Frankenstein: Critics Flashcards

1
Q

Film adaptation, Kenneth Branagh

Oedipal complex

A

Elizabeth’s head used to create she-monster

Frankenstein’s ‘wife’ (also monster’s ‘mother’) is now monster’s mate

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2
Q

Maurice Hindle

- Gothic era

A
powerful and commercial middle class
increasing curiosity in science and chemistry
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3
Q

Andrew Green

- Ambition

A

landscape is metaphor for wild determination

and frontiers of human intellect

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4
Q

Marilyn Butler

- Vitalism, materialism

A

MARILYN BUTLER
controversy between Abernathy and Lawrence - debated on electricity/life
- friends of Mary and Percy

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5
Q

Ellen Moers

- Effeminate male

A

ELLEN MOERS
Frankenstein defies morality by giving birth
Frankenstein defies social and scientific convention by creating life
Adopts female role in society

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6
Q

Chris Bond

- Nature / nurture

A

CHRIS BOND

monster’s evil is nurture not nature - Frankenstein’s sole regret = didn’t make monster aesthetically pleasing

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7
Q

Beth Newman

- Narrative structure

A

BETH NEWMAN
Chinese box narrative structure: importance placed on monster’s narrative
(ARGUE AGAINST: monster’s narrative is encircled by other characters’ narratives - is entrapped)

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8
Q

Peter Brookes

- Physiognomy

A

PETER BROOKES

when monster sees reflection in pool, realises he is not human, and therefore not desirable

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9
Q

Jeffrey Berman

- Narcissism

A

JEFFREY BERMAN
Frankenstein is the ‘Modern Narcissus’
(Narcissus fell in love with his own image and he wasted away due to UNSATISFIED DESIRE)

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10
Q

Rebecca Platt

- Safie / Elizabeth

A

Rebecca Platt

  • Shelley allows the oriental Safie, arguably most active female character, to live. The perfect passive Elizabeth is destroyed
  • fate of women who end up trapped in male idealisation and expectation
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11
Q

Anne Mellor

- Frankenstein destroying female monster / feminist perspective

A

Anne Mellor

  • Frankenstein is truly fearful of a woman who is sexually liberated as it defies sexist aesthetic of passive women
  • thf. Frank violently reasserts male control by penetrating and mutilating female creature
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12
Q

Ellen Moers

- ‘Frankenstein’’s emphasis is on afterbirth

A

Ellen Moers
- novel is a woman’s myth making on subject of birth because its emphasis on the trauma of afterbirth
=> novel focuses on effects/consequences of parental neglect after birth, a unique approach in Gothic literature w a feminine motif of the revulsion against newborn life

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13
Q

David Seed

- Frankenstein’s narrative tactics to refer to fate or destiny

A

David Seed
- One of Frank’s standard narrative tactics is to refer everything to fate or destiny
- negative inversion of his original belief that he was destined for some great enterprise
=> irony: Frank’s belief that his destiny is to achieve great things, revealed to be the fate of his destruction
=> motif of cycles - everything (Nature) is balanced out

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14
Q

Harriet Hustis

- Speedy process of the monster’s creation

A

Harriet Hustis
- Frankenstein willingly sacrifices creative precision for speed in creation of life
- purely theoretical interest - conceives life with blatant disregard for specifics
=> Frank so concentrated on pursuit of knowledge for his own gain that he dismisses ‘minor’ details of the monster’s appearance - details which lead to his neglect of the monster and ultimate self-destruction

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15
Q

Harriet Hustis

- Death of Frankenstein’s loved ones

A

Harriet Hustis
- those who pay for Frankenstein’s actions are ironically those he claims to hold most dear
=> Frank’s loved ones are physically hurt, tormenting Frank psychologically

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16
Q

Chris Bond

- Frankenstein’s isolationist attitude

A

Chris Bond
- Frank sought to eliminate the need of anyone else in his creation
=> Frankenstein’s neglect of his family and bride as they are not needed during his scientific studies, in his mind, are therefore killed off literally by his scientific study

17
Q

Andrew Green

- The Rime of the Ancient Mariner comparisons

A

Andrew Green

  • Like the Ancient Mariner, who is forced to carry the albatross he has killed, Frank is cursed to carry with him the burden of what he has done
  • The pole is a place of nemesis : Ancient Mariner, Frank, Walton, and the monster are forced to come face to face with their destinies and horrible reality of consequences of their actions
18
Q

Andrew Green

- Paradise Lost comparison - forbidden fruit/ Paradise

A

Andrew Green

  • Frank’s relationship w family and friends, a luxury afforded to neither Adam nor the monster = Paradise
  • Frank irrevocably loses this paradise as a result of the ‘sin’ of indulging in the forbidden fruit of knowledge