First Quiz Flashcards

1
Q

These include radio, film, television, and digital streaming

A

mediated arts

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2
Q

Which one is a fixed object?

A

Walt Whitman’s collection of poems

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3
Q

The statue of the Winged Victory at the Louvre Museum in Paris is a

A

Fixed object

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4
Q

Which word does not apply to live theater?

A

Delayed

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5
Q

Which one does not have a transitory nature?

A

The Winged Victory

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6
Q

Uniquely among the arts, theater focuses on one thing and one thing onl:

A

Human beings (as characters in a play)

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7
Q

Some audiences are general, i.e., the thousands attending outdoor productions at Shakespeare festivals. Other audiences are more homogeneous, such as spectators at a high school play. If you attend a production with many other people you know, you’ll likely feel part of the group experience. The information in question 7 relates to what?

A

How audience composition affects the theatre experience.

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8
Q

The theatre most of us will experience requires a degree of distancing, in the same way that all art requires a certain perspective. What is the term for physical or psychological separation or detachment of audience from dramatic action, usually considered necessary for artistic illusion.

A

Aesthetic distance

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9
Q

Illusion may start with the creators of theatre, but it’s completed by the audience. In Macbeth three witches appear; the ghost of Banquo interrupts the banquet.

A flashback is an abrupt movement from the present to the past and back again.

Symbols and metaphors are also seen in theatrical productions.

All these depend upon

A

The imagination of the audience.

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10
Q

In theatre, a realistic element is the one that resembles

A

Observable reality

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11
Q

Blow, winds, and crack your cheeks! Rage! Blow!

You cataracts and hurricanoes, spout

Till you have drenched our steeples, drowned the cocks!

The preceding lines are from

A

King Lear by Shakespeare

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12
Q

When you attend a play you bring more than your mere presence; you bring a background of personal knowledge and a set of expectations that shape our theatre experience. Which factor isn’t involved in this background and set of expectations?

A

Your knowledge of Greek tragedies about Oedipus Rex, Electra, Antigone, and more.

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13
Q

In the early twentieth century, this developed, and, at first, it was considered a freakish aberration, an unattractive jumble of jagged lines and patches of color with no relation to nature, truth, or anything human. In time, however, this came to be recognized as a genuine movement. The disjointed and fragmentary lines of abstract art seemed to reflect the quality of much of modern life.

A

Abstract Painting

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14
Q

Which one of the following relates to expectations, the variety of experiences in modern theatre?

A

Broadway and Touring Theatre

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15
Q

This one is sometimes known as regional theatre:

A

Resident professional theatre

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16
Q

This is someone who observes theatre and then analyzes and comments on it and ideally serves as a knowledgeable and highly sensitive audience member.

A

Critic

17
Q

This is a basic stage arrangement and known as the picture frame stage

A

Proscenium

18
Q

This is a basic stage arrangement that’s sometimes called a circle stage.

A

Proscenium

19
Q

This one is surrounded on three sides by audience seating

A

Thrust

20
Q

This term came from the idea of the proscenium opening as a transparent glass through which the audience sees what’s happening within the giant picture frame.

A

Fourth wall

21
Q

This is slanted downward from the back of the proscenium stage – it’s the portion reserved for the audience.

A

Front of house

22
Q

In ancient Greek theatre, this was the circular acting area at the base of the hillside amphitheater, but in modern usage, it’s the main floor of the theatre, where the audience sits.

A

Orchestra

23
Q

“Stage right” and “stage left” mean the right side and the left side of the stage, respectively, as seen from the position or view of

A

A performer facing the audience

24
Q

The area nearest the audience is known as

A

Downstage

25
Q

The members of the audience are seated on four sides in a circle. The audience is close to the action onstage. This is a

A

arena.

26
Q

Which one isn’t a characteristic of the thrust stage?

A

giant picture frame

27
Q

Which one was developed by the classical Greeks for their tragedies and comedies? An original prototype of this kind of stage is the amphitheater in Epidaurus, Greece.

A

Thrust

28
Q

Used from the 13th century through the 15th century, religious plays were performed on this type stage. It was a platform on wheels to be moved from venue to venue and the audience stood on three sides. The word “platform” that we use in our vernacular in describing forms of media came from this type. Think of this as an example of the thrust stage during medieval times.

A

Wagon stage

29
Q

Theatre building of the Spanish golden age, usually located in the courtyard of a series of adjoining buildings:

A

Corral

30
Q

Who proposed the idea of abolishing the stage and auditorium and replace them with a single site, without partition or barrier of any kind, which will become the theater of the action?

A

Antonin Artaud (1896-1948)

31
Q

This arrangement is sometimes called a corridor stage. The audience sits on opposite sides facing each other. It’s like the catwalk used in fashion shows.

A

Alley or traverse

32
Q

An environment in which there is more than one playing area

A

multi-focus theatre

33
Q

In this kind of production, the audience is asked to be actively involved.

A

Immersive theatre

34
Q
A