Formal language Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

Phonological features

A

Sound symbolism Blend 43 (softer),Garnier Fructus (harsher)
Aliteration ‘deliberate and deadly’
Assonance ‘beacon for freedom’
Consonance ‘flying into buildings, fires burning.. filled us with disbelief’
Onomatepioeia ‘The hush and rustle of the leaves’
Rhyme and rhythm ‘the wind blows and the smoth stream flows’
Accent- broadgeneral cultivated

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Morphological features

A

‘classical affixations’- impede, dexterity, disbelief, sadness, unyielding

Compounding ‘law enforcement’ ‘hard-fought’ –>impenetrable text .

Doublespeak= lang used by businesses/govt army etc–> deliberate confound the truth. Lexically dense NP

Acronym+intilisms e.g the total of your SAC scors contributed to ATAR

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Lexical choices

A

Jargonistic choices ‘Mitochondria’
elevated choices ‘perspire etc’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Syntactic patterning

A

PAL
–> parelalsim
antithesis
listing
–> cohesion as they glue and thread ideas together

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

pareleleism

A

e.g ‘our fellow citizens, our way of life, our very freedom’ possessive determiner and NP

Mirrored structure, semantic thread.

Builds momentum

Packages noun phrases in mirrored structures, making it more memorable and powerful

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

antitheis

A

Antithesis ‘terrorist attacks can shake the foundations of our biggest buildings, but they cannot touch the foundation of America’
Can/cannot= antonomy

(always antonomy in antithesis).

Sit side by side in a away which makes stronger contrast

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

listing

A

Listing ‘Disbelief, terrible sadness and a quiet, unyielding anger’
=semantic thread of strong emotions.
Layering ideas for greater impact on reader/listener

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

passive voice

A

–>Thousands of lives were suddenly ended by evil, despicable acts of terror.
=emphasis on thousands of lives as it is the grammatical subject but keeps agent in clause deliberately

Often tries to obfuscate the blame or focus on the agent.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

nominalisation

A

Nominalisation= verbs to nouns
lexical and syntactic density, making discourse more formal also takes subject out of it.
–>more abstract by nouns over verbs
–>They encourage us to participate in the writing competition, vs Participation in the writing competition is encouraged.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Information flow

A

Never just flow
= discourse feature but all about syntax

–>sentence organisation
–>fronting, ending focus, front focus and clefting
–>about highlighting or foregrounding something (strategically focusing on what is important, or what is redundant due to what the audience already knows)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

neutral vs marked syntax

A

Neutral=SVO
marked–> anything unusual (not SVO)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

cleating

A

Clefting= division/chopping something
it-clefts= DummyS+V+S+relative pronoun+clause
what clefts= what+SNcl+V+NP (complement)

It-clefts, e.g It was alice who kicked the winning goal
e.g it was the winning goal that alice kicked
–> Emphasis.

What clefts e.g what I really want are answers
What Alex desires is another long weekend.

=foregrounding and bringing focus

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

end focus

A

END FOCUS
=relates to principle of end weight
Places material with higher communicative value at the end
Moves gramtically complicated or heavily modfied structures to the end
e.g she depended for inspiration of the presence of her books
end weight+ end focus here.
Existential sentences (there/it are dummy subjects)
Reserve new info for the end of sentences = end weight or end focus
There are many endangered species in Australia.
‘there’ exists only for grammar
It will be morning soon.

Sound more factual, authoritative, objective and factual

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

front focus

A

FIPv
–>fronting
–>inversion
–>passive voice

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

fronting

A

Fronting=hightlights the beginning of a sentence.

Creates greater prominence for elements that would usually come later

If Places Subject NP at start of IC= fronting

Gets audiences attention
Can be achived through a number of unusual syntactic (marked syntax) features

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

inversion

A

Fronting and inversion,
–>elements that are normally positioned later is clause are moved to the front
Often AdvP at front
Often DC at the front

Inversion of S and V= dramatic effect
‘Numerous are those who seek to win the lottery’
‘long had I admired the portrait’
= more literary and elegant.
‘Not ready for the burden were you’
‘much to learn you still have’

17
Q

figurative language

A

Semantic features
Denotation=definition
Connotiations= cultural associations
Fig Lang = expressive use of lang in non literal ways.

18
Q

cohesion vs coherence

A

cohesion is about how ideas and items are glued/coonected/linked/tied/ referenced, at a smaller size than coherence which refers to the general ability to navigate, understand the text as a whole.

19
Q

coherence features

A

FLICCC

Formatting
Logical order
inference
consistency (tense, person, semantic field)
Conventions
cohesion (last choice)

20
Q

cohesion features

A

Phonological patterning
conjunction and adverbial/conjunctive phrases
hyponymy
collocation
subject specific lexis
antonymy
synonymy
elipsis
syntactic patterning
repitition (morph, lex, phono etc)
substitution
-NP for NP
-pronoun reference
deixis ‘will you be THERE’
information flow
-Clefting
-front focus
-passive voice