Final: Object Perception Flashcards

1
Q

What are visual illusions?

A

Erroneous perception due to incomplete, ambiguous, or contradictory visual information.

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2
Q

Many of the “geometric” illusions involve ambiguous or misleading _____________.

A

monocular depth cues

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3
Q

What are 4 famous examples of geometric illusions?

A

1) Muller-Lyer illusion
2) Hering Illusion
3) Wundt Illusion
4) Zollner Illusion

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4
Q

If 2 objects create the same retinal image size, but one is believed to be farther away, the object that is believed to be farther will be perceived as _____.

A

Larger

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5
Q

Describe reversible or multistable perception. Give example.

A

They are a psychophysical phenomenon in which one unique interpretation alternates spontaneously every few seconds between two or more interpretations of the same sensory input.

Example: An image of duck, but you may see a rabbit, or both changing back and forth.

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6
Q

True or false:

If you change the background, it can change what you perceive as the object.

A

True;
an example of this is the vase with the dark face outlines. If nothing in background, you could perceive the faces as the object. If putting the vase in light in a room, you’d view the vase as object and not the faces.

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7
Q

Feature analysis has been labeled “________”. What does this mean?

A

Bottom up

This means it starts with a sensation and then gets sent to the brain.

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8
Q

What are two subgroups of feature analysis?

A

Structuralism

Visual “alphabet” / “geons”

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9
Q

Global Processing has been labeled “_______”. What does this mean?

A

The brain already has certain information in mind and it brings that information to the situation when looking at the object.

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10
Q

One subgroup of global processing (top down approach). What does it try to explain?

A

Gestalt Organizing Principles.

It tries to explain why an object may seem to be more than the sum of its parts.

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11
Q

What are computational models?

A

Computer models that stimulate something about vision and it tries to match how human vision works.

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12
Q

What are 3 theoretical approaches to object perception?

A

1) Feature Analysis (Bottom Up)
2) Global Processing (Top Down)
3) Computational Models

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13
Q

Describe Structuralism theory. What are some characteristics taken into account in this theory? What are some problems with this theory?

A

Analytical Introspection- Identify the smallest set of “primary sensations” (visual sensations) necessary to uniquely identify any object.

The object characteristics taken into account are color, size, shape, texture etc.

Problems:
-Lack of agreement upon which sensations are
(or are not) “primary”

-Explosion of the number of “primary sensations” 
(> 40,000) that were identified

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14
Q

What is an example of structuralism?

A

Example:
Many dots on a paper to form an image of a face.

(a number of sensations adds up to create our perception)

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15
Q

What is feature analysis?

A

Perceptual identification of an “object” by the simpler components comprising it. (Distinctive features help distinguish patterns as different.)

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16
Q

Preference of _________ for orientation used to support feature analysis theories.

A

Cortical cells

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17
Q

Describe the 3 “demons” for Oliver Selfridge’s Pandemomonium model.

A

Feature ‘demons’ find vertical lines, acute angles, etc.

Cognitive ‘demons’ (one for each letter) have ideas about the features of their letters.

Decision ‘demon’ identifies the
letter based on which cognitive
demon ‘yells the loudest’.

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18
Q

What is a problem with feature analysis theory?

A

It does not explain how features of a pattern are
 organized.

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19
Q

What did Beiderman believe with his variation of recognition by components theory? Has research. supported his theory? What is a problem with this theory?

A

He assumed Recognition of 3D objects involves the use of 24 different 3D shapes (GEONS–for Geometrical Ions)‏

Research has generally supported this theory.

Problem: People poor at identifying objects in unusual angles or orientations

20
Q

What are geons? What is the theory called that geons are associated with?

A

Geometric Icons.

  • Non-accidental features’, so they
should be equally recognizable regardless of
orientation.
  • Structures composed of geons, then, should also be ‘viewpoint invariant’.
  • Certain neurons in IT of monkey (equivalent
to LOC of humans) respond well to basic shapes.

Theory of “Recognition by Components”

21
Q

What does the Kanizsa Figure tell us?

A

Brain perceives more than the sum of the sensory parts.

we can see a 2D outline of house but the objects given looked like man pac man figures

22
Q

The perceptual whole is (more than/less than) the sum of its sensory parts.

A

More than

23
Q

Explain Bottom Up process. Example of this.

A

Information processed at the lower levels without
 influence from higher levels.

Example: learning to read progresses from children learning the parts of language to understand whole text

24
Q

Explain Top Down process

A

Information at the higher levels (via guessing, 
 predicting) may influence processing at the lower levels

25
Q

What are the 3 basic components of Bottom up process?

