Formal Language Features Flashcards
Parallelism
eg. “our fellow citizens, our way of life, our very freedom”
- often combined with listing
- layering, packaging and creating mirrored structures builds cohesion
Antithesis
eg. “Terrorist attacks can shake the foundation of our biggest buildings, but they cannot touch the foundation of America”
syntactically (antithesis) can/cannot
semantically (antonymy) shake/touch
Listing
eg. “disbelief, terrible sadness and a quiet unyielding anger”
- links ideas and context with a semantic thread
- packaging and layering to build impact and momentum
Passive voice
eg. “Thousand of lives were suddenly ended by evil, despicable acts of terror”
- creates a focus on the grammatical subject
- use depends on motivations and decisions of writer/speaker
Nominalisation
eg. “The implementation of our government’s emergency response plan”
- changes the tone of the sentence
- creates lexical and syntactic density (noun phrases are built within clauses)
- human agent removed: abstract, objective
Information flow (discourse due to contribution to cohesion)
- sentence organistion: what users want to highlight
- neutral syntax: SVO
- marked syntax: unusual in some way
->stylistic effect: emphasis, foreground, focus, nuance
Clefting (It-cleft and What-cleft)
It-cleft: Dummy subject + V + S + relative pronoun + clause
- eg. Alice kicked the winning goal (simple)
It was Alice who kicked the winning goal (complex)
It was the winning goal that Alice kicked (complex)
What-cleft: What + subject noun clause + V + NP (complement)
- eg. I really want answers (simple)
What I really want are answers (complex)
End focus (relates to end weight)
- places material with higher communicative value at the end (grammatically complicated/heavily modified structures
- prominence and suspense created
- eg. “She depended for inspiration on the presence of her books”
as opposed to:
“She depended on her books for inspiration”
Existential sentence (example of end weight)
- there/it dummy subject (empty - only serving grammatical function)
- reserves new information for the end of the sentence
- eg. “There are many endangered species in Australia”
- controls where the reader focuses
-> isolates idea: worldly, objective, authoritative, indisputable
Front focus (FIPV) - fronting
- highlights the beginning of the sentence
- lends greater prominence for elements which are typically later
- sets up situational context by foregrounding
- intial focus, understanding
- eg. “If unwell, people must stay at home unless seeking medical care”
- conditional subordinate clause fronted to highlight condition
Front focus (FIPV) - inversion
- adverbial phrases often fronted to set the scene
- eg. “Later that day, his arrogance would seal his fate”
- dramatic effect, more literary in style
- inversion of S and V (marked syntax)
- eg. “Numerous are those who…”
- literary and poetic t/f formal due to marked syntax
Front focus (FIPV) - passive voice
- common Standard syntax (SVO) = active
- passive (stilll Standard) “reverses” -> SV(A)
- meaning doesn’t shift but focus does - depends on intentions of writer/speaker
Semantic features
- denotation
- connotation
- figurative language
- metaphor
- simile
- personification
- hyperbole
- oxymoron