Final Review Flashcards by Astrid Tvetenstrand

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Man Ray, l’homme, 1918

(later, la femme)

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Grant Wood, American Gothic, 1931

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Childe Hassam, Room of Flowers, 1894

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John Steuart Curry, Baptism in Kansas, 1928, o/c, 40 x 50 inches

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Hassam, Allies Day, 1918

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Mary Cassatt, The Child’s Bath, 1893

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George Bellows, Tennis at Newport, 1919

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Winslow Homer, The Gulf Stream, 1899

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Jackson Pollock, Autumn Mist: Number 1, 1950

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Duchamp, nude descending a staircase, no. 2, 1911

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Francis Picabia, ici c’est Stieglitz, 1915

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Man Ray, the rope dancer accompanies herself with her shadows, o/c, 1916

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Winslow Homer, The Life Line, 1884

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Demuth, Steamship “Paris,” 1920-22

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William Merritt Chase, Interior of the Artist’s Studio, 1880

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Jacob Lawrence

Migration of the Negro, 1: During the World War there was a great migration

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Migration of the Negro, #22: Another of the social causes of the migrants’ leaving was that they did not feel safe…They were arrested at the slightest provocation.

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John Sloan, Women Drying Their Hair, 1907

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Ralston Crawford, Steel Foundry, Coatesville, PA, 1936-7

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Whistler, Nocturne in Black and Gold, The Falling Rocket, 1875

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John Sloan, Hairdresser’s Window, 1907

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Franz Kline, New York, 1953

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Twatchman, The End of Winter, after 1889

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Weber, New York, 1913

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George Inness, Lackawanna Valley, 1856

Hartley, portrait of a German officer, 1914

Douglas, Aspects of Negro Life: From Slavery Through Reconstruction, 1934

Duchamp, Bicycle Wheel, 1916-17

Eakins, Swimming, 1885

Thomas Eakins, Max Schmitt in a Single Scull, 1871

Wyeth, Christina’s World, 1948

John Singer Sargent, The Daughters of Edward Darley Boit, 1884

Picabia, portrait d’une juene fille Americaine dans l’etat de nudite, 1915

John Singer Sargent, Madame X (Virginie Avegno Gautreau), 1884

Charles Sheeler, Of Domestic Utility, 1932

Childe Hassam, Spring Morning in the Heart of the City, 1890

Helen Levitt, New York, c. 1940

Martin Johnson Heade, Approaching Thunderstorm, 1859

Morton Schamberg, Mechanical Abstraction, 1916

John Sloan, The Haymarket, 1907

Eastman Johnson, Hollyhocks, 1874-76

JM Whistler, Wapping, 1860

Jacob Lawrence, Tombstones, 1941

George Bellows, Stag at Sharkey’s, 1909

Weir, The Laundry, Branchville, 1894

John Singer Sargent, Paul Helleu Sketching with his Wife, 1889

Marcel Duchamp, The Bride Stripped Bare by her Bachelors, even, (The Large Glass), 1915-1923

Lee Krasner, Abstract #2, 1946-8

Mary Cassatt, At the Opera, 1877-8

Benton, lord heal the child, 1934

Demuth, I saw the figure 5 in Gold, 1928

Everett Shinn, The Cross Streets of New York, 1899

Curry, The Mississippi, 1935

Willem de Kooning, Woman I, 1950-2

Charles Sheeler, Church Street El, 1923

Weir, Nocturne: Queensboro Bridge, 1910

Robert Henri, Street Scene with Snow, 1902

Walker Evans, Subway Portrait, 1938

Mark Rothko, Number 10, 1950

Weir, The Factory Village, 1897

Eastman Johnson, The Husking Bee, 1876

Charles Sheeler, Self- portrait, 1923

William Glackens, Central Park in Winter, 1905

Grant Wood, Parson Weem’s fable, 1939

Max Weber, woman in tents, 1913

Hopper, House by the Railroad, 1925

LIsette Model, Sailor and Girl in Sammy's Bar, 1944

Duchamp, In advance of a broken arm, 1916

Eakins, The Gross Clinic, 1876

Winslow Homer, The Veteran in a New Field, 1893

John Haberle, A Bachelor’s Drawer, ca. 1890-4

Demuth, My Egypt, 1927

Chocolate Grinder No. 1- Marcel Duchamp vs. Chocolate Grinder No. 2- Duchamp 1918ish

George Bellows, Cliff Dwellers, 1913

Thomas Hart Benton, Susanna and the elders, 1928

Aaron Douglass, Aspects of Negro Life: The Negro in an African Setting, 1934

Jasper Johns, Flag, 1955

Whistler,Arrangement in Grey and Black, The Artist’s Mother, 1871

George Inness, Home of the Heron, 1893