Final Slides Flashcards

(126 cards)

1
Q
A

German Pavilion

Albert Speer (1937)

Paris World Fair

  • Monument to German pride and achievement
  • Crowned with an eagle and a swastika
  • Opposite the Soviet Pavilion
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2
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Soviet Pavilion

Boris Iofan (1937)

Paris World Fair

  • Topped by statue of a male worker and peasant woman holding a hammer and a sickle
  • Symbolize the union of workers and peasants
  • Opposite the German pavilion
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3
Q
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Cathedral of Light at Zepplinfeld

Albert Speer (1934)

Nuremberg

  • Site of Nuremberg rallies
  • Colonnade of 152 anti-aircraft searchlights
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4
Q
A

Plan for the reconstruction of Berlin

Albert Speer (1937)

Berlin

  • Majority of the works were never fully realized
  • Triumphal arch
  • Highways and transportation networks
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5
Q
A

Volkshalle

Albert Speer (1937)

Berlin

  • Never realized
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6
Q
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Chrsyler Tank Arsenal

Albert Kahn (1941)

Warren, Michigan

  • Rejected mandated policy on windowless factories
  • Lit 24/7 by fluorescent tubes
  • Steel and laminated wood skeleton
  • Hermetically sealed with light cladding
  • Birth of “big box” structure
  • Appropriated corporate architecture for war facilities
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7
Q
A

Ford Motor Bomber Factory, Office Organizational Diagram

Albert Kahn (1942)

Willow Run, Michigan

  • Construction accelerated by Pearl Harbour attack
  • Housed manufaction of B-24 Liberator bomber
  • Organized like a Taylorized assembly line
  • “producer of production lines”
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8
Q
A

Ford Motor Bomber Factory, Interior

Albert Kahn (1942)

Willow Run, Michigan

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9
Q
A

U.S. War Department aka Pentagon

George Bergstorm (1941-43)

Washington DC, USA

  • Built in 11 months
  • Repetition of homogenous concrete components
  • 6 million square feet (largest office building in the world)
  • 26km of corridors
  • 48km of new roads
  • 10000 parking spaces
  • Housed 32000 army workers
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10
Q
A

German and Japanese villages at the Dugway Proving Ground

Eric Mendelsohn et ak. (1943)

Utah

  • Architectural realism aided testing of Napalm bombs
  • Typical German houses built of wood and stone
  • Replicas of Japanese dwellings
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11
Q
A

Manhattan Project, K-25 Gaseous Diffusion Building for isotope separation

Skidmore, Owings & Merrill (1944-45)

Oak Ridge, Tennessee

  • Area houses 47000 inhabitants
  • Development of atomic bomb
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12
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A

Dymaxion House

Buckminster Fuller (1945)

  • Portable housing
  • Assembled on site
  • Factory manufactory kits
  • Reuse of military assembly lines
  • Steel cables in tension around a centural mast
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13
Q
A

Hansavertiel

IBA (1957)

Berlin

  • Model neighbourhood
  • Urban “free plan” of the “free world”
  • Promoted slogan of the Atlantic Alliance
  • Architects included Alvar Aalto, Walter Gropius, Oscar Niemeyer
  • Dense and informal urban landscape
  • Contrasted axial structure of Stalinallee
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14
Q
A

Hansavertiel Apartment Building

Alvar Aalto (1955-57)

Berlin

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15
Q
A

Hansavertiel Apartment Building, Plan

Alvar Aalto (1955-57)

Berlin

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16
Q
A

Berlin Philharmonic Orchestra

Hans Scharoun (1956-63)

Berlin

  • First component of the Kulturforum
  • Return city to cultural preeminence
  • Situated close to Berlin Wall
  • Monumentality
  • Recycles expressionist ideals
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17
Q
A

Berlin Philharmonic Orchestra, Interior

Hans Scharoun (1956-63)

Berlin

  • Suspended foyers and boxes
  • Contrasts cavernous space of the auditorium
  • Revolutionized the conception of music venues
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18
Q
A

Palast der Republik

Heinz Graffunder and Karl-Ernst Swora

East Berlin (1973-76)

  • Different kind of monumentality
  • Demolished and rejected as a symbol of totalitarian communism
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19
Q
A

Universal Pictures

Ely Jacques Kahn (1947)

New York

  • Spandrel design
  • Horizontal structural elements are emphasized
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20
Q
A

Lever House

Skidmore, Owings & Merril (1951-52)

New York

  • Designers: Gordan Bunshaft & Natalie De Blois
  • Nocturnal architecture
  • Curtain wall hung from cantilevered slab
    • Not load-bearing
  • Open plaza with garden
  • Removed from the street front
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21
Q
A

