Foundations of Theatre Flashcards

1
Q

What qualities must an actor naturally possess or work to acquire?

A

Relaxation, Concentration, Imagination, and Observation

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2
Q

An actor who is properly concentrating on the role will think about ______________ rather than ____________.

A

What they are doing … How they are doing it.

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3
Q

The “magic if” theory…

A

requires the actors to imagine they are in the character’s situation.

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4
Q

In this method, the actors analyze their reactions and examine how they compare to what the character would do in the situation.

A

The “magic if” theory

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5
Q

In the “magic if” theory, it is helpful to draw upon ________ memory and ________ memory to be able to depict a realistic emotion or reaction during a performance.

A

Sense memory & emotional memory.

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6
Q

The Alexander Technique was developed by Shakespearean orator and actor ______________ in order to overcome _____________.

A

Frederick Matthias Alexander & his chronic laryngitis.

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7
Q

Alexander’s technique requires that actors become aware of __________

A

the tension they hold in their necks while performing.

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8
Q

The Alexander’s technique attempts to…

A

rid the body of tension and stress through alteration of one’s daily physical movements.

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9
Q

The James-Lange Theory was developed by psychologist _____________ and physiologist _______________.

A

William James & Carl Lange

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10
Q

According to the James-Lange Theory, emotions are a result of _____________ to ______________.

A

Physiological response & external stimuli.

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11
Q

When practicing the _____________ theory, students describe or act out physical symptoms while other students guess the corresponding emotion.

A

James-Lange

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12
Q

The Cannon-Bard theory was developed by psychologists __________ and ___________.

A

Walter Cannon & Phillip Bard.

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13
Q

According to the Cannon-Bard Theory, _________ cause a __________ reaction.

A

emotions & physiological

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14
Q

When practicing the ________ theory, students participate in scenarios that make them fearful, anxious, angry, or excited and then have them describe the physiological symptoms which accompany that emotion.

A

Cannon-Bard

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15
Q

The ______________ involves holding specific poses to convey emotions or attitudes.

A

Delsarte System of Expression

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16
Q

The Delsarte System of Expression was developed by _________.

A

Francois Delsarte

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17
Q

Which method was used in the first acting school of the United States?

A

The Delsarte System of Expression.

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18
Q

Francois Delsarte studied __________ and ________, ___________, _________, _________, and ________________.

A

Human behavior and movement, anatomical medicine, voice, breath, and body language.

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19
Q

Delsarte’s work was introduced by his protege, __________.

A

Steele Mackaye

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20
Q

Delsarte’s system consists of ______ principles of gesture, the relationship of inner experience and physical __________, and the symbolism of various lines and their connection to human __________.

A

Nine, Manifestation, Awareness.

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21
Q

Meisner Technique has often been described as getting actors to “_________________________.”

A

Live truthfully under imaginary circumstances

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22
Q

In the exercise called __________, one personal spontaneously makes a comment based on their partner’s behavior, and that phrase would be repeated back and forth between the two in the same manner until it changed on its won.

A

Repetition

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23
Q

The Meisner Technique emphasizes carrying out an action ________ on stage and letting emotion and subtext build on the ______ of the action and on the other characters around them.

A

Truthfully, truth

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24
Q

_____________ is the ability to clearly pronounce words while acting or performing.

A

Articulation

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25
Q

___________ is the development of movements of actors on stage in relation to other actors and scenery/props.

A

Blocking

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26
Q

________ is the purging of an emotion, such as fear or grief, which can occur while performing on stage.

A

Catharsis

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27
Q

____________ the ability of an actor to be “in character” through use of dialogue, attitude, voice, costume, expressions, and mannerisms.

A

Concentration

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28
Q

____________ is reading a script for the first time.

A

Cold Reading

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29
Q

_________ is the condition or climate in which a play was written or meant to be performed.

A

Context

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30
Q

______ is the signal that serves as an indicator of another action that is about to occur.

A

Cue

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31
Q

__________ occurs when the final conflict in a production is resolved.

A

Denouement

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32
Q

___________ is the choice of words that the actor uses to express themselves.

A

Diction

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33
Q

__________ is the physical location on the stage that is the closest to the audience.

A

Downstage

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34
Q

________________ is a tool used by actors in which they use their own specific memories of events in which they reacted emotionally to understand the emotions of the character they are portraying.

