Frau im Mond (Woman in the Moon) (1929) Flashcards

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1
Q

Frau im Mond (Woman in the Moon)

15 October ______

Fritz Lang

Science Fiction, Adventure, Space Exploration
Romance

A

1929

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2
Q

Frau im Mond (Woman in the Moon)

15 October 1929

Fritz Lang

______, ______, ______
Romance

A
  • Science Fiction
  • Adventure
  • Space Exploration
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3
Q

Frau im Mond (Woman in the Moon)

15 October 1929

Fritz Lang

Science Fiction, Adventure, Space Exploration
______

A

Romance

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4
Q

______ was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

A

Lang’s last silent movie

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5
Q

Lang’s last silent movie was ______. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

A

planned as another giant sci-fi film in the vein of Metropolis

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6
Q

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It ______, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

A

didn’t work out like that

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7
Q

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, ______, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

A

partly because the design and trick-work are cramped and unimaginative

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8
Q

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, ______ the exceedingly banal character conflicts on board the first rocket to the moon.

A

partly because Thea von Harbou’s script centres on

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9
Q

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on ______.

A

the exceedingly banal character conflicts on board the first rocket to the moon

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10
Q

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. ______, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.

A

As a result

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11
Q

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it ______: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.

A

looks considerably more dated than other Lang silents

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12
Q

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s ______, and the sci-fi trimmings remain entirely secondary.

A

badly acted melodrama

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13
Q

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and ______.

A

the sci-fi trimmings remain entirely secondary

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14
Q

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. ______ Lang’s magnificent sense of spatial drama: the actual launching of the rocket.

A

One scene is distinguished by

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15
Q

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by ______: the actual launching of the rocket.

A

Lang’s magnificent sense of spatial drama

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16
Q

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by Lang’s magnificent sense of spatial drama: ______.

A

the actual launching of the rocket

17
Q

One scene is distinguished by Lang’s magnificent sense of spatial drama: the actual launching of the rocket. ______ one of the rare Lang movies with a deliriously happy ending.

A

Otherwise, it’s chiefly notable for being

18
Q

One scene is distinguished by Lang’s magnificent sense of spatial drama: the actual launching of the rocket. Otherwise, it’s chiefly notable for being ______.

A

one of the rare Lang movies with a deliriously happy ending