Our perception of mass is derived from our imagination, our previous experience with smaller objects, and our understanding of the forces of nature
●Mass can suggest weight in a three-dimensional object
●Mass does not necessarily imply heaviness, only that a volume is solid and occupies space

22
Q

Texture

A

●Texture is the tactile sensation we experience when we physically encounter a three-dimensional form

●When we think of texture, we mostly rely on the impressions we receive from our hands

●When we look at a surface we can imagine how its
texture feels

23
Q

Primary Colors

A

Can not be mixed from two colors

Red,Yellow,Blue

24
Q

Secondary Colors

A

Red + Blue = violet
Blue + Yellow = green
Red + Yellow = orange

25
Q

Complentary Colors

A

Colors across each other on the color wheel
( red and green)
( Orange and blue)
(Yellow and violet)

26
Q

Hue

A

Basic colors (primary and secondary colors)

27
Q

Analogous Color

A

●Analogous colors are similar in wavelength

●Painters use analogous color to create color unity
and harmonies

28
Q

Optical Color

A

●Optical colors are colors our minds create based on the information we can perceive

29
Q

Unity: refers to imposition of order and har

A

refers to imposition of order and harmony on a design

30
Q

Variety

A

is a kind of visual diversity that brings many different ideas, media, and elements together in one composition

31
Q

●Balance

A

●the distribution of elements, whether unified or varied, within a work

32
Q

Symmetrical Balance

A

●If a work can be cut in half and each side looks exactly (or nearly exactly) the same, then it is symmetrically balanced
●Near-perfect symmetry exists in the human body
●Because it is a part of our physical body, symmetry can seem very natural and we can make natural connections to it

33
Q

Asymmetrical

A

When artist organize a composition they often use different visual “weights” on each side of it

34
Q

Scale

A

●Artists and designers make conscious choices about the scale of their work when they consider the message they want to put across
●A small-scale work implies intimacy
●Large-scale works can be experienced by groups of viewers and usually communicate big ideas directed at a large audience

35
Q

Hierarchical Scale

A

●Hierarchical scale refers to the deliberate use of relative size in a work of art, in order to communicate differences in importance

●Almost always, larger means more important, and smaller means less important

36
Q

Proportion

A

●The relationships between the sizes of different parts of a work make up its proportions

●By controlling these size relationships, an artist can enhance the expressive and descriptive characteristics of the work

37
Q

Focal Point

A

●A focal point is the specific part of an area of emphasis to which the artist draws our eye