Lever House, Slab/Open Office Plan

Skidmore, Owings & Merril (1951-52)

New York

  • Gendering of spaces
  • Office = male businessmen
  • Open space = female secretaries
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22
Q
A

Lever House, Plaza view

Skidmore, Owings & Merril (1951-52)

New York

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23
Q
A

Lever House, Curtain wall detail

Skidmore, Owings & Merril (1951-52)

New York

  • Sheath design
  • No structural members are expressed
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24
Q
A

Seagram Tower

Mies van der Rohe (1958)

New York

  • Detached from street front
  • Raised on pilotis
  • Curtain wall
  • Nocturnal architecture
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25
**Seagram Tower**, *Façade detail* Mies van der Rohe (1958) New York * Dominant verticality * Mullion design * Vertical structural elements are emphasizd
26
**Seagram Tower**, *Plaza* Mies van der Rohe (1958) New York * Extends sidewalk into plaza * Synthesis of public space
27
**General Panel Corporation Prefabricated Home** Walter Gropius and Konrad Wachsmann (1948)
28
**Farnsworth House** Mies van der Rohe (1946-51) Plano, Illinois * Glass creates synthesis between architecture and nature * In close proximity to a black maple tree * Manufactured steel and plates glass * Parallel to the flow of the river
29
**Farnsworth House**, *Plan* Mies van der Rohe (1946-51) Plano, Illinois
30
**Case Study House 8 "Eames House"** Charles and Ray Eames (1949) Santa Monica * Box formed of steel and glass * Influenced by De Stijl movement * Sliding walls create interior sense of openness
31
**Levittown** Burt Glinn (1957) New York * Built for returning veterans * Production in manner of an assembly line * Originally for caucasian race
32
**Original Cape Cod Model** Levitt and Sons (1948)
33
**"Ranch" Model** Levitt and Sons (1949)
34
**Cranbrook School** Eliel Saarinen (1925) Bloomfield Hills, Michigan
35
**Jefferson National Expansion Memorial** Eero Saarinen (1947/1965) St Louis, Missouri * Competition 1947, Completed 1965 * Steel caternary arch * Synthesis of Gothic motif and modern technology * Backdrop to the Old Courthouse (Dred Scott case) * Tallest arch and monument
36
**Miller House** Eero Saarinen (with Kevin Roche) (1953-57) Columbus, Indiana * 9 square plan * Conversation pit * Assymetry = loose and dynamic experience * Overlaid with symmetrical order
37
**Miller House**, *Column detail* Eero Saarinen (with Kevin Roche) (1953-57) Columbus, Indiana * Columns pay tribute to Barcelona Pavilion
38
**Miller House**, *Plan* Eero Saarinen (with Kevin Roche) (1953-57) Columbus, Indiana * 9 square plan * Overlaid symmetry
39
**Kresge Auditorium and Kresge Chapel** Eero Saarinen (1950-55) MIT, Cambridge, Massachusetts * Auditorium looking forward * Thin shell structure * Highlights new technology * Chapel looking backwards * Enclosed by a moat
40
**Kresge Chapel**, *Interior* Eero Saarinen (1950-55) MIT, Cambridge, Massachussetts
41
**Kresge Chapel**, *Plan* Eero Saarinen (1950-55) MIT, Cambridge, Massachussetts
42
**Morse and Stiles Colleges** Eero Saarinen (1958-62) Yale University, New Haven, Connecticut * Cladding = "masonry with masons"
43
**Bath House** Louis Kahn (1954-55) Ewing Township, New Jersey * Symmetrical * Cross plan * Crude construction in exposed concrete bricks * Sacred plan of church appropriated to bath house
44
**Yale University Art Gallery** Louis Kahn (1951-54) New Haven, Connecticut * Curtain wall * Dominant horizonality
45
**Yale University Art Gallery** Louis Kahn (1951-54) New Haven, Connecticut * Drum hides stairwell * Triangular coffered ceiling
46
**Yale Center for British Art** Louis Kahn (1969-74) New Haven, Connecticut * Creates a whole street front * Void corner * Urban building
47
**Yale University for British Art** Louis Kahn (1969-74) New Haven, Connecticut * Elegy to the room/compartment * Opposes modernist open plan * "Architecture comes from making a room"
48
