Formal Language Features Flashcards

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1
Q

Parallelism
eg. “our fellow citizens, our way of life, our very freedom”

A
  • often combined with listing
  • layering, packaging and creating mirrored structures builds cohesion
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2
Q

Antithesis
eg. “Terrorist attacks can shake the foundation of our biggest buildings, but they cannot touch the foundation of America”

A

syntactically (antithesis) can/cannot
semantically (antonymy) shake/touch

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3
Q

Listing
eg. “disbelief, terrible sadness and a quiet unyielding anger”

A
  • links ideas and context with a semantic thread
  • packaging and layering to build impact and momentum
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4
Q

Passive voice
eg. “Thousand of lives were suddenly ended by evil, despicable acts of terror”

A
  • creates a focus on the grammatical subject
  • use depends on motivations and decisions of writer/speaker
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5
Q

Nominalisation
eg. “The implementation of our government’s emergency response plan”

A
  • changes the tone of the sentence
  • creates lexical and syntactic density (noun phrases are built within clauses)
  • human agent removed: abstract, objective
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6
Q

Information flow (discourse due to contribution to cohesion)

A
  • sentence organistion: what users want to highlight
  • neutral syntax: SVO
  • marked syntax: unusual in some way
    ->stylistic effect: emphasis, foreground, focus, nuance
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7
Q

Clefting (It-cleft and What-cleft)

A

It-cleft: Dummy subject + V + S + relative pronoun + clause
- eg. Alice kicked the winning goal (simple)
It was Alice who kicked the winning goal (complex)
It was the winning goal that Alice kicked (complex)

What-cleft: What + subject noun clause + V + NP (complement)
- eg. I really want answers (simple)
What I really want are answers (complex)

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8
Q

End focus (relates to end weight)

A
  • places material with higher communicative value at the end (grammatically complicated/heavily modified structures
  • prominence and suspense created
  • eg. “She depended for inspiration on the presence of her books”
    as opposed to:
    “She depended on her books for inspiration”
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9
Q

Existential sentence (example of end weight)

A
  • there/it dummy subject (empty - only serving grammatical function)
  • reserves new information for the end of the sentence
  • eg. “There are many endangered species in Australia”
  • controls where the reader focuses
    -> isolates idea: worldly, objective, authoritative, indisputable
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10
Q

Front focus (FIPV) - fronting

A
  • highlights the beginning of the sentence
  • lends greater prominence for elements which are typically later
  • sets up situational context by foregrounding
    • intial focus, understanding
  • eg. “If unwell, people must stay at home unless seeking medical care”
    • conditional subordinate clause fronted to highlight condition
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11
Q

Front focus (FIPV) - inversion

A
  • adverbial phrases often fronted to set the scene
    • eg. “Later that day, his arrogance would seal his fate”
    • dramatic effect, more literary in style
  • inversion of S and V (marked syntax)
    • eg. “Numerous are those who…”
    • literary and poetic t/f formal due to marked syntax
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12
Q

Front focus (FIPV) - passive voice

A
  • common Standard syntax (SVO) = active
  • passive (stilll Standard) “reverses” -> SV(A)
    • meaning doesn’t shift but focus does - depends on intentions of writer/speaker
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13
Q

Semantic features

A
  • denotation
  • connotation
  • figurative language
    • metaphor
    • simile
    • personification
    • hyperbole
    • oxymoron
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