FORENSIC Flashcards

1
Q

A disc of transparent glass generally bounded by two spherical surfaces capable of transforming an image

A

Lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

The eye of the camera

A

Lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

A piece of transparent material made of glass or plastic with 2 opposite symmetrical surfaces or atleast one curved surface

A

Lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Composed of 1 lens

A

Simple lenses

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Produce aberrated images

A

Simple lenses

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

It consist of two or more simple lenses fitted together

A

Compound lenses

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Largest opening of the diaphragm that the light can pass through

A

Lens speed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Important in taking pictures in dim light

A

Lens speed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

A lens with larger maximum aperture

A

Fast lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

A smaller maximum aperture

A

Slow lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

This refers to the size of the image produced by lens depend upon factor’s camera to subject and focal length

A

Image Size

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

This refers to a good lenses that are capable of reproducing circles of confusion much smaller than 1/1000 of an inch

A

Depth of focus

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

This refers to the distance from the optical center of the lens to the focal plane, when the lens is focused on infinity

A

Focal plane

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

The distance between the lens and the focal plane when the lens is focused on infinity

A

Focal length

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Focal length controls the following?

A

Magnification, Angle of view, Standard or Normal lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

The sized of the image formed by the lens

A

Magnification

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

The amount of the scene shown on a given size of film

A

Angle of view

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

A lens with a focal length equal to the diagonal measure of the image area

A

Standard or Normal lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Angle of view is 45 degrees to 60 degrees

A

Standard or Normal lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Produce an image that is approximately the same with the view of the human eye

A

Standard or Normal lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

It has a shorter focal length than the normal lens

A

Short focal lens or wide angle lens

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Covers a picture angle of 60 to 90 degrees

A

Short focal lens or wide angle lens

23
Q

It enables photographing a widely extended scene from a close proximity or within a confined area.

A

Short focal lens or wide angle lens

24
Q

A lens with extreme wide angle

A

Fish Eye Len’s

25
It provides a field of view of 180 degrees or more
Fish Eye Lens
26
Lens with longer focal length that constrict the field of view and decrease the depth of field while greatly magnifying the image
Long or Telephoto Lens or Narrow Angle
27
Angle of view is less than 45 degrees
Long or Telephoto Lens or Narrow Angle
28
A special type of camera lens with variable focal length with can be adjusted continuously by the movement of the variable focus lens
Zoom Lens
29
This lens allows quick adjustment to give a wider or narrower field of vision but keeping the image in focus
Zoom Lens
30
The failure of light rays to focus properly after they pass through a lens or reflect from a mirror
Aberration
31
Focusing at different points of light rays passing through different parts of spherical lens
Spherical aberration
32
The outer parts of the lens is bent more sharply and comes to a focus sooner than that passing through the middle
Spherical aberration
33
The failure of different colored lights rays
Chromatic aberration
34
The inability of the lens to bring horizontal and vertical lines
Astigmatism
35
Occurs at the edge of the image, the image appears elliptical or cross shaped because of an irregularity in the curvature of the lens
Astigmatism
36
It occurs when light falling obliquely on the lens
Coma
37
A spot of light appears to have a tail, rather like a comet
Coma
38
The plane of sharpest focus becomes curved not flat
Curvature of field
39
It is caused by rays from the outer limits of the subject plane coming to focus nearer to the lens than the axial rays
Curvature of field
40
Causes the image of a straight line, at the edges of the field to bow in or out.
Distortion
41
A result of double reflection from inner lens surfaces
Flare or optical flare
42
This refers to colored disks of glass or gelatine which are placed Infront of the camera lens to improve the quality of pictures
Filters
43
Filters that are used effectively when photographing blood
Blue filters
44
Filters that are used in place of blue filters for photographing blood.
Green filters
45
They work better than blue filters
Green filters
46
Filters that are used to photograph white cars
Yellow filters
47
Filters that is used to screens out the violet end of the spectrum
Ultraviolet or UV filters
48
It will prevent the lens from being scratched
Ultraviolet or UV filters
49
Filters that is used to cut down light transmission
Neutral Density Filters
50
They used to reduce the light intensity to prevent over exposure
Neutral Density Filters
51
Filters that is used primarily to control light reflected from highly polished surfaces
Polarizing Filters
52
This is the only filter that can increase the blue saturation in the sky in a color photograph without altering the remaining colors in the scene
Polarizing Filters
53
Filters that are used to remove excess bluishness from distant view outdoors
Haze and Skylight Filters
54
Filters intended to alter the response to the spectral sensitivity in terms of the naked eye
Correction Filters