Final Vocab 5/29/14 Flashcards

1
Q

Diction

A

The choice and use of words and phrases in speech or writing

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2
Q

Imagery

A

An author’s use of vivid and descriptive language to add depth to his or her work

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3
Q

Tone

A

A literary compound of composition, which encompasses the attitudes toward the subject and toward the audience implied in a literary work

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4
Q

Figurative Language

A

Language that uses words or expressions with a meaning that is different from the literal interpretation

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5
Q

Shift

A

A shift is a change in the mood, tone or subject matter of a piece

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6
Q

Detail

A

A small part of something

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7
Q

Syntax

A

The arrangement of words and phrases to create well-formed sentences

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8
Q

Connotation

A

an idea or feeling that a word invokes in addition to its literal or primary meaning

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9
Q

Point of View

A

the narrators position in relation to the story being told

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10
Q

Pacing

A

the movement of a literary piece from one point or one section to another

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11
Q

Ad hominem

A

an argument against a person rather than against his arguments

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12
Q

Allegory

A

a rhetorical device in which characters or events in a literary, visual or musical art form represent or symbolize ideas and concepts

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13
Q

Alliteration

A

Repetition of consonant sounds at the beginning of words or stressed syllables

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14
Q

Apostrophe

A

a rhetorical device by which a speaker turns from the audience as a whole to address a single person or thing. Additionally an apostrophe is a literary term that denotes a figure of speech in which someone absent, inanimate or dead is addressed as if were alive and present and able to reply

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15
Q

Aphorism

A

A short pithy saying expressing a general truth

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16
Q

Analogy

A

A similarity between like features of two things, on which a comparison may be based.

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17
Q

Anaphora

A

A rhetorical term for the repetition of a word or phrase at the beginning of successive clauses or verses

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18
Q

Anecdote

A

A short usually amusing account of an incident, esp a personal or biographical one

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19
Q

Antithesis

A

The rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences (as in “action, not words” or “they promised freedom and provided slavery”)

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20
Q

Asyndeton

A

The omission of the conjunctions that ordinarily join coordinate words or clauses, as in the phrase “I came, I saw, I conquered

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21
Q

Cacophony

A

The term in poetry refers to the use of words that combine sharp, harsh, hissing, or unmelodious sounds

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22
Q

Chiasmus

A

The rhetoric reversal of the order of words in the second of two parallel phrases: he came in triumph and in defeat departs.

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23
Q

Colloquialism

A

A word, phrase or paralanguage that is employed in conversational or informal language but not in formal speech or formal writing.

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24
Q

Conceit

A

In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem

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25
Q

Cumulative Sentence

A

An independent clause followed by a series of subordinate constructions that gather details about a person, place, event, or idea.

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26
Q

Denotation

A

The explicit or direct meaning or set of meanings of a word or expression

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27
Q

Didactic

A

Intended for instruction; overly instructive

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28
Q

Ellipsis

A

The omission of one or more words that are obviously understood but that must be supplied to make a construction grammatically complete

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29
Q

Epiphany

A

An experience of sudden and striking realization. Generally the term is used to describe scientific breakthrough, religious or philosophical discoveries, but it can apply in any situation in which an enlightening realization allows a problem or situation to be understood from a new and deeper perspective.

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30
Q

Ethos

A

In rhetoric, the character or emotions of a speaker or writer that are expressed in the attempt to persuade an audience.

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31
Q

Euphemism

A

A generally innocuous word or expression used in place of one that may be found offensive or suggest something unpleasant.

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32
Q

Genre

A

A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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33
Q

Homily

A

A sermon or discourse on a moral or religious topic

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34
Q

Hyperbole

A

A figure of speech that is an intentional exaggeration for emphasis or comic effect.

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35
Q

Invective

A

A vehement accusation or denunciation, esp. of a bitterly abusive or sarcastic kind

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36
Q

Irony

A

The use of words to convey the opposite of their literal meaning; a statement or situation where the meaning is contradicted by the appearance or presentation of the idea.

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37
Q

Litotes

A

In rhetoric, litotes is a figure of speech in which understatement is employed for rhetoric effect, principally via double negatives

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38
Q

Logos

A

persuasion by the use of reasoning

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39
Q

Metaphor

A

A figure of speech in which an implicit comparison is made between two unlike things that actually have something in common.

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40
Q

Metonomy

A

A figure of speech in which one word or phrase is substituted for another with which it is closely associated (such as “crown” for “royalty”).

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41
Q

Motif

A

A usually recurring salient thematic element (as in the arts); especially: a dominant idea or central theme

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42
Q

Non Sequitur

A

An inference or a conclusion that does not follow from the premises. Also, a statement containing an illogical conclusion.

