Frau im Mond (Woman in the Moon) (1929) Flashcards
Frau im Mond (Woman in the Moon)
15 October ______
Fritz Lang
Science Fiction, Adventure, Space Exploration
Romance
1929
Frau im Mond (Woman in the Moon)
15 October 1929
Fritz Lang
______, ______, ______
Romance
- Science Fiction
- Adventure
- Space Exploration
Frau im Mond (Woman in the Moon)
15 October 1929
Fritz Lang
Science Fiction, Adventure, Space Exploration
______
Romance
______ was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.
Lang’s last silent movie
Lang’s last silent movie was ______. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.
planned as another giant sci-fi film in the vein of Metropolis
Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It ______, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.
didn’t work out like that
Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, ______, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.
partly because the design and trick-work are cramped and unimaginative
Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, ______ the exceedingly banal character conflicts on board the first rocket to the moon.
partly because Thea von Harbou’s script centres on
Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on ______.
the exceedingly banal character conflicts on board the first rocket to the moon
It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. ______, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.
As a result
It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it ______: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.
looks considerably more dated than other Lang silents
It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s ______, and the sci-fi trimmings remain entirely secondary.
badly acted melodrama
It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and ______.
the sci-fi trimmings remain entirely secondary
As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. ______ Lang’s magnificent sense of spatial drama: the actual launching of the rocket.
One scene is distinguished by
As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by ______: the actual launching of the rocket.
Lang’s magnificent sense of spatial drama