A

Emotional memory

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35
Q

A ________ is a specialist in theatre who may be called upon to advise actors, directors, and producers in certain aspects of theatrical productions.

A

Dramaturg

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36
Q

_________ occurs when one must provide information regarding the facts of the plot, usually to the audience either before or during a performance.

A

Exposition

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37
Q

_______ is the height of an actor’s head in a performance while carrying out certain actions.

A

Level

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38
Q

In ___________ participants adopt and act out the roles of characters, or parts, that may have personalities, motivations, and backgrounds different from their own.

A

Role-Playing

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39
Q

Modern improvisational theatre began in the classroom with the “theatre games” of _______________ and _____________ in the 1950s.

A

Viola Spolin & Keith Johnstone

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40
Q

A _______ is a representational object manipulated by a ___________.

A

Puppet & Puppeteer.

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41
Q

A mask is an artefact worn on the face, typically for ____________, __________, ____________, or ___________.

A

Protection, concealment, performance, or amusement.

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42
Q

The word mask comes from ________ Masque and either ________ Maschera or _________ Mascara.

A

French, Italian, Spanish

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43
Q

The oldest surviving mask is __________ years old and is called the ______________.

A

5000& Summerian mask of Warka.

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44
Q

The commedia character, the _______, is the peasant clown.

A

Zanni

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45
Q

The commedia character, the __________ is the old Miser.

A

Pantalone

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46
Q

The commedia character, the ________ is the Banal Doctor

A

Il Dottore

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47
Q

A ______ is an actor who communicated entirely be gesture and facial expression.

A

Mime

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48
Q

The ________ refers to the script that contains notes for actors or technicians and may be written by the playwright or the premiere production staff.

A

acting edition

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49
Q

_______ occurs when an actor must improvise lines or actions to compensate for forgetting their own or for another actor’s lapse in memory.

A

Ad lib

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50
Q

____ is a solo performance in an opera the conveys the emotional state of the main character.

A

Aria

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51
Q

An _____ occurs when an actor speaks directly to the audience, though the other characters are not privy to the information being shared.

A

Aside

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52
Q

_______ are scene changes that are done in the view of the audience.

A

Avista

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53
Q

________ refers to the prompt corner on stage right instead of stage left.

A

Bastard Prompt

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54
Q

______ is the term shouted by the stage management to signify it is time for the actors who appear in the first scene to come onto the stage.

A

Beginners

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55
Q

A very small role in a performance is called a ___________.

A

Bit Part

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56
Q

A _____ refers to a prompt book or the unsung parts of a musical.

A

Book

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57
Q

A sudden flash of light often used as a cue is called a ______.

A

Bump

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58
Q

A ______ is a request that an actor come to the stage to prepare for entrance into a scene.

A

Call

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59
Q

_________, is a term used by Stage Mangers, giving verbal cues to lighting, sound, and fly operators, as well as stage crew throughout a performance.

A

Calling the show

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60
Q

______ an actor’s movement facing toward the audience

A

Cheat

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61
Q

The path that one actor takes from one side of the stage to the other is called a ____________.

A

Crossover

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62
Q

A __________ is a speech given by the director or theatre owner before a performance begins.

A

Curtain Speech

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63
Q

A ________ is a specialist brought in to assist actors with specific accents necessary for dialogue within the production.

A

Dialect coach

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64
Q

The _______ is the imaginary wall that separates the audience and the actors.

A

Fourth Wall

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65
Q

_____ is the terms that stage management shouts to actors backstage when the show will being in thirty minutes.

A

Half

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66
Q

A _______ or _____ is a 15-20 minute break between sections of of a performane

A

Interval or Intermission

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67
Q

_______ is the emphasis of certain words during any oral recitation.

A

Inotation

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68
Q

_______ is the term used to refer to an actor who must use a script during a scene.

A

On book, or On the book.

