Final Study Images Flashcards
Gu Hongzhong (顾闳中), “Night Entertainment of Han Xizhi,”
handscroll, ink and color on silk.
S. Tang, 10th century (12-century copy)
Emperor Huizong, “Five Colored Parakeet,”
hand scroll, ink and color on silk
N. Song, early 12th century
Emperor Huizong, “Palace Ladies Preparing Newly Woven Silk,” copy of a painting by Zhang Xuan,
section of hand scroll, ink and color on silk
Northern Song
Dong Yuan, “Xiao and Xiang Rivers,”潇湘之水
section of hand scroll, ink on paper
S. Tang, 10th century,
Li Cheng, “Solitary Temple Amid Clearing Peaks,”
hanging scroll, ink on silk
Five Dynasties to N. Song, 10th century,
Fan Kuan, “Travelers Among Mountains and Streams,”
hanging scroll, ink and color on silk
N. Song, early 11 century,
Guo Xi (郭熙), “Early Spring,”
N. Song, 1072, hanging scroll
ink and color on silk
Zhao Gan (趙幹), “Early Snow Along the River,”
hand scroll, ink and color on silk
S. Tang, mid-10th century,
Zhang Zeduan (张择端), “Spring Festival on the River,”
hand scroll, ink and colors on silk
N. Song, early 12th century
Li Song (active c. 1190-c. 1230), “Knick-Knack Peddler,”
fan mounted as album leaf, ink and color on silk
S. Song, 1210,
Li Gonglin (李公麟), “Mountain Villa,”
section of hand scroll, ink on paper
N. Song, late 11th century
Su Shi (苏轼), “Twisted Old Tree,”
ink on paper
N. Song, 11th century
Mi Youren (米友仁), “White Clouds on the Xiao and Xiang Rivers,”
hand scroll, ink on paper
S. Song
Qiao Zhongchang (喬仲常), “Illustration of Second Prose-Poem on the Red Cliff by Su Shi,”
handscroll, ink on papper
1123
Ma Yuan (馬遠), “On a Mountain Path in Spring,”
ink and color on silk
S. Song, early 13 century, album leaf,
Xia Gui (夏圭), “Twelve Views of Xiao and Xiang Rivers,”
section of hand scroll, ink on paper.
S. Song, early 13th century.
Muji, “Six Persimmons,”
ink on paper
S. Song, 13th century,
Vase, Guan ware,
S. Song, 13th century
Pillow, Cizhou ware,
S. Song, 13th century
The hen wife, stone sculpture at Dazu,
Sichuan province
12-13th century
Portraits of a Deceased Couple
relief carving in a Song tomb
at Baisha, Henan province
1099
Seated monk
glazed pottery sculpture
from Yizhou, Hebei, Liao
12th century
Qian Xuan (钱选), “Wang Xizhi Gazing at Geese,”
section of handscroll, ink and color on paper.
Yuan, late 13th century
Zhao Mengfu (赵孟頫), “Autumn Colors on the Jiao and Hua Mountains,”
detail of handscroll, ink and color on silk.
Yuan, 1295
Huang Gongwang (黄公望), “Dwellling in the Fuchun Mountains,” (#118 4 parts)
detail of handscroll, ink on paper.
Yuan, mid-14th century,
Ni Zan(倪瓒), “Wind among Trees on Streambank,”
hanging scroll, ink on paper.
Yuan, 1363,
Wang Meng , “Dwelling in Reclusion in the Qingbian Mountain,”
hanging scroll, ink on paper.
Yuan, 1366
Theatrical performance, mural in the Water God Temple,
Hongdong, Shanxi province,
Yuan, c. 1324.
White Stupa, Miaoying Temple,
Beijing.
Yuan, 1279.
Porcelain with designs in underglaze blue,
made in Jingdezhen（景德镇）,
Yuan, 13th century.
Shen Zhou (沈周), “Night Vigil,”
, hanging scroll, ink on paper.
Ming, 1492
Wen Zhengming (文征明), “Waterfalls in a Pine Ravine,”
hanging scroll, ink and color on paper.
Ming, 1531
Tang Yin (唐寅，唐伯虎), “Zhang Gu and Li Duanduan,” multiple scene
hanging scroll, ink and color on silk.
Ming, early 16th century
Qiu Ying, “Spring Morning in the Han Palace,”
section of handscroll, ink and color on silk.
Ming, c. 1540
Xu Wei (1521-1593), “Flower and Fruit,”
hanging scroll, ink on paper.
Ming, mid-16th century,
Chen Hongshou (陈鸿硕), “An Immortal under a Tall Pine” (Self portrait),
hanging scroll, ink and color on silk.
Ming, 1635
Dong Qichang (董其昌), “Qingbian Mountains,”
hanging scroll, ink on paper.
Ming, 1617,
Wangshi Garden,
Suzhou, Jiangsu province
, Ming-Qing dynasty.
Wang Yuanqi (王原祁), “River Landscape, in the Manner of Ni Zan,” multiple scenes
hanging scroll, ink and color on paper.
Qing, 1704,
Zhu Da (Bada Shanren, 朱耷，八大山人), “Mynah Birds and Rocks,”
hanging scroll, ink on paper.
Qing, late 17th century
Shitao , “The Waterfall on Mount Lu,” Qing,
hanging scroll, ink and color on silk.
early 18th century,
Hongren, “The Coming of Autumn,”
detail of hanging scroll, ink on paper.
