Final Reveiw Flashcards

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0
Q

Cornelia, Pointing to her children as her treasure.

A

Neoclassic.
Angelica Kauffmann.
1785

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1
Q

The Oath of Horatti

A

Neoclassic.
Jacques-Louis David.
1784

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2
Q

The death of Sardanapalus

A

Romantic.
Eugene Delacroix.
1827

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3
Q

Raft of the Medusa

A

Romantic.
Theodore Gericault.
1818-1819

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4
Q

The third of May, 1808

A

Romantic.
Francisco Goya.
1814

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5
Q

The burial at ornans

A

Realism.
Gustave Courbet.
1849-1850

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6
Q

Le moulin de la galette

A

Impressionist.
Pierre-Auguste Renoir.
1876

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7
Q

A Sunday on La grande jatte

A

Post-impressionist.
Georges Seurat.
1884-1886

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8
Q

Mt. Sainte-victoire

A

Post-impressionist.
Paul Cezanne.
1902-1904

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9
Q

Starry night.

A

Post-impressionist.
Vincent Van Gogh.
1889

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10
Q

The vision after the sermon

A

Post-impressionist.
Paul Gauguin.
1888

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11
Q

The joy of life

A

Fauvism.
Henri Matisse.
1905-1906

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12
Q

Street, Berlin

A

German expressionism.
Ernest Ludwig Kirchner.
1913

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13
Q

Composition IV

A

German expressionism
Wassily Kandinsky
1911

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14
Q

The Portuguese

A

Cubism.
Georges Braque
1911

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15
Q

Unique forms of continuity in space

A

Futurism.
Umberto Boccioni
1913

16
Q

L.h.o.o.q.

A

Dada
Marcel Duchamp
1919

17
Q

The persistence of memory

A

Surrealism.
Salvador Dali
1931

18
Q

Autumn rhythm

A

Abstract expressionism
Jackson Pollock
1950

19
Q

Blue, orange, red

A

Abstract expressionism
Mark Rothko
1961

20
Q

Neoclassicism

A

Revival of Greek and roman art during late 18th century.

21
Q

Romanticism.

A

Characterized by intense emotional experience, depictions of powerful nature, exotic lifestyles, danger, suffering, and nostalgia. Early 19th

22
Q

Realism

A

Depicts what the eye actually sees. Ordinary people and everyday activities are worthy subjects. Mid 19th

23
Q

Impressionism.

A

Casual subjects. Outdoors using divided brushstrokes to capture light and mood of a movement and the transitionary effects of natural light and color. Late 19th

24
Q

Post-Impressionism

A

Concerned with the significance of form, symbols, expressiveness, and psychological intensity. Late 19th

25
Q

Fauvism

A

Characterized by areas of bright, contrasting color and simplified shapes. Early 20th

26
Q

German expressionism

A

Emotional intensity, angular simplifications, dramatic color contrasts, bold and sometime crude finish. Early 20th

27
Q

Cubism

A

Presenting of multiple views, disintegration, reconstruction of geometric shapes in a flattened space and colors are more neutrals which is analytical.
Synthetic or collage cubism fewer more solid forms, conceptual rather than observed subject matter an more rich color and texture. Early 20th

28
Q

Futurism.

A

Implied motion, multiple view points, celebrated natural and mechanical movement. Early 20th

29
Q

Dada

A

Anti-military and anti-aesthetic because of horrors of WW1. Ridiculed contemporary and conventional art. Early 20th

30
Q

Surrealism

A

Revealing the unconscious mind in dream images, the irrational, and the fantastic. Mid 20th

31
Q

Abstract expressionism.

A

Spontaneous personal expression in large paintings. Mid 20th