FIRST CLASS Flashcards

1
Q

Define leader:

A

Someone who has the ability to affect the behavior of others, mentally and/or physically

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2
Q

5 ideal qualities of a student leader

A

Teacher, leader, administrator, musician, marching specialist

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3
Q

Character traits of a student leader

A

Selfless, persistent, consistent, affable, honest, faithful/loyal

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4
Q

Levels of maturity:

A

Selfish, independent, cooperative, giving

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5
Q

Define ensemble:

A

Two or more people performing as a group

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6
Q

SWC guiding axiom?

A

System + spirit = success!

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7
Q

What is system?

A

The totality of what a director determines

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8
Q

What is spirit?

A

How members react to the system

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9
Q

Marcato

A

Heavy and detached

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10
Q

Staccato

A

Light and detached

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11
Q

Legato

A

Smooth and sustained

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12
Q

Accent

A

Heavy and full value

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13
Q

Slur

A

Smooth, connected, sustained

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14
Q

5 elements of good musician ship?

A

Tone, intonation, ensemble, balance, general musicianship

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15
Q

3 types of balance

A

Tonal balance, harmonic balance, sectional balance

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16
Q

Adjacent forms

A

Groups combined in horizontal planes

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17
Q

Axis

A

The point from which a form rotates

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18
Q

Choreography

A

Any movement or visual effect other than drill

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19
Q

Closed spacing

A

Individuals or forms spaced 22.5” apart (front positions only)

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20
Q

Control

A

Maintaining good tone quality at all dynamic levels

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21
Q

Conversion

A

An organized drill connecting two predetermined forms

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22
Q

Cover

A

Command used to check vertical alignment

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23
Q

Diagonal

A

Two or more individuals placed in an angle

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24
Q

Diagonal space

A

Space between individuals or forms in an angle

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25
Distance
Space between individuals or forms placed one behind another
26
Dress or guide
Command used to check horizontal alignment
27
Drifting
Gradually shifting left or right from the intended direction during movement
28
Even positions
Individuals or forms placed on the grids (even number positions using two- or four-step grid)
29
Fanning
The opening up of intervals during movement
30
File
Two or more individuals placed one behind another
31
Front
Two or more individuals placed beside each other
32
Freeze
A command used to encourage no movement at the end of a drill
33
Grid system
A mathematical subdivision of measurements on paper
34
Horizontal form
Forms appearing mostly horizontal on paper, or to the audience
35
Intermeshed
Two different forms passing through, or placed in between each other
36
Interval
Space between individuals or forms placed beside each other
37
Leaning
Hips not in line and square with the shoulders
38
Odd positions
Individuals or forms placed between the grids (odd number positions using two- or four-step grid)
39
Offset position
Forms not positioned between the planes of the zero points
40
Open spacing
Individuals or forms spaced 90” apart
41
Phasing
Lack of rhythmic precision between sections within an ensemble
42
Pivot
Person nearest the axis (fixed point is on the axis; moving point is off the axis)
43
Precison
Uniformity of movement and/or sound
44
Rank
Grouping of two or more individuals into a unit, usually within a block formation
45
Regular spacing
Individuals or forms spaced 45” apart
46
Sagging
The closing of intervals during movement
47
Sequence
The same movement executed at different times
48
Smooth
A movement executed in ratio to the tempo
49
Snap
A movement executed as quickly as possible, regardless of the tempo
50
Squad
Grouping of two or more individuals into a unit (usually four individuals)
51
Stacked forms
Grouping of forms combined in vertical planes
52
Stage
The total visual picture of a static form
53
Style
The overall characteristic look and/or sound of an ensemble
54
Timing
The movement which occurs between the starting and ending positions
55
Vertical form
Forms appearing mostly vertical on paper, or to the audience
56
Zero points
Reference marks placed on the field creating a 180” visual grid system
57
Anticipation
Beginning movement and/or sound before the proper time
58
Dragging
Executing movement and/or music increasingly slower than the established tempo
59
Execution
Movement and/or music in action
60
Hesitation
Beginning movement and/or sound after the proper time
61
Inner pulse
Subdividing the pulse mentally to achieve ensemble precision
62
Point ‘a’
The clearly defined starting position of any movement
63
Point ‘b’
The clearly defined ending position of any movement
64
Rushing
Executing movement and/or music increasingly faster than the established tempo
65
Smooth movement
Moving from point ‘a’ to point ‘b’ evenly, in ratio to the tempo
66
Snappy movement
Moving from point ‘a’ to point ‘b’ as quickly as possible, regardless of the tempo
67
Subdivision
Dividing beats into smaller increments to clearly define the timing of movement and/or sound
68
Tempo
The speed of the rhythmic pulse of music and/or movement
69
8-5 step size
22.5”
70
6-5 step size
30”
70
Oblique step size (45 degrees)
31.8”
71
Transitions
Pivot, roll-through, jab
72
Military turn
Turn on the opposite foot of the direction of the turn
73
Cross-over turn
Turn on the same foot of the direction of the turn
74
Counted turn
Use when changing to any direction with any amount of counts. Turn slowly while marking time in place
75
Delayed turn
Stop on a determined count then making a snappy turn on the next count