Qing, mid-17th century,
Gong Xian , “Thousand Peaks and Myriad Ravines,”
detail of handscroll, ink on paper.
Qing, mid-17th century,
“Bridal Du Painting a Self-portrait,” wood-block illustration of The Peony Pavilion,
Ming dynasty, late 16th-early 17th century.
Summer Palace, Beijing,
Qing dynasty, 18th-19th century.
Forbidden City, Beijing
Ming-Qing dynasty, 14th-20th centuries.
Hall of Supreme Harmony (Main Throne Hall), Forbidden City,
Ming-Qing, 14th-20th century.
Royal garden, Forbidden City,
Ming-Qing, 14th-20th century.
The stage and illusionistic painting in the Lodge of Retiring from Hard Work, Forbidden City,
Beijing, 18th century.
Cheng Dayue, ed., “Mr. Cheng’s Catalogue of Pictorial Designs for Molded Ink Cakes,” woodblock print.
1594
Ruins of the Yuanmingyuan Garden, Beijing
1747-59
Giuseppe Castiglione (Lang Shining, 郎世宁), “Inauguration Portrait of Emperor Qianlong,”
handscroll, ink and color on silk.
Qing, 1736,
Export jar,
painted enamel on copper.
Qing, 18th century,
Wu Jiayou (d. 1893), a page from “Wu Youru Pictorial,”
, lithograph.
1891
Gao Jianfu , “Flames in the East War Field,”
, hanging scroll, ink and color on paper.
1922
Xu Beihong (徐悲鸿), “Sound of Flute,”
, oil on canvas.
1926
Lin Fengmian (林风眠), “A Beauty,”
ink and color on paper.
mid-20th century,
Jiang Zhaohe (蒋兆和), “Refugees,”
, detail of handscroll, ink and color on paper.
1943
Li Hua (李桦), “Roar, China,”
, Shanghai, woodcut print.
1935
Gu Yuan (顾源), “Struggles Against the Landlord,”
Yan’an, woodcut print.
Dong Xiwen (董希文), “Founding of the Nation,”
oil on canvas.
1952-3,
Sun Zixi (b. 1929), “In Front of Tiananmen,”
, oil on canvas.
1964
Li Keran (李可染), “10000 Crimson Hills,”
, ink and pigments on paper.
1963
A team of sculptors from the Sichuan Academy of Fine Arts, “The Rent Collection Courtyard,” clay sculpture,
, Dayi, Sichuan.
1965
Cultural Revolution poster,
1970s.
Wang Keping (王柯平), “Silence,”
, wood sculpture.
1978
“China/Avant Garde” exhibition,
National Museum of Art, Beijing,
1989.
Xu Bing (徐冰), “Ghost Pounding the Wall,”
rubbing installation,
1992.
Fang Lijun (方立军), “Series 2, No.2,”
, oil on canvas.
1991
Wang Guangyi (王广义), “Great Castigation Series: Coca-Cola,”
, oil on canvas.
1993
Zhang Xiaogang (张晓刚), “The Big Family,” 1994, oil on canvas.
Zhang Dali, “Dialogue,”
, site-specific project, photograph.
1998
Song Dong (1966), “Waste Not,”
, installation.
2005
“Bird Nest”—Beijing Olympic Stadium,”
2008.
Wang Jinsong (王劲松), “In Front of Tiananmen,”
, oil on canvas.
1991
Plan of Tang capital Chang’an,
Shaanxi province,
7th-10th century,
“Royal charger,” stone relief from the Zhao Mausoleum of Emperor Taizong,
, Xi’an, Shaanxi province.
630s
Yan Liben (阎立本), “Thirteen Emperors.”
, handscroll, ink and color on silk.
Tang, 7th century
Anonymous, “Court ladies,” wall painting. Tomb of Princess Yongtai,
Xi’an, Shaanxi province.
Tang, early 8th century,
Anonymous, “Emperor Minghuang’s Journey to Shu),”
short handscroll, ink and color on silk.
late Tang, 9th century,
Han Gan (韓幹), “Night Shining White Horse,”
short handsroll, ink and color on silk.
mid-Tang, 8th century,
Zhou Fang (周昉), “Ladies with Flowers in their Hair.” multiple
ink and color on silk.
mid-Tang, late 8th-early 9th century;
Wu Daozi (吴道子), “A Flying Devil,” ink rubbing
painting, Tang.
copy after 8th century
Lu Hong (active early 8th century), “Thatched Hut,”
sections of a scroll painting, ink on paper.
mid-Tang, early 8th century,
Gilt silver bowl, with patterns of animal and arabesques,
mid-Tang, 8th century.
Camel, Three-color lead-glazed pottery sculpture
Tang dynasty.
Seven Worthies of the Bamboo Grove” (rubbing),
stamped bricks, from a tomb near Nanjing.
E. Jin, late 4th-early 5th century;
Gu Kaizhi (顾恺之), attributed to, “Admonitions of the Instructress to Palace Ladies;”
handscroll, ink and color on silk;
5th century.
Gu Kaizhi 顾恺之, attributed to, “Nymph of the Luo River,”洛神赋
handscroll, ink and color on silk;
6th century (11the century copy)
Wang Xizhi (王羲之), “Orchard Pavilion Preface,”
running script.
E. Jin, 353 AD,
Yan Zhenqing (颜真卿), “Family Record” (rubbing);
regular script.
Tang, 8th century
Huaisu (怀溯), “Autobiographical Essay.”
wild cursive script.
Tang, 777,