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43
Q

Onomatopoeia

A

The naming of a thing or action by a vocal imitation of the sound associated with it (as buzz, hiss)

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44
Q

Oxymoron

A

A figure of speech that juxtaposes elements that appear to be contradictory

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45
Q

Parallelism

A

A balance within one or more sentences of similar phrases or clauses that have the same grammatical structure

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46
Q

Parody

A

A literary or musical work in which the style of an author or work is closely imitated for comic effect or in ridicule

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47
Q

Paradox

A

A paradox is a statement that apparently contradicts itself and yet might be true.

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48
Q

Pathos

A

The quality or power, esp. in literature or speech, of arousing feelings of pity, sorrow, etc

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49
Q

Pedantic

A
  1. Ostentatious in one’s learning. 2. Overly concerned with minute details or formalisms, especially in teaching.
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50
Q

Periodic Sentence

A

Long and frequently involved sentence, marked by suspended syntax, in which the sense is not completed until the final word–usually with an emphatic climax.

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51
Q

Personification

A

A figure of speech in which human characteristics are attributed to an abstract quality, animal, or inanimate object.

52
Q

Polysyndeton

A

The use of several conjunctions in close succession, especially where some could otherwise be omitted.

53
Q

Repetition

A

The act or process or an instance of repeating or being repeated.

54
Q

Sarcasm

A

A sharp, bitter, or cutting expression or remark; a bitter gibe or taunt

55
Q

Satire

A

The use of irony , sarcasm, ridicule, or the like, in exposing, denouncing, or deriding vice , folly, etc

56
Q

Simile

A

A rhetorical figure expressing comparison or likeness that directly compares two objects through some connective word such as like or as.

57
Q

Syllepsis

A

A kind of ellipsis in which one word (usually a verb) is understood differently in relation to two or more other words, which it modifies or governs.

58
Q

Syllogism

A

A kind of logical argument that applies deductive reasoning to arrive at a conclusion based on two or more propositions that are asserted or assumed to be true.

59
Q

Symbol

A

An object that represents, stands for, or suggests an idea, visual image, belief, action, or material entity

60
Q

Synecdoche

A

A synecdoche is a figure of speech in which a term for a part of something refers to the whole of something, or vice-versa.

61
Q

Style

A

A distinctive manner of expression

62
Q

Tautology

A

A needless repetition of an idea, statement, or word.

63
Q

Understatement

A

A form of speech or disclosure which contains an expression of less strength than what would be expected.

64
Q

(R)

The choice and use of words and phrases in speech or writing

A

Diction

65
Q

(R)

An author’s use of vivid and descriptive language to add depth to his or her work

A

Imagery

66
Q

(R)

A literary compound of composition, which encompasses the attitudes toward the subject and toward the audience implied in a literary work

A

Tone

67
Q

(R)

Language that uses words or expressions with a meaning that is different from the literal interpretation

A

Figurative Language

68
Q

(R)

A shift is a change in the mood, tone or subject matter of a piece

A

Shift

69
Q

(R)

A small part of something

A

Detail

70
Q

(R)

The arrangement of words and phrases to create well-formed sentences

A

Syntax

71
Q

(R)

an idea or feeling that a word invokes in addition to its literal or primary meaning

A

Connotation

72
Q

(R)

the narrators position in relation to the story being told

A

Point of View

73
Q

(R)

the movement of a literary piece from one point or one section to another

A

Pacing

74
Q

(R)

an argument against a person rather than against his arguments

A

Ad hominem

75
Q

(R)

a rhetorical device in which characters or events in a literary, visual or musical art form represent or symbolize ideas and concepts

A

Allegory

76
Q

(R)

Repetition of consonant sounds at the beginning of words or stressed syllables

A

Alliteration

77
Q

(R)

a rhetorical device by which a speaker turns from the audience as a whole to address a single person or thing. Additionally an apostrophe is a literary term that denotes a figure of speech in which someone absent, inanimate or dead is addressed as if were alive and present and able to reply

A

Apostrophe

78
Q

(R)

A short pithy saying expressing a general truth

A

Aphorism

79
Q

(R)

A similarity between like features of two things, on which a comparison may be based.

A

Analogy

80
Q

(R)

A rhetorical term for the repetition of a word or phrase at the beginning of successive clauses or verses

A

Anaphora

81
Q

(R)

A short usually amusing account of an incident, esp a personal or biographical one

A

Anecdote

82
Q

(R)

The rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences (as in “action, not words” or “they promised freedom and provided slavery”)

A

Antithesis

83
Q

(R)

The omission of the conjunctions that ordinarily join coordinate words or clauses, as in the phrase “I came, I saw, I conquered

A

Asyndeton

84
Q

(R)

The term in poetry refers to the use of words that combine sharp, harsh, hissing, or unmelodious sounds

A

Cacophony

85
Q

(R)

The rhetoric reversal of the order of words in the second of two parallel phrases: he came in triumph and in defeat departs.

A

Chiasmus

86
Q

(R)

A word, phrase or paralanguage that is employed in conversational or informal language but not in formal speech or formal writing.

