Foreign Policy Analysis Flashcards

1
Q

What is the Rational Actor Model?

A

The Rational Actor Model

  • State is unitary actor.
  • State is rational and strategic actor (with rank-ordered and consistent preferences).
  • Foreign policy making is the act of implementing the national interest.
  • Example: Cuban Missile Crisis: US implements naval blockade because it is best suited means to reach goal (no missiles in Cuba) than doing nothing, diplomatic pressure, secret approach to Castro, invasion and surgical airstrike.
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2
Q

What is the Organisational Process Model?

A

Organisational Process Model

  • Draws on organisational theory, rather than rational choice.
  • Organisations use templates and models to carry out tasks efficiently. Thus, organizations tend to follow routines and Standard Operating Procedures (SOPs).
  • Organisations are parochial and self-interested.
  • What is rational and efficient for state organisations may not be “rational” for the state.
  • E.g. Cuban Missile Crisis: late assembly of intelligence pieces; major tensions during implementation of blockade (Anderson, waving the Manual of Navy Regulations: “Now, Mr. Secretary if you and your Deputy will go back to your office, the Navy will run the Blockade.”)
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3
Q

What is the Bureaucratic Politics Model?

A

Bureaucratic Politics Model

  • Adds political dimension to Organisational Process Model
  • “Where you stand depends on where you sit”.
  • Personal interests include prestige, status, budget increases, career advancement, re-election.
  • Foreign Policy is result of outcome of bargaining among representatives of different bureaucratic interests.
  • E.g. Cuban Missile Crisis: CIA reluctant to inform President of troubling material that he does not want to hear; President Kennedy after crisis: “An invasion would have been a mistake… But the military are mad. They wanted to do this. It’s lucky for us that we have McNamara over there.”
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4
Q

What is Constructivist Foreign Policy Analysis?

A
  • National interest socially constructed (important question: how is it constructed?)
  • Identity (roles, identity-narrative) and identity-constituting norms make certain acts appear appropriate to actors and rule others out.
  • Deeply held intersubjectivity (e.g. episteme, background knowledge, ideology, world view etc.) makes actors see particular dimensions of the social world and/or engage in certain performances but not others.
  • Links between levels of analysis because unit of analysis is community (which may or may not be state bound)
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5
Q

How can we link the International and the State Level of Analysis?

A
  • J. David Singer: Levels of analysis cannot be linked
  • Peter Gourevitch: State institutions and interests are shaped by international forces
  • Robert Putnam: Two-level games where leader play games on two “boards”
  • Rodney Bruce Hall: Collective identity and systematic change are interdependent
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