Brainscape's Knowledge GenomeTM

Browse over 1 million classes created by top students, professors, publishers, and experts.


See full index

HID1 > FMR 3 > Flashcards

FMR 3 Flashcards

1
Q

domestic ones are usually oil-resinous containing oil and slower to dry or polyurethane in one can or two can form.

A

SEALERS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

not a finish, but provides a very good base for various fibers.

A

SANDING SEALER

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

basically used for wood, its main purpose is to cover holes, cracks and other imperfections in the wood.

A

FILLERS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

composed of silex (stone dust), japan-drier, linseed oil, turpentine and sometimes colors ground in oil.

A

PASTE FILLER

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Plastic wood putty, stick shellac, etc. They are used for filling nail holes, cracks, and dents.

A

CRACK FILLERS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

these come in either spirit-based(liquid or solid wax) or in emulsion form.

A

POLISHES

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

there are various chemical dyes and water-based or spirit-based stains. available in wood tones, also in colors blue, red and green.

A

STAINS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

pigments are derived from various earth clays

A

OIL WOOD STAINS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

made from aniline dyes and mineral extracts which have been dissolved in hot water.

A

WATER STAINS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

these are mixed with alcohol-solution aniline powders and warmed alcohol.

A

SPIRIT OR ALCOHOL STAIN

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

made by refining seed lac and denatured alcohol.

A

SHELLAC

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

it is a resolution of resin in drying oil(oil varnish) or in a volatile solvent such as alcohol or turpentine.

A

VARNISH

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

they usually contain polyurethane, acrylic or epoxy-resin and come in fairly wide range of colors.

A

PAINTS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

FAUX PAINTING TECHNIQUES

A

SPONGEING
RAGGING
DRAGGING
COLORWASHING
COMBING
SPLATTERING
WOODGRAINING
MARBLING
STENCILING
MURALS
TROMPE L’OEIL

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

4 TYPES OF PAINT FINISH

A

FLAT FINISH
EGGSHELL FINISH
SEMI GLOSS FINISH
HIGH GLOSS FINISH

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

non-reflective finish, porous surface with a powdery feel.
pros: hides surface imperfections
cons: impossible to clean

A

FLAT FINISH

17
Q

just bearest, hint of luster to them a little reflectivity.
pros: more maintenance friendly than flat

A

EGGSHELL FINISH

18
Q

harder, glossier finish than eggshell or satin
pros: excellent washability
cons: reflective, not suitable for imperfect walls

A

SEMI GLOSS FINISH

19
Q

very hard and shiny finish
pros: superior wearability and washability
cons: difficult to work

A

HIGH GLOSS FINISH

20
Q

it is undoubtedly the quickest, easiest and most versatile of all the faux painting techniques.

A

SPONGEING

21
Q

a simple technique with a stunning effect, produces a delicate, fabric-like texture appearance.

A

RAGGING

22
Q

this painted effect creates a feeling of elegant silk fabric or wallpaper, this technique can be used to portray a luxurious look in the bedroom, by pulling a dry brush through wet paint to reveal fine lines.

A

DRAGGING

23
Q

this technique lend themselves to a rustic country look.

A

COLORWASHING

24
Q

a fun technique that creates a striated effect with paint ad glaze. Traditional combing produces vertical lines that mimic the sheen of opulent silk.

A

COMBING

25
Q

is a very simple and straightforward technique, but the results can be fantastic.

A

SPATTERING

26
Q

just as they had turned to simulating marble in the face of its shortage and expense. Over the last couple of years, the artists have mastered the recreation of the grains with paint.

A

WOODGRAINING

27
Q

is a faux finish that offers an alternative solution to costly, genuine marble.

A

MARBLING

28
Q

this technique employs the use of stencils to add texture, prints and designs to the wall.

A

STENCILING

29
Q

basically a painting on any large surface, be it a wall or a ceiling.

A

MURALS

30
Q

basically means ‘trick the eye’ in french, also called illusionism, that gives the appearance of 3-dimensional or photographic realism.

A

TROMPE L’OEIL

HID1 (6 decks)

Brainscape helps you reach your goals faster, through stronger study habits.
© 2024 Bold Learning Solutions. Terms and Conditions