Ford Flashcards

1
Q

S to A: “Strumpet…

A

…I’le rip up thy heart.”

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2
Q

G to F: “I have unclasped…

A

… the burdens of my soul.” “Emptied the storehouse of my thoughts and heart.” “Made myself poor of secrets.”

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3
Q

G to F: “Are we not…

A

… therefore each to other bound so much the more by nature.”

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4
Q

G to A: “A heart…

A

… in which is writ the truth I speak.”

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5
Q

G to A: “thy immoral…

A

… beauty hath untuned all harmony.”

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6
Q

G to A: “I have…

A

… too long suppressed the hidden flames.”

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7
Q

B: “My…

A

… belly seethes like a porridge pot.”

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8
Q

Donado: “Is this…

A

… a churchman’s voice? Dwells justice here?”

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9
Q

P to G: “O sir…

A

… we are all undone, quite undone, utterly undone.”

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10
Q

V to H: “Your own…

A

… mischievous treachery hath killed you.”

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11
Q

G to A: “I have asked…

A

… the counsel of the church who tell me I may love you.”

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12
Q

Florio: “I will not…

A

… have her marry for wealth, but love.”

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13
Q

G: “That beauty…

A

… which, if framed anew, the Gods would make a God of.”

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14
Q

F to G: “Young man…

A

… there are no school points.”

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15
Q

G to F: “Your age…

A

… o’errules you, had you youth like mind, you’d make her love your heaven.”

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16
Q

F to A: “Then you will…

A

… wish each kiss your brother gave had been a dagger’s point.”

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17
Q

F to G: “For death…

A

… waits on thy lust.”

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18
Q

A to G: “For every sigh…

A

…. thou hast spent for me, I have sighed ten.”

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19
Q

Richardetto: “The Cardinal…

A

… is noble; he no doubt will give true justice.”

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20
Q

Corrine S Abate: “The Cardinal…

A

… is a morally compromised man, amid this morally compromised society.”

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21
Q

Lisa Hopkins:

A

“Ford portrays incest too sympathetically by making Giovanni and Annabella attractive.”

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22
Q

Dorothy M Farr: “The death of…

A

… Bergetto presents the violation of innocence in a corrupt society.”

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23
Q

G to A: “Can’t thou…

A

… be dared to swear that thou wilt live to me and to no other?”

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24
Q

S to H: “Learn to…

A

… repent and die.”

25
B's letter: "Yours...
... upwards and downwards."
26
F to G: "Oh, ignorance...
... in knowledge."
27
F to G: "She did...
... yield to lust."
28
V to H: "I am...
... infinitely yours." (irony)
29
S about A: "Precious...
... jewel, such a prize." (ironic- corrupt.)
30
G to A: "Forgive me." A to G:...
... "With my heart." (depth of meaning)
31
Gio: "The glory...
... of my deed."
32
A to G: "What, are...
... you jealous?"
33
P to A: "Tis too...
... late to repent now, heaven help us!"
34
F to A: "You have...
... unripped a soul so foul and guilty."
35
F to A: "Whiles...
... I do read a lecture."
36
F to A: "Heaven...
... is merciful."
37
Cardinal: "Rise...
... up, Grimaldi!" (symbolically forgiving him)
38
Cardinal: "He is...
... no common man, but nobly born."
39
G to A: "Tis my...
... destiny that you must either love or I must die."
40
A to G: "I blush...
... to tell thee."
41
H to A: "I come...
... not to defraud you of your man."
42
Wiggins:
"The only excessive pressure on Annabella comes form the Friar and his alarming account of eternal torment."
43
Stavig:
"The symbol of true religion leaves the city, corruption and hypocrisy go unchallenged."
44
Corrine S Abate: Hippolita=
"While not admirable, certainly does not justify being poisoned in public."
45
Dorothy M Farr: "Bergetto is...
... a childish simpleton, not far removed from the 'innocent' in the Elizabethan sense."
46
Dorothy M Farr: "The Friar...
... is no corrupt churchman neither is he an aged well-wisher."
47
H J Oliver:
"Their loves are pure; their souls unstained."
48
Dorothy M Farr: "She is...
... a child of nurture rather than of nature."
49
Stavig: "As an atheist...
... an incestuous lover, a revenger and a murderer, Giovanni has many characteristics of a stage villain."
50
Stavig: "Instead of...
... worshipping God, he has substituted an earthly 'idol', his sister."
51
Sonia Massai: "The first English...
... play to represent sibling incest as a passionate, all consuming love story."
52
G to A: "For colour,
lips; for sweet perfumes, her breath; for jewels, eyes."
53
G: "Tis not...
... I know, my lust, but tis my fate that leads me on."
54
G: "It were more easy...
... to stop the ocean from floats and ebbs than dissuade my vows."
55
A to G: "What blessed...
... shape of come celestial creature now appears?" (heavenly/divine) (may not have recognised him- common of the time- boys sent away to be educated)
56
G to A: "I think you...
.... love me, sister." "Yes, you know I do." (pace) (romantic intimacy)
57
G to A: "Let not...
.... this music be a dream."
58
G to A: "Wise nature...
... first in your creation meant to make you mine."