FROGS SCHOLARS Flashcards

1
Q

Frogs is a fantasy play

A

– everything is ‘unreal’. Political and topical comment are less important.’ – McLeish

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2
Q

The Chorus of Initiates

A

Initiates is used to establish a particular atmosphere – a dimension removed from everyday mortal experience. It doesn’t advance the plot at all.’ – McLeish

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3
Q

Comedy tends to

A

take normal life situations and suspends and subvert them.’ – Cartledge

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4
Q

Dionysus in Frogs is a

A

coward, buffoon and literary critic.’ – Russel

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5
Q

The gods were assumed to be

A

sensible enough to take a joke.’ – Macdowell

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6
Q

it is interesting how

A

Dionysus the character would be performing in front of his own image. This ‘doubling’ allows the play to create ‘a satirical setting of its own.’ – McLeish

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7
Q

Dramatic poetry,

A

it seems, can save the city. Drama and civic life are inextricably connected. The very fact that you could write a comedy about tragedy marks the place that drama, as an institution, occupied in Athenian life. - Agocs

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8
Q

Aeschylus wins because he represents

A

a nostalgic vision, uncontaminated by the small-mindedness of daily life, by corrupt and incompetent leadership, and by the losses of war, of a bygone age of Athenian heroism.
- Agocs

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9
Q

Frogs is more

A

preoccupied by tragedy than comedy.
shows awareness of its status as a comedy.
- Tsoumpra

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10
Q

tragedy should

A

teach - it should display cleverness and good advice and make men better.
for Euripides, the goal is to examine conventional wisdom, to scrutinise and provoke. For Aeschylus, dramatic characters should be models of good behaviour for the audience to imitate.
- Ruffell

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11
Q

Euripidean

A

subversiveness and Aeschylean morality
- Ruffell

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12
Q

there is nothing

A

so universal as a fart joke
- Dover

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13
Q

women in comedy

A

were passed over or represented as sex mad or crazed
- Jones

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14
Q

Aristophanes truly believes

A

tragedy has an educational function
- MacDowell

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15
Q

Aeschylus and Euripides’

A

characters are seen like their plays
- Halliwell

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16
Q

tragedies were written for mass audiences

A

and so could be used as material for humour - it was part of the life of the community
- Dover

17
Q

you won’t learn much that

A

is positive about tragedy from Aristophanes’ Frogs, but you will discover a lot that is wrong with it.
- Ruffell

18
Q

Dionysus has no idea to row

A

this would seem contemptible and ridiculous especially to Athenian spectators, many of whom would have been oarsmen in the navy.
- MacDowell

19
Q

cowardly and effeminate Dionysus

A

seems naturally servile… trespassed too far on the human side to qualify for godhood.
- Cartledge

20
Q

Dionysus is deliberately made

A

ridiculous because he was a force to be reckoned with
- Cartledge

21
Q

incongruity between the effeminacy of the

A

god and his dangerous power has a potentially comic side
- Segal

22
Q

the choice of the Eleusinian Mysteries

A

would reassure the audience that the religious proprieties were not being entirely neglected.
- Cartledge

23
Q

Aristophanes shows considerable versatility

A

in his use of different sorts of humour and fun.
- Macdowell

24
Q

he shows supreme

A

mastery of almost every known means of making people laugh
- Stanford

25
Q

Aristophanes used many of his plays as

A

vehicles for the expression of serious political views
- de Ste Croix

26
Q

serious in its

A

ultimate political message
- Edith Hall

27
Q

mixture of

A

seriousness and foolery
- de Ste Croix

28
Q

political topics are

A

notably absent from the early parts of Frogs
- Macdowell