Frankenstein: Critics Flashcards
Film adaptation, Kenneth Branagh
Oedipal complex
Elizabeth’s head used to create she-monster
Frankenstein’s ‘wife’ (also monster’s ‘mother’) is now monster’s mate
Maurice Hindle
- Gothic era
powerful and commercial middle class increasing curiosity in science and chemistry
Andrew Green
- Ambition
landscape is metaphor for wild determination
and frontiers of human intellect
Marilyn Butler
- Vitalism, materialism
MARILYN BUTLER
controversy between Abernathy and Lawrence - debated on electricity/life
- friends of Mary and Percy
Ellen Moers
- Effeminate male
ELLEN MOERS
Frankenstein defies morality by giving birth
Frankenstein defies social and scientific convention by creating life
Adopts female role in society
Chris Bond
- Nature / nurture
CHRIS BOND
monster’s evil is nurture not nature - Frankenstein’s sole regret = didn’t make monster aesthetically pleasing
Beth Newman
- Narrative structure
BETH NEWMAN
Chinese box narrative structure: importance placed on monster’s narrative
(ARGUE AGAINST: monster’s narrative is encircled by other characters’ narratives - is entrapped)
Peter Brookes
- Physiognomy
PETER BROOKES
when monster sees reflection in pool, realises he is not human, and therefore not desirable
Jeffrey Berman
- Narcissism
JEFFREY BERMAN
Frankenstein is the ‘Modern Narcissus’
(Narcissus fell in love with his own image and he wasted away due to UNSATISFIED DESIRE)
Rebecca Platt
- Safie / Elizabeth
Rebecca Platt
- Shelley allows the oriental Safie, arguably most active female character, to live. The perfect passive Elizabeth is destroyed
- fate of women who end up trapped in male idealisation and expectation
Anne Mellor
- Frankenstein destroying female monster / feminist perspective
Anne Mellor
- Frankenstein is truly fearful of a woman who is sexually liberated as it defies sexist aesthetic of passive women
- thf. Frank violently reasserts male control by penetrating and mutilating female creature
Ellen Moers
- ‘Frankenstein’’s emphasis is on afterbirth
Ellen Moers
- novel is a woman’s myth making on subject of birth because its emphasis on the trauma of afterbirth
=> novel focuses on effects/consequences of parental neglect after birth, a unique approach in Gothic literature w a feminine motif of the revulsion against newborn life
David Seed
- Frankenstein’s narrative tactics to refer to fate or destiny
David Seed
- One of Frank’s standard narrative tactics is to refer everything to fate or destiny
- negative inversion of his original belief that he was destined for some great enterprise
=> irony: Frank’s belief that his destiny is to achieve great things, revealed to be the fate of his destruction
=> motif of cycles - everything (Nature) is balanced out
Harriet Hustis
- Speedy process of the monster’s creation
Harriet Hustis
- Frankenstein willingly sacrifices creative precision for speed in creation of life
- purely theoretical interest - conceives life with blatant disregard for specifics
=> Frank so concentrated on pursuit of knowledge for his own gain that he dismisses ‘minor’ details of the monster’s appearance - details which lead to his neglect of the monster and ultimate self-destruction
Harriet Hustis
- Death of Frankenstein’s loved ones
Harriet Hustis
- those who pay for Frankenstein’s actions are ironically those he claims to hold most dear
=> Frank’s loved ones are physically hurt, tormenting Frank psychologically