Final Reveiw Flashcards
Cornelia, Pointing to her children as her treasure.
Neoclassic.
Angelica Kauffmann.
1785
The Oath of Horatti
Neoclassic.
Jacques-Louis David.
1784
The death of Sardanapalus
Romantic.
Eugene Delacroix.
1827
Raft of the Medusa
Romantic.
Theodore Gericault.
1818-1819
The third of May, 1808
Romantic.
Francisco Goya.
1814
The burial at ornans
Realism.
Gustave Courbet.
1849-1850
Le moulin de la galette
Impressionist.
Pierre-Auguste Renoir.
1876
A Sunday on La grande jatte
Post-impressionist.
Georges Seurat.
1884-1886
Mt. Sainte-victoire
Post-impressionist.
Paul Cezanne.
1902-1904
Starry night.
Post-impressionist.
Vincent Van Gogh.
1889
The vision after the sermon
Post-impressionist.
Paul Gauguin.
1888
The joy of life
Fauvism.
Henri Matisse.
1905-1906
Street, Berlin
German expressionism.
Ernest Ludwig Kirchner.
1913
Composition IV
German expressionism
Wassily Kandinsky
1911
The Portuguese
Cubism.
Georges Braque
1911
Unique forms of continuity in space
Futurism.
Umberto Boccioni
1913
L.h.o.o.q.
Dada
Marcel Duchamp
1919
The persistence of memory
Surrealism.
Salvador Dali
1931
Autumn rhythm
Abstract expressionism
Jackson Pollock
1950
Blue, orange, red
Abstract expressionism
Mark Rothko
1961
Neoclassicism
Revival of Greek and roman art during late 18th century.
Romanticism.
Characterized by intense emotional experience, depictions of powerful nature, exotic lifestyles, danger, suffering, and nostalgia. Early 19th
Realism
Depicts what the eye actually sees. Ordinary people and everyday activities are worthy subjects. Mid 19th
Impressionism.
Casual subjects. Outdoors using divided brushstrokes to capture light and mood of a movement and the transitionary effects of natural light and color. Late 19th
Post-Impressionism
Concerned with the significance of form, symbols, expressiveness, and psychological intensity. Late 19th
Fauvism
Characterized by areas of bright, contrasting color and simplified shapes. Early 20th
German expressionism
Emotional intensity, angular simplifications, dramatic color contrasts, bold and sometime crude finish. Early 20th
Cubism
Presenting of multiple views, disintegration, reconstruction of geometric shapes in a flattened space and colors are more neutrals which is analytical.
Synthetic or collage cubism fewer more solid forms, conceptual rather than observed subject matter an more rich color and texture. Early 20th
Futurism.
Implied motion, multiple view points, celebrated natural and mechanical movement. Early 20th
Dada
Anti-military and anti-aesthetic because of horrors of WW1. Ridiculed contemporary and conventional art. Early 20th
Surrealism
Revealing the unconscious mind in dream images, the irrational, and the fantastic. Mid 20th
Abstract expressionism.
Spontaneous personal expression in large paintings. Mid 20th