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69
Q

_______ is the term used to refer to an actor who has memorized, or does need a script during a scene.

A

Off book

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70
Q

______ a term called out by directors when it is time for actors to stand in their appropriate positions to begin a scene.

A

Places

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71
Q

____________ refers to the time before a production in which the planning is done.

A

Preproduction

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72
Q

_______ is the performance that occurs prior to opening night.

A

Preview

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73
Q

__________ refers to the main actors in a production.

A

Pinricipals

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74
Q

A _________ is a staff member who follows the script as the play is performed, standing ready to remind an actor of a line in the event they forget during a performance.

A

Prompter

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75
Q

________ is the term the stage management shouts to the actors when the show will start in 15 minutes.

A

Quarter

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76
Q

A ____________ is a costume change that must happen so quickly that it must be done near the side of the stage instead of completely back stage.

A

Quick Change

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77
Q

A _________ is a theatrical company organization in which two or more productions are alternated throughout the performing season.

A

Repertoire

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78
Q

________ is a term used in musicals to refer to the repetition of a song or dance at a later point in the show.

A

Reprise

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79
Q

A _____ refers to the number of time a production is schedule to show.

A

Run

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80
Q

A ______ is used in musicals to refer to the act or scene that immediately follows another.

A

Segue

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81
Q

A _________ is a report provided by stage management detailing any problems from the previous performance; actors and technical staff receive copies so that the problems can be addressed.

A

Show Report

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82
Q

A _____ is a cue that has no fade time; usually a lighting or sound cue.

A

Snap

83
Q

A _____________ refers to an oration by an actor on stage where they are speaking to themselves.

A

Soliloquy

84
Q

A ________________ is the first run-through of a performance

A

Stagger-through

85
Q

TBC, an acronym that stands for ______________, is usually seen in a cast list when an actor has not been chosen for a part or if a venue date has not been selected.

A

To Be Confirmed

86
Q

A ___________ is an immediate scene change that involves the use of gauze and lightning to hide or show certain areas of the stage.

A

Transformation

87
Q

___________ refers to an actor who is repeatedly cast in similar roles.

A

Typecast

88
Q

A _________ is a cue based on the action on stage rather than given by a stage manager.

A

Visual Cue

89
Q

__________ refers to an actor who is physically present on stage but does not speak.

A

Walk-on

90
Q

_____________ is a theatrical style developed by French playwrights in the 17th century. In general, classicism places emphasis on society, reason and enlightenment.

A

Classicism

91
Q

Aristotle’s theories include the unity of _______, __________, and ___________.

A

Time, Place, Action

92
Q

____________ is a theatrical style established in the 18th century and included extravagant costumes, and elaborate scenery with stories that involved a high degree of melodrama.

A

Neo-Classicism

93
Q

Neoclassic theatre has clearly define genres of either _________ or __________.

A

Tragedy or Comedy

94
Q

_______________ theatre is characterized by a high number of characters, several subplots that eventually merge, and a varied mixture of emotion.

A

Elizabethan

95
Q

Restoration drama, also knows as the _____________, is characterized by witty dialogue with themes of virtue and honor. It also featured plots involving the sexual behavior of sophisticated society.

A

Comedy of Manners

96
Q

Romanticism was the dominant theatrical style from ______ to ______.

A

1750-1800

97
Q

_____________ is characterized by mankind’s unfaltering trust in the kindness of nature.

A

Romanticism

98
Q

The idea of _________ was based on science and technology, suggesting that science could solve the problems of humanity. It stressed the idea that the truth could be felt by __________ and was characterized by contemporary settings and periods.

A

Realism & Five Senses

99
Q

The themes of realist drama were common to _____________ people.

A

Everyday

100
Q

_________ is a branch of realism, and was developed as a result of _____________.

A

Naturalism and Charles Darwin.