**Plan Obus** Le Corbusier (1931-32) Algiers
49
**Ministry of Health and Education** Lucio Costa, Oscar Niemeyer, Eduardo Affonso Reidy Rio (1937-42)
50
**Ministry of Health and Education**, *Detail* Lucio Costa, Oscar Niemeyer, Eduardo Affonso Reidy Rio (1937-42) * Spandrel design * Horizonal structural elements are emphasized * Curtain wall
51
**Museum of Modern Art** Eduardo Affonso Reidy (1953-68) Rio de Janeiro
52
**Pedregulho Housing Complex** Eduardo Affonso Reidy (1948-49) Rio de Janeiro
53
**Plan for Brasilia** Lucio Costa and Oscar Niemeyer (1956-60) * Constructed as an entirely new city
54
**Plaza of the Three Powers** Oscar Niemeyer (1960) Brasilia * Artistic freedom given by plaza * Form counters function to reject tradition * Unrestricted architect
55
**Superblocks** Lucio Costa and Oscar Niemeyer (1960) Brasilia
56
**Planalto Palace** Oscar Niemeyer (1960) Brasilia
57
**Itamarati Palace** Oscar Niemeyer (1960) Brasilia
58
**Itamarati Palace** Oscar Niemeyer (1960) Brasilia
59
**Itamarati Palace** Oscar Niemeyer (1960) Brasilia
60
**Casa de Vidro (Glass House)** Lina Bo Bardi (1951) Sao Paulo * Combination of transparency and opacity * Tree = proximity to nature * Away from the city
61
**Casa de Vidro (Glass House)** Lina Bo Bardi (1951) Sao Paulo
62
**SESC-Pompela Leisure Factory** Lina Bo Bardi (with André Vainer and Marcelo Ferraz) (1977-86) Sao Paulo
63
**SESC-Pompeia Leisure Factory** Lina Bo Bardi (with André Vainer and Marcelo Ferraz) (1977-86) Sao Paulo
64
**Unité d'Habitation** Le Corbusier (1947-52) Marseille, France * Large scale housing * Self-contained complex (houses, shops etc.) * Béton brut (Raw concrete) * Pilotis
65
**Unité d'Habitation**, *Detail* Le Corbusier (1947-52) Marseille, France
66
**Unité d'Habitation**, *Typical Unit* Le Corbusier (1947-52) Marseille, France
67
**Unité d'Habitation**, *Roof view* Le Corbusier (1947-52) Marseille, France
68
**Notre Dame du Haut** Le Corbusier (1950-54) Ronchamp
69
**Notre Dame du Haut**, *Interior* Le Corbusier (1950-54) Ronchamp
70
**Golden Lane Housing** Alison and Peter Smithson (1952) London * Streets suspended in the air * Focus on pedestrian community in response to ubiquity of cars * The building is designed as part of a larger network * Response to need for post-war housing * Arranged in synaptic pattern * Flexible to the typography *
71
**Derek Sugden House** Alison and Peter Smithson (1955-56) Watford, England * Aysmmetric roof * Asymmetric arrangement of windows
72
**Derek Sugden House**, *Interior* Alison and Peter Smithson (1955-56) Watford, England * Levels denote function of space * Maintains open plan * Designed interior furnishings * Free-standing fire[lace
73
**Hunstanton Secondary Modern School** Alison and Peter Smithson (1954) England
74
**Hunstanton Secondary Modern School** Alison and Peter Smithson (1954) England
75
**Robin Hood Gardens**, *Axonometric drawing* Alison and Peter Smithson (1966-72) London, England * Social housing * Broad aerial walkways * Made of precast concrete slabs * Brutalist architectue * Central green space
76
**Robin Hood Gardens** Alison and Peter Smithson (1966-72) London, England
77
**Orphanage School** Aldo van Eyck (1957-60) Amsterdam * Synthesis of interior and exterior spaces * Mirrors embedded in concrete to give a sparkle
78
**Orphanage School**, *Roof Detail* Aldo van Eyck (1957-60) Amsterdam
79
**Orphanage School**, *Plan* Aldo van Eyck (1957-60) Amsterdam
80
**Festival Plaza and Master Plan** Kenzo Tange (1970) Osaka 70 World Exhibition, Japan * Space frame roof * Theme was "Progress and harmony for mankind"
81
**Festival Plaza and Master Plan** Kenzo Tange (1970) Osaka 70 World Exhibition, Japan
82
**Fuji Pavilion** (1970) Osaka
83
**Swiss Pavilion** (1970) Osaka
84
**USSR Pavilion** (1970) Osaka
85
**Hiroshima Peace Memorial Museum** Kenzo Tange (1952) Hiroshima, Japan
86
**American Pavilion** Buckminster Fuller (1967) Expo 67, Montreal, Canada
87
