Finals Flashcards

1
Q

Greek philosopher who said “You could not discover the limits of soul”

A

Heraclitus

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2
Q

soul-making cannot be defined

A

soul is beyond definition

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3
Q

metaphor is comprised of two Greek words

A

meta and phero

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4
Q

meaning of meta

A

above

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5
Q

meaning of phero

A

carry

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6
Q

an image or phrase that carries the reader above the literal sensory realm

A

metaphor

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7
Q

meaning of poieo

A

to be a maker of something

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8
Q

one way to understand with this is to imagine the universe as an immense dictionary

A

the poetry of psyche

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9
Q

we are co-creators in the soul-making process

A

co-creating

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10
Q

they hope that the viewer to recognize the images they copy

A

appropriation art

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11
Q

the deliberate borrowing of an image

A

appropriation art

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12
Q

exhibits an interest in innovating

A

installation

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13
Q

modern movement characterized by immersive, larger-than-life-works of art

A

installation art

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14
Q

a key attribute of installation art is its ability to physically interact with viewers

A

immersive

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15
Q

it allows them to sit, stand, or walk through it a distinctive capability not commonly found in more traditional forms of art

A

large-scale

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16
Q

unlike sculptures, paintings, and similar pieces, installations are usually planned with certain sites in mind

A

site-specific

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17
Q

is rooted in several different movements

A

influences

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18
Q

has been a common practice throughout history

A

appropriation

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19
Q

texere which means

A

to braid

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20
Q

it uses plant or any synthetic fibers in creating practical or decorative objects

A

textile arts

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21
Q

can also be form of natural pain relief

A

cross-stitch

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22
Q

it is a process of creating fabric from yarn

A

crocket

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23
Q

it is the crafts of fastening or attaching objects using stiches made

A

sewing

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24
Q

it is a fabric production method in which yarns are interlaced at right angles

A

weaving

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25
Q

a technique for handcrafting particularly in making durable lace

A

tatting

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26
Q

process of making footwear

A

shoemaking

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27
Q

openwork fabric, patterned with open holes in the work, made bymachine

A

lace

28
Q

it is a form of textile-making which requires very few tools

A

macrome

29
Q

designing and manufacture of hats

A

millinery

30
Q

it is an art arrangement of colored thread strung between points to form an abstract geometric design

A

string art

31
Q

emotional or intellectually energy or intensity

A

soul

32
Q

is a sacred cloth woven by the t’boli people

A

t’nalak

33
Q

during ________, an artisan will connect individual threads end to end

A

tembong

34
Q

fibers used in weaving are harvested from the abaca tree and prepared in a process known as _______

A

kedungon

35
Q

is done in the ikat-style, using beeswax and natural pigments

A

temogo

36
Q

the final stage in the t’nalak process is

A

semaki

37
Q

is used for ritual purposes

A

t’nalak

38
Q

spirit of abaca

A

fu dalu

39
Q

t’nalak weaving was practiced observed by women referred as?

A

dream weavers

40
Q

distinguished from other tribal weaving by the intricate figures and patters said to depict the folklores

A

dagmay

41
Q

is a multi-purpose headdress that can be worn in various ways

A

pis-siyabit

42
Q

a handwoven headscarf from Basilan, Philippines

A

seputangan

43
Q

a technique for making malong

A

inaul

44
Q

also produced in looms throughout the province of Antique

A

Pina cloth

45
Q

making is traditionally a home-based industry

A

jewelry

46
Q

the foundation of drawing

A

line

47
Q

may be natural or man-made

A

shapes

48
Q

the lightness or darkness of a color

A

tone

49
Q

has the strongest impact on our emotions

A

color

50
Q

made by repeating or echoing the elements

A

pattern

51
Q

the roughness or smoothness of a material

A

texture

52
Q

the physical volume of shape

A

form

53
Q

it is used to develop and inform the theme of a literary work

A

motif

54
Q

used to represent something else

A

symbol

55
Q

include lines in various forms

A

geometric motif

56
Q

portray as direct replica of things

A

realistic or natural motif

57
Q

these are simplified variations of natural or man-made objects

A

stylized motif

58
Q

these are combinations of color, size, shape

A

abstract motif

59
Q

illustrative representations

A

iconograms

60
Q

pictorial representation

A

pictograms

61
Q

topographical representations

A

cartograms

62
Q

functional representations

A

diagrams

63
Q

represent a concept

A

ideograms

64
Q

conceptual representations like writing

A

logograms

65
Q

are typographical representations

A

typograms

66
Q

phonic representations

A

phonograms