101
Q

Darwin’s theories on evolution materialized into a form of drama with prevailing pessimistic attitude in which there was no __________.

A

climax.

102
Q

The goal of ____________ theatre was to express raw emotion, not to teach, entertain or duplicate reality.

A

Expressionist

103
Q

Expressionism is characterized by highly exaggerated ___________ and ________ techniques to express the emotions of characters.

A

Movements & Voice

104
Q

Expressionism dramatize the struggles and spiritual nature of protagonists as well as the struggles between _____________

A

Differing Social Classes

105
Q

____________ drama is characterized by a lack of realistic characters, an ambiguous concept of time and vague attempt to define setting.

A

Absurdist

106
Q

___________ are historical dramas based on English history written primarily during the Elizabethan and Jacobean periods.

A

Chronicle Plays

107
Q

___________ are dramatic works based on the Bible. These dramas were usually produced by local trade guilds for the pleasure of their villagers.

A

Mystery Plays

108
Q

___________ are specialized mystery plays based on the passion of Christ.

A

Passion Plays

109
Q

__________ featured heroes of epic deeds. Usually written in blank verse or heroic couplets, these plays reacher the apex of their popularity during the __________ period.

A

Heroic Dramas & Restoration

110
Q

________ refers to a very short form of drama, sometimes performed between courses of a banquet but also the term came to refer to any kind of musical or dramatic entertainment.

A

Interludes

111
Q

The popularity of Interludes peaked in the _____________ England, as they were often performed for private parties and fell out of favor with the opening of public venues.

A

16th century

112
Q

____ is a form of traditional Japanese theatre that use music, dance, and poetry.

A

No

113
Q

“No” theatre reflect on theme from _________ and ___________, and make no claim to be realistic. It relies on spectacle and imagery.

A

Hinduism & Buddhism

114
Q

The “No” plays have a fixed repertory that has been consistent since the _________.

A

1500’s

115
Q

_____________ adapted “No” for western audience in a series of short plays.

A

William Butler Yeats

116
Q

_____________ focus on social problems and movements during the __________.

A

Problem Plays & 19th Century

117
Q

______________, son of the great French novelist, wrote a series of short plays attacking the ills of society.

A

Alexander Dumas

118
Q

____________ is the most celebrated playwright of problem plays such as the “______________” which focuses on the treatment of women’s rights.

A

Henrik Ibsen & The Doll House

119
Q

__________ and ___________ have both written popular problem plays in the 20th centuryy.

A

Lillian Hellman & Arthur Miller

120
Q

Shakespearean scholars use the term “Problem Plays” to refer to plays that have caused ______________ problems for audiences.

A

interpretation

121
Q

Plays such as “All’s Well That Ends Will”, “Troilus and Cressida”, and “Measure for Measure” include various interpretations and are considered _________________ by Shakespearean scholars.

A

Problem Plays

122
Q

A ________ is a dramatic comedy that is full of action, escapades of characters always on the brink of disaster, and fuller of stereoptypical characters filling stock roles.

A

Farce

123
Q

The _________ is one of the oldest forms of comedy.

A

Farce

124
Q

The ______________ is a special type of comedy base don the foibles of attempted seductions.

A

Bedroom Farce

125
Q

___________ is a British playwright known for his Farce plays.

A

Alan Ayckbourn

126
Q

Aristotle’s six elements of drama include….

A

Spectacle, Diction, Character, Idea, Plot/Action, and Song

127
Q

___________ refers to the visual elements of a play. These include make-up, costumes, and sets.

A

Spectacle

128
Q

_______ refers to the language of the play.

A

Diction

129
Q

______________ refers to the physical, mental, or emotional qualities demonstrated by actors allowing the audience to see them as unique individuals

A

Character

130
Q

______ is defined as the theme that the author is attempting to convey to the audience.

A

Idea

131
Q

________ is any physical mental or emotional activity performed by a character.

A

Action

132
Q

Aristotle’s original element of action is comprised of eight sub-elements:

A

exposition, problem, point of attack, foreshadowing, complications, crises, climax, and denouement.