**London Zoo Aviary** Cedric Price, Frank Newby and Barry Snowdon (1960-65) Regent's Park, London
88
**Fun Palace** Cedric Price and Joan Littlewood (with Frank Newby) (1960-66) * Functions revealed to exterior
89
**Kagawa Prefectural Government Office** Kenzo Tange (1958) Kagawa
90
**Tokyo Bay Plan** Kenzo Tange (1960) Tokyo
91
**Floating City** Kiyonori Kikutake (1959)
92
**Yamanashi Communications Center** Kenzo Tange (1966) Kofu-shi, Japan
93
**Knights of Columbus** Roche + Dinkeloo (1966-69) New Haven, USA
94
**Shizuoka Newspaper Company** Kenzo Tange (1968) Shizuoka, Japan
95
**Nagakin Capsule Tower** Kisho Kurokawa (1972) Tokyo, Japan
96
**Nagakin Capsule Tower**, *Individual Unit* Kisho Kurokawa (1972) Tokyo, Japan
97
**Vanna Venturi House** Robert Venturi (1964) Chestnut Hill, Pennsylvania * Ornamental arch * Assymetric façade
98
**Vanna Venturi House**, *Plan* Charles Venturi (1964) Chestnut Hill, Pennsylvania * Functions are not separate but couple * Stairs = window sill = fireplace * Rejection of modernist separation of space * Tension between elements * Niches reveal complexity
99
**Vanna Venturi House**, *Interior* Charles Venturi (1964) Chestnut Hill, Pennsylvania
100
**Fire Station 4** Robert Venturi & Denise Scott Brown (1966) Columbus, Indiana
101
**Dixwell Fire Station** Robert Venturi & Denise Scott Brown (1974) New Haven, Connecticut
102
**Guild House** Robert Venturi (1960-63) Philadelphia, PA * Graphics and signage coalesce on façade
103
**Orinda House** Charles Moore (1965) California
104
**Orinda House**, *Plan* Charles Moore (1965) California
105
**Moonraker Recreation Center** Charles Moore (1966) Sea Ranch, Sanoma County, CA * Landscape architect: Lawrence Halprin * Graphic designer: Barbara Stauffacher Salomon * Collaboration of graphic designer and landscape architect
106
**Sea Ranch** Charles Moore, Joseph Esherick, William Turnbull, et. al. Sanoma County, CA * Landscape architect: Lawrence Halprin
107
**Moore House** Charles Moore (1966) New Haven, CT
108
**Moore House**, *Interior* Charles Moore (1966) New Haven, CT
109
**San Cataldo Cemetery** Aldo Rossi (1971-84) Modena
110
**Elementary School**, *Plan* Aldo Rossi (1972-74) Fagnano Olona, Italy
111
**Elementary School** Aldo Rossi (1972-74) Fagnano Olona, Italy
112
**Medical Faculty Housing** Lucien Kroll (1976) Louvain, Belgium
113
**Piazza d'Italia** Charles Moore (1975-78) New Orleans
114
**Seaside Florida** Elizabeth and Duany Platter-Zyberk (1979-) Florida * New urbanism * Develop gated communities * Reference to traditional domestic architecture * Sterilization of prior innovation
115
**New Colleges** Robert A. M. Stern Architects (2014-17) Yale University, New Haven, CT
116
**Leca Swimming Pools** Alvaro Siza (1966) Leca, Portugal * Sensitivity to the landscape
117
**Serralves Museum** Alvaro Siza (1991-99) Porto, Portugal
118
**Serralves Museum** Alvaro Siza (1991-99) Porto, Portugal
119
**Therme Vals** Peter Zumptor (1997) Vals, Switzerland * Sensitivity to the landscape
120
**Glass Pavilion** SANAA (Kazuyo Sejima and Ryue Nishizawa) (2007) Toledo Museum of Art, Toledo, Ohio * Heightened materiality * Innovative liquid quality * Lightness * Curtain wall
121
**Grace Farms** SANAA (Kazuyo Sejima and Ryue Nishizawa) (2016) New Canaan, CT
122
**Grace Farms** SANAA (Kazuyo Sejima and Ryue Nishizawa) (2016) New Canaan, CT
123
**Tama Art University Library** Toyo Ito (2002) Hachioji/Tokyo, Japan
124
**Tama Art University Library**, *Interior* Toyo Ito (2002) Hachioji/Tokyo, Japan
125
**CCTV (Central China Television)** Office for Metropolitan Architecture (with Ove Arup and Partners) (2002-12) Beijing, China * Skyscraper transformed into Mobius strip
126
**Pompidou Center** Renzo Piano and Richard Rogers (with Ove Arup and Partners) Paris (1970-77) * New kind of museum * Contemporary art (no longer for classical admiration) * Museum for the people * Exterior escalator and viewing platform emphasizes museum as public space