Final Review Flashcards
Man Ray, l’homme, 1918
(later, la femme)
Grant Wood, American Gothic, 1931
Childe Hassam, Room of Flowers, 1894
John Steuart Curry, Baptism in Kansas, 1928, o/c, 40 x 50 inches
Hassam, Allies Day, 1918
Mary Cassatt, The Child’s Bath, 1893
George Bellows, Tennis at Newport, 1919
Winslow Homer, The Gulf Stream, 1899
Jackson Pollock, Autumn Mist: Number 1, 1950
Duchamp, nude descending a staircase, no. 2, 1911
Francis Picabia, ici c’est Stieglitz, 1915
Man Ray, the rope dancer accompanies herself with her shadows, o/c, 1916
Winslow Homer, The Life Line, 1884
Demuth, Steamship “Paris,” 1920-22
William Merritt Chase, Interior of the Artist’s Studio, 1880
Jacob Lawrence
Migration of the Negro, 1: During the World War there was a great migration
Migration of the Negro, #22: Another of the social causes of the migrants’ leaving was that they did not feel safe…They were arrested at the slightest provocation.
John Sloan, Women Drying Their Hair, 1907
Ralston Crawford, Steel Foundry, Coatesville, PA, 1936-7
Whistler, Nocturne in Black and Gold, The Falling Rocket, 1875
John Sloan, Hairdresser’s Window, 1907
Franz Kline, New York, 1953
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Twatchman, The End of Winter, after 1889
Weber, New York, 1913
George Inness, Lackawanna Valley, 1856
Hartley, portrait of a German officer, 1914
Douglas, Aspects of Negro Life: From Slavery Through Reconstruction, 1934
Duchamp, Bicycle Wheel, 1916-17
Eakins, Swimming, 1885
Thomas Eakins, Max Schmitt in a Single Scull, 1871
Wyeth, Christina’s World, 1948
John Singer Sargent, The Daughters of Edward Darley Boit, 1884
Picabia, portrait d’une juene fille Americaine dans l’etat de nudite, 1915
John Singer Sargent, Madame X (Virginie Avegno Gautreau), 1884
Charles Sheeler, Of Domestic Utility, 1932
Childe Hassam, Spring Morning in the Heart of the City, 1890
Helen Levitt, New York, c. 1940
Martin Johnson Heade, Approaching Thunderstorm, 1859
Morton Schamberg, Mechanical Abstraction, 1916
John Sloan, The Haymarket, 1907
Eastman Johnson, Hollyhocks, 1874-76
JM Whistler, Wapping, 1860
Jacob Lawrence, Tombstones, 1941
George Bellows, Stag at Sharkey’s, 1909
Weir, The Laundry, Branchville, 1894
John Singer Sargent, Paul Helleu Sketching with his Wife, 1889
Marcel Duchamp, The Bride Stripped Bare by her Bachelors, even, (The Large Glass), 1915-1923
Lee Krasner, Abstract #2, 1946-8
Mary Cassatt, At the Opera, 1877-8
Benton, lord heal the child, 1934
Demuth, I saw the figure 5 in Gold, 1928
Everett Shinn, The Cross Streets of New York, 1899
Curry, The Mississippi, 1935
Willem de Kooning, Woman I, 1950-2
Charles Sheeler, Church Street El, 1923
Weir, Nocturne: Queensboro Bridge, 1910
Robert Henri, Street Scene with Snow, 1902
Walker Evans, Subway Portrait, 1938
Mark Rothko, Number 10, 1950
Weir, The Factory Village, 1897
Eastman Johnson, The Husking Bee, 1876
Charles Sheeler, Self- portrait, 1923
William Glackens, Central Park in Winter, 1905
Grant Wood, Parson Weem’s fable, 1939
Max Weber, woman in tents, 1913
Hopper, House by the Railroad, 1925
LIsette Model, Sailor and Girl in Sammy’s Bar, 1944
Duchamp, In advance of a broken arm, 1916
Eakins, The Gross Clinic, 1876
Winslow Homer, The Veteran in a New Field, 1893
John Haberle, A Bachelor’s Drawer, ca. 1890-4
Demuth, My Egypt, 1927
Chocolate Grinder No. 1- Marcel Duchamp vs. Chocolate Grinder No. 2- Duchamp 1918ish
George Bellows, Cliff Dwellers, 1913
Thomas Hart Benton, Susanna and the elders, 1928
Aaron Douglass, Aspects of Negro Life: The Negro in an African Setting, 1934
Jasper Johns, Flag, 1955
Whistler,Arrangement in Grey and Black, The Artist’s Mother, 1871
George Inness, Home of the Heron, 1893