A

Colloquialism

87
Q

(R)

In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem

A

Conceit

88
Q

(R)

An independent clause followed by a series of subordinate constructions that gather details about a person, place, event, or idea.

A

Cumulative Sentence

89
Q

(R)

The explicit or direct meaning or set of meanings of a word or expression

A

Denotation

90
Q

(R)

Intended for instruction; overly instructive

A

Didactic

91
Q

(R)

The omission of one or more words that are obviously understood but that must be supplied to make a construction grammatically complete

A

Ellipsis

92
Q

(R)

An experience of sudden and striking realization. Generally the term is used to describe scientific breakthrough, religious or philosophical discoveries, but it can apply in any situation in which an enlightening realization allows a problem or situation to be understood from a new and deeper perspective.

A

Epiphany

93
Q

(R)

In rhetoric, the character or emotions of a speaker or writer that are expressed in the attempt to persuade an audience.

A

Ethos

94
Q

(R)

A generally innocuous word or expression used in place of one that may be found offensive or suggest something unpleasant.

A

Euphemism

95
Q

(R)

A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

A

Genre

96
Q

(R)

A sermon or discourse on a moral or religious topic

A

Homily

97
Q

(R)

A figure of speech that is an intentional exaggeration for emphasis or comic effect.

A

Hyperbole

98
Q

(R)

A vehement accusation or denunciation, esp. of a bitterly abusive or sarcastic kind

A

Invective

99
Q

(R)

The use of words to convey the opposite of their literal meaning; a statement or situation where the meaning is contradicted by the appearance or presentation of the idea.

A

Irony

100
Q

(R)

In rhetoric, litotes is a figure of speech in which understatement is employed for rhetoric effect, principally via double negatives

A

Litotes

101
Q

(R)

persuasion by the use of reasoning

A

Logos

102
Q

(R)

A figure of speech in which an implicit comparison is made between two unlike things that actually have something in common.

A

Metaphor

103
Q

(R)

A figure of speech in which one word or phrase is substituted for another with which it is closely associated (such as “crown” for “royalty”).

A

Metonomy

104
Q

(R)

A usually recurring salient thematic element (as in the arts); especially: a dominant idea or central theme

A

Motif

105
Q

(R)

An inference or a conclusion that does not follow from the premises. Also, a statement containing an illogical conclusion.

A

Non Sequitur

106
Q

(R)

The naming of a thing or action by a vocal imitation of the sound associated with it (as buzz, hiss)

A

Onomatopoeia

107
Q

(R)

A figure of speech that juxtaposes elements that appear to be contradictory

A

Oxymoron

108
Q

(R)

A balance within one or more sentences of similar phrases or clauses that have the same grammatical structure

A

Parallelism

109
Q

(R)

A literary or musical work in which the style of an author or work is closely imitated for comic effect or in ridicule

A

Parody

110
Q

(R)

A paradox is a statement that apparently contradicts itself and yet might be true.

A

Paradox

111
Q

(R)

The quality or power, esp. in literature or speech, of arousing feelings of pity, sorrow, etc

A

Pathos

112
Q

(R)

  1. Ostentatious in one’s learning. 2. Overly concerned with minute details or formalisms, especially in teaching.
A

Pedantic

113
Q

(R)

Long and frequently involved sentence, marked by suspended syntax, in which the sense is not completed until the final word–usually with an emphatic climax.

A

Periodic Sentence

114
Q

(R)

A figure of speech in which human characteristics are attributed to an abstract quality, animal, or inanimate object.

A

Personification

115
Q

(R)

The use of several conjunctions in close succession, especially where some could otherwise be omitted.

A

Polysyndeton

116
Q

(R)

The act or process or an instance of repeating or being repeated.

A

Repetition

117
Q

(R)

A sharp, bitter, or cutting expression or remark; a bitter gibe or taunt

A

Sarcasm

118
Q

(R)

The use of irony , sarcasm, ridicule, or the like, in exposing, denouncing, or deriding vice , folly, etc

A

Satire

119
Q

(R)

A rhetorical figure expressing comparison or likeness that directly compares two objects through some connective word such as like or as.

A

Simile

120
Q

(R)

A kind of ellipsis in which one word (usually a verb) is understood differently in relation to two or more other words, which it modifies or governs.

A

Syllepsis

121
Q

(R)

A kind of logical argument that applies deductive reasoning to arrive at a conclusion based on two or more propositions that are asserted or assumed to be true.

A

Syllogism

122
Q

(R)

An object that represents, stands for, or suggests an idea, visual image, belief, action, or material entity

A

Symbol

123
Q

(R)

A synecdoche is a figure of speech in which a term for a part of something refers to the whole of something, or vice-versa.

A

Synecdoche

124
Q

(R)

A distinctive manner of expression

A

Style

125
Q

(R)

A needless repetition of an idea, statement, or word.

A

Tautology

126
Q

(R)

A form of speech or disclosure which contains an expression of less strength than what would be expected.

A

Understatement