Finalssssss

Question 1

Innate ability of a person

Answer 1

Acting

Question 2

Ways on how to do acting

Answer 2

Acting process

Question 3

Line found on the script

Answer 3

Text

Question 4

• Your interpretation of the text
• also known as “Quotation analysis”

Answer 4

Sub-text

Question 5

Defined as the character’s wants in every scene

Answer 5

Objective

Question 6

• What the character desires to achieve at the end of the play
• is also called the “spine”

Answer 6

Super objective

Question 7

• also known as “beats” or “units”
• changes in mood, intentions, objects

Answer 7

Sub-objective

Question 8

Writer of Acting Power

Answer 8

Robert Cohen

Question 9

• known as “relationship communication”
• a term coined by Robert Cohen
• ration if the actors on stage

Answer 9

Relcom

Question 10

Two parts of the message

Answer 10

Content dimension and relationship dimensions

Question 11

• hidden meaning
• reading between the lines
• the underlying emotional motivation

Answer 11

Subtext

Question 12

• you are the one who can be seen and recognized because you are on stage
• people involved in a play, role

Answer 12

Production role

Question 13

His purpose is to reject the overly-acted use of gestures to convey a message wc sometimes created an unnatural way of acting.

Answer 13

The Method/Stanislavski Method

Question 14

Russian actor and director who created the The Method

Answer 14

Konstantin Stanislavski

Question 15

An acting technique that inudes a variety of scting systems combined as one

Answer 15

Classical acting technique

Question 16

A French influential theorist who invented the Classical Acting Technique?
He also established the London Theatre Studio

Answer 16

Michel Saint-denis

Question 17

• A Technique which includes staying in the role even if he is not performing.
• by Lee Strasberg

Answer 17

Method Acting Technique

Question 18

• Technique created by Sanford Meisner, in collaboration with Stella Adler.
• this technique oblige the actors to forget himself for a while ( during performance)
• “in the moment” Actors
• has 3 distinctive exercises

Answer 18

Meisner Technique

Question 19

One of Meisner Technique’s exercises which:
* imaginary circumstances
* must illustrate a vast emotional experience of the character to make it more interesting

Answer 19

Emotional Preparation

Question 20

One of Meisner Technique’s exercises wherein:
* dialogue rehearsal
* practice the repetition of Meisner Technique

Answer 20

Repetition exercises

Question 21

One of Meisner Technique’s exercises wherein:
* a person will act before they can think.
* actors performing the actions developed via instinct and expressive construction

Answer 21

Improvisation

Question 22

This Technique by Michael Chekhov (nephew of Anton) which:
* aims to touch the subconscious mind and the wisdom of the acceptability of people.
* commands bodily exercises (psychological gestures)

Answer 22

Chekhov Technique

Question 23

• A Technique derivated of Stanislavski, Meisner, and Epictetus.
• created by David Mamet and William Macy

Answer 23

Practical Aesthetics Acting Technique

Question 24

Four elements of PAAT

Answer 24

Literal
Want
Essential Action
As if

Question 25

One of the 4 elemens of PAAT that:

• vital and basic portrayal of what is going on.

Answer 25

The Literal

Question 26

One of the 4 elemens of PAAT that:

• when one character actually needs the other actor to utter or act

Answer 26

The Want

Question 27

One of the 4 elemens of PAAT that:

• the ultimate longing that tells the exact and important characteristics of what your character needs.

Answer 27

The Essential Action

Question 28

One of the 4 elemens of PAAT that:
* has connections with the actor’s own experiences. The most difficult in the four steps

Answer 28

As if

Question 29

• A Technique by Uta Hagen
• inspiring the actors to substitution wc is the same as emotional memory recall

Answer 29

Uta Hagen Technique

Question 30

She was a professional film and theatre actress and became a well known mentor in acting.

Answer 30

Uta Hagen

Question 31

• A Technique also called as “theatre games”
• revolves around diff. created games to inspire actors to use.
• created by Viola Spolin

Answer 31

Viola Spolin Technique