Final Quiz Flashcards

1
Q

Allusion

A

an expression designed to call something to mind without mentioning it explicitly; an indirect or passing reference

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2
Q

Russian Revolution

A

After the collapse of the Russian Empire in 1917 several pogroms occurred amidst the power struggles in Eastern Europe.

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3
Q

Shtetl

A

Yiddish word for little town, were small villages of predominantly Ashkenazi Jewish populations, which existed in Russia and Eastern Europe before the programs and the Holocaust

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4
Q

WWI

A

The shift away from traditional and Victorian values and aesthetics was substantially informed by the horrors of WWI

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5
Q

Artistic Ambiguity

A

several possible interpretations, but the plot is the same for all interpretations

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6
Q

Irony

A

A lit device that creates a meaningful contrast between expectations and reality

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7
Q

Motif

A

A recurrent theme throughout a body of literary composition

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8
Q

Literary Device

A

techniques, styles, and strategies used to enhance writing

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9
Q

Magical Realism

A

Portrays fantastic events in an otherwise realistic tone and situation. Includes fantastical elements in a real-world setting, Authorial Reticence- the story is told w/ logic and precision, plenitude- instead of sparse landscapes and spare narrative magical realism portrays abundance, hybridity- binaries of life/afterlife male/female are less stable and mutually exclusive, and heightened awareness of mystery- more intense than regular realist fiction.

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10
Q

Merism

A

Rhetorical device that refers to two contrasting devices that creates a whole. (Searching high and low)

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11
Q

Metafiction

A

Fictions that explicitly and self-consciously examines the nature of fiction. “Aware of itself.” Readers aren’t supposed to forget they’re reading a books. Writing about writing.

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12
Q

Modernist Literature

A

Emerged and became increasingly dominant in Europe and North America from the 1880s-90s until th 1930s-50s. Self-awareness and a self-conscious break with traditional ways of writing. Embraced experimentation, surrealism, and hyperrealism, or by incorporating elements from long-ago cultural traditions.

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13
Q

Postmodernist Literature

A

Uses metafiction, unreliable narration, self-reflexivity and intertextuality. Experimentation remains important. Postmod sees attempts at literary realism as fundamentally naive. Challenges authority and notions of order. Emerged in 1960s

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14
Q

Suspension of Disbelief

A

Willingness to ignore critical thinking or logic to believe something that is unreal or impossible in reality.

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15
Q

The Maccabees

A

Macabea in THOT is a allusion to the Maccabees, a group of Jewish rebel warriors who took control of Judea, which at the time was part of the Seleucid. They founded a independent kingdom that lasted about 40 years. they reasserted the Jewish religion. Olimpico is an allusion of the false god

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16
Q

The Shunamite

A

A character in the Hebrew Bible, a great woman in her town. He gives hospitality to the Prophet Elisha, who prophesied she’d have a son and that she should leave to escape the famine. Elisha resurrects her son when he gets sick and dies.

17
Q

Angels

A
18
Q

Culture

A

Encompasses the social behavior and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups

19
Q

Experimental Writing

A

literature that is written using innovative techniques, or that is presented in such a way that defies literary norms and conventions.

20
Q

Sinaloa Mexico

A

Northwest Mexico

21
Q

Reading Against the Text

A

you seek to understand a text as the author likely intended it to be understood. Imagine walking alongside the author, considering their ideas and examining the text through their lens

22
Q

Lit vs. Writing

A

Lit is any written work intended or deemed to have artistic or intellectual value, generally by using language in a style that differs from common usage. Relates to noteworthy aspects of human experience.

23
Q

Relationship of Modernism and Postmodernism

A

Postmodernism is both a continuation of modernism and a rejection of the idea that modern forms and ideas can rescue us from ancient problems of experience. Modernist literature sees fragmentation and extreme subjectivity as an existential crisis or a problem that must be solved postmodernists often demonstrate that this chaos is insurmountable.