133
Q

The ________________ is the way the author presents the problem.

A

Point of Attack

134
Q

Aristotle’s Poetics follow this 5 step progression of plot:

A
  1. Exposition.
  2. Complication.
  3. Reversal.
  4. Recognition.
  5. Resolution.
135
Q

___________ occurs when a character addresses an abstract idea or a persona not present in the scene.

A

Apostrophe

136
Q

Soliloquy occurs when there is only one character on the stage, while _________ there may be other characters in the scene but they are not addressed.

A

Apostrophe

137
Q

___________ is a device in Greek drama where the chorus responds to a previous stanza of verse.

A

Antistrophe

138
Q

_________ is the Greek word for struggle or conflict, and indicates a portion of the play in which two characters engage in a heated argument or debate.

A

Agony

139
Q

True or False: In tragedies the agony is sometimes follow by the death or exile of the protagonist.

A

True

140
Q

The _______ is a group of actors who furnish a commentary on the play as it unfolds.

A

Chorus

141
Q

The chorus speaks for ________ rather than any character in the play.

A

Society

142
Q

A _____________ is the central character in a play or story.

A

Protagonist

143
Q

The character opposing the protagonist is called the _________

A

Antagonist

144
Q

Syllogism three steps are…

A

The major premise, the minor premise, and the conclusion.

145
Q

The major premise is…

A

a generalization.

146
Q

The minor premise is…

A

a specific case.

147
Q

The conclusion is deduced by…

A

applying the generalization to the specific case.

148
Q

True or False: A deductive argument must stand on a valid, verifiable premise, and the conclusion is a logical result of that premise.

A

True

149
Q

A “___________” fallacy consists of an oversimplification or distortion of opposite views.

A

straw man

150
Q

the term deus ex machine is Latin for “_____________”

A

God out of a machine.

151
Q

Deus ex machine refers to when an actor playing God was lowered on the stage by some mechanical device. In modern usage, the terms refers to…

A

A character or event that is suddenly introduced into a work of fiction in order to help resolve some problem or dilemma.

152
Q

A __________ is the process by which the actor learns about the unique elements that make up the character.

A

Character Analysis

153
Q

A character can consist of the following 8 things:

A

Vocal Patters, Physical appearances, mannerisms, feelings, prejudices, aspirations, emotions, and goals.

154
Q

___________ refers to the elements that an actor can use in their environment to aid in creating specific characters.

A

Externals.

155
Q

Externals can be a ___________, ___________, __________, or _____________.

A

Costume, Vocal Change, Makeup, or a set of Mannerisms.

156
Q

Using externals to create a character is a method called “_______________.”

A

Outside-in

157
Q

The ____________ character-type is often an anarchist, a joker, or a foold.

A

Auguste

158
Q

Classically, the ___________ character instruct the auguste character to perform his bidding.

A

whiteface

159
Q

the ______-_________ plays the role of the mediator between the whiteface character and the auguste character.

A

contra-auguste

160
Q

The three types of objectives are…

A

Objective, Super-Objective, and Sub-Objective.

161
Q

The __________ in the most general sense is the character’s goal.

A

Objective

162
Q

The __________ is the character’s goal for the whole play.

A

Super-Objective

163
Q

The __________ are small changes in a scene involving mood, subject, and intention.

A

Sub-Objective

164
Q

_______ is an important part of understanding a character, as it can define the identity of a character or clarify a relationship with another character.

A

Subtext.

165
Q

One of the earliest preserved documents attesting to the existence of dramatic productions is a stone tablet from _______ B.C.

A

2000

166
Q

The tablet contains a description of the roles played by the Egyptian king ___________.

A

Ikhernofret

167
Q

______________ generally centered around the central god figure of Osirirs, whose legend claims that he was murdered by his brother, but later resurrected.

A

Egyptian Passion Plays.

168
Q

The Egyptian Passion plays depicting the life of Osiris occurred annually in the cities of _________ and ______________.