A

1) Features: Information on retina is processed in different areas of visual cortex. They work together to identify particular features. Then, they are passed on to the next stage.
2) Patterns: The features detected in previous stage are combined to form complex patterns. Different patterns built on top of
 the elementary features begin to emerge.
3) Objects: The sets of patterns are filtered out into reduced set of visual objects that retain information to the scene. These visual objects are stored in a so
 called visual working memory that is not capable of maintaining more
than three objects at a time.

26
Q

What is the top down process driven by? Give example.

A

Driven by attention and a goal.

Example: You want to find a pineapple within a group of fruit.

The neurons specialized in detecting the features & 
 patterns associated with a pineapple will have their 
 sensitivity enhanced (and the neurons that respond to “non-
pineapple” features will be actively inhibited).

27
Q

Describe the Gestalt (shape) Principles of Visual Perception

A

His principles suggest we see objects as well organized patterns rather than separate components. Based on a concept called “grouping”

“The whole is greater than the sum of it’s parts.”

28
Q

Describe the Gestalt organizing principle called Pragnanz (good figure).

A

Every stimulus is interpreted in its simplest form.

“Keep it simple stupid”

29
Q

Describe the Gestalt organizing principle called Similarity. What characteristics can be grouped base on similarity?

A

Similar things are grouped together.

You can group things based on color, size, orientation, and aspects of shape.

30
Q

Describe the Gestalt organizing principle called Good Constitution.

A

Connected points resulting in straight
or smooth curves belong together.

31
Q

Describe the Gestalt organizing principle called Proximity. Give example.

A

Items near each other are more likely to group together than items more widely separated.

Example: Vertical rows vs. Horizontal rows. Based on spacing it determines the orientation of the rows.

32
Q

Describe the Gestalt organizing principle called Common region.

A

If two features appear to be part of the same larger region, they will be grouped
together.

33
Q

Describe the Gestalt organizing principle called Connectedness.

A

If two items are connected, then they probably belong together.

34
Q

Describe the Gestalt organizing principle called Context or Meaning.

A

Things form groups if they appear meaningful or familiar.

35
Q

Describe the Gestalt organizing principle called Closure.

A

We tend to see complete figures even when 
 part of the information is missing.

36
Q

Describe the Gestalt organizing principle called Synchrony.

A

Elements changing at the same time are
seen as belonging together.

37
Q

Conclusion of Gestalt Organizing Principles

A

Common Fate:

  • elements of a scene that share the same direction and speed of motion tend to be perceived as a unit.
  • Spatial structure from temporal structure
38
Q

_________ (meaning) and ________ (order) clues are two other types of contextual clues that also help us to interpret the meaning of missing, scrambled, or displaced text.

A

Semantic; syntactic

39
Q

Describe the Popout concept.

A

Give an image to person and ask if anything pops out to them.

If something immediately pops out to them, it is a bottom up process. If it takes a while for it to pop out for them and they have to look for it, it is a top down process.

40
Q

Describe the response from a Popout of a bottom up (Pre-attentive) result.

A
  • Rapid “popout”
  • Biases attention to novel stimuli
  • Info. processed in different, parallel “channels“
  • Does not require conscious thought; attention caused by an external stimulus.
41
Q

Describe the response from a Popout of a Top-Down (Attentive) result.

A
  • Slow “popout”
  • Requires serial search (conscious thought), analysis of details
  • Info. processed within the same “channel
42
Q

Search times can be influenced by ________.

A

Set size; smaller the objects, the harder to find a pop-out.

43
Q

Describe the feature-integration theory of object perception.

A

Different visual features
are coded in parallel, in 
 separate feature maps.

44
Q

What is a conjunction search? Is this more or less difficult?

A

When you have observer look for two things at the same time (looking for blue and red circles). Visual search becomes more difficult because attentional spotlight can only be deployed locally. The viewer then must shift attention to other places to keep searching.

45
Q

What is a serial search? When does the search stop? If target is present, on average, how many items needed to be examined before we find object? If object is absent, how many items will be examined?

A

Assumes items are examined one items at a time. Search ends when the target is found or all items have been examined. On average we would have to look at half the items to find the object.

If object is absent, all objects would have been examined.

46
Q

What is “The Binding Problem”?

A

How can different visual characteristics of an object be “held together”?

How can a bouncing blue ball keep its shape, color, and “ballness” together while moving across one’s visual field?