A

Abydos and Heliopolis

169
Q

According to Aristotle, comedy was first introduced in a performance or festival called…

A

Komos

170
Q

__________ was an ancient Greek ritual in which a group of drunken males danced and sang, often in a procession, while carrying a large phallus.

A

Komos

171
Q

The phallic symbol in the Komos ritual was a tribute to the god _______, believed to be the companion of Bacchus, the god of wine.

A

Phales

172
Q

The first comic poet, ___________, was an inhabitant of a town near Megaris.

A

Susarion

173
Q

According to Aristotle, tragedy can be traced to the Greek songs called ____________, which were song in honor of the fertility god Dionysus.

A

Dithyrambs

174
Q

____________ which means “goat-song” in Greek.

A

Tragoedia

175
Q

The word ________ is derived from the Greek word “Choros” which meant to dance in a circle.

A

Chorus

176
Q

_______________ believed that tragedy originated from the worship of the dead, not of the god Dionysus.

A

William Ridgeway

177
Q

A _________ is play in which a heroic character, through unfortunate circumstance, experiences a downfall.

A

Tragedy

178
Q

Greek Tragedies are usually orchestrated by gods as punishment for the sins of hubris, the sin of __________.

A

Pride

179
Q

The year _____ B.C. marks the approximate start of Old Comedy, which often made fun of _________ figures.

A

450 & politcal

180
Q

Middle Comedy was the dominant form of Greek comedy from the end of the _______ century to the middle of the _________ century B.C.

A

fifth & fourth.

181
Q

Middle Comedy differed from Old Comedy by the removal of the __________, and focused on __________ characters.

A

Chorus & Fictional

182
Q

New Comedy ruled the Greek stage from 4th century through 260 B.C and focused on the idea of…

A

Unattainable or unrequited love.

183
Q

A new character introduced in New Comedy was the ___________.

A

Mercenary Soldier

184
Q

_______________ was seen as not only a source of entertainment but also as a religious celebration.

A

Athenian Drama

185
Q

__________ was the invention of the Romans.

A

Satire

186
Q

Roman satire took one of two forms:

A

Menippean or Verse

187
Q

Mennipean satire was named for its originator, Greek cynic Mennipus and is characterized by a rhapsodic blending of prose and verse that…

A

ridiculed various social characters.

188
Q

Verse satire, created by ___________, was generally composed in _______ meter.

A

Lucilius & Epic

189
Q

The Roman satire bore a similarity to Old Comedy in that they both…

A

were a means of attacking the injustices perpetuated by the political climate of the time.

190
Q

___________ is recognized as the first write of the Greek satyr play.

A

Pratinus

191
Q

Athenian theatre became organized into tetralogies, which compiled three ______ by one ________ piece.

A

tragedies & satiric

192
Q

The purpose of the satyr form was to…

A

allow the audience to recover from the serious nature of the tragedy by enjoying the more light-hearted jests of the satyr chorus.

193
Q

The three most famous Greek tragedians are…

A

Aeschylus, Sophocles, and Euripides.

194
Q

Aeschylus is most noted for his trilogy called ___________

A

The Oresteia: Agamemnon, The Libation Bearers, and The Eumenides

195
Q

____________ is considered the Father of tragedy and added a second actor.

A

Aeschylus

196
Q

__________ known for his work, Oedipus the King, heightened the tragic form by adding a third actor and downsizing the chorus to fewer than fifteen members.

A

Sophocles

197
Q

___________ is known for several plays, including The Bacchae and Medea

A

Euripides

198
Q

In the plays of ancient Greece, there were two distinct roles:

A

Actor & Chorus members

199
Q

Chorus members were selected by a group called the ______________.

A

Choregus

200
Q

Actors in ancient Greece were chose by the __________.

A

State

201
Q

In _________ actors were often slaves or foreign captives who were made to perform in exchange for their freedom.

A

Roman Theatre

202
Q

____________ is credited with being the first Roman to imitate the theatre of the Greeks and therefore bringing theatre to Rome.

A

Livius Andronicus.

203
Q
A