Final Flashcards
Vishnu as Varaha rescuing Bhudevi
India, Gupta period, early 5th century
Pilgrimage site for many religions
Depicts Vishnu as his one of ten fursonas (a boar) rescuing Bhudevi underwater from a sea monster/serpent thing
Vishnu Narayana with Brahma
India, Early 6th century
Animal guardians present, pilgrimage site
Earliest known temple to worship 5 deities instead of 4
On the side of the temple marks the transition from vadic(?) Hinduism to temple Hinduism, where there are murtis and artworks and bhakti and darshan
Vishnu reclining on the serpent
Vishnu supporting/protecting Brahma during creation
Dancing Shiva
India, Tamil Nadu; Chola dynasty, (990)
*Incorporate Murti vocab word
Usually in a temple, paraded during festivals
Rasalila of Krishna
India; early-mid 19th century
Multiple Krishnas represents individuality and having a different relationship with each person you meet and how everyone can have an intimate relationship with Krishna (baby Krishna = parental, romantic, intimate)
Transcends desire!
An epic in the Puranas*** (traditional lore) about Hinduism
Arjun and Charioteer Krishna in Final Battle
of the Mahabharata
India, 1820
Originally written in sanskrit, it is the longest poem in history and written in the Mahabharata, one of two major Hindu epics (other being Ramayana). Discusses duty, war, life, etc.
Vishnu/Krishna is the charioteer
Sita sits upon the Earth’s Throne
(from the “Freer” Ramayana, Vol. 2)
India; Mughal dynasty (big border = mughal)
Artists are actually listed! (Rare). *Gold used
Story of Sita, wife of King Rama, who was kidnapped by the demon king (after RamaF called is sister ugly and chopped off her nose) and had rumors spread about her while she was away, though she was refusing him. Upon her rescue by Rama, she proved her purity over and over until she just peaced out into the Earth like a badass.
Story from Ramayana, one of the two epics.
The Shore Temple (two tower pic)
India; Pallava period, early 8th century
Dravidian style Hindu temple, not a mosque. It has a shrine for Shiva and one for Vishnu, but mostly Shiva.
Statues and architecture worn down by the nearby ocean.
Lots of depictions of cows bc Shiva rides a cow, called “Nandis’.”
Port city was utilized for religious imagery and rituals, bringing trade and exchanging of ideas.
Lakshmana Temple (three tower pic)
India; 954 CE
First of several Hindu temples built by the Chandela, a Rajput clan that ruled India for many centuries.
Sexual imagery inside and out; indoor is for worship.
Nagara (north indian/dome) style of Hindu temple.
Have to journey to get there because it makes it more holy.
Bhamarananda Raga
India, 1700
Part of a ragamala (manifest musical moods) series.
Shows a dance being performed.
Supposed to induce a specific emotion from viewers that scholars were educated to be able to identify. (ratatouille strawberry and cheese moment)
Flat color, minimal shading and 2 dimension = rajput style
Heroine Rushing to Her Lover
India, late 18th century
Rajput romance piece, a common theme with rajput art. The trees are even hugging!
The snakes represent danger.
Example of an epic, which commonly shows the path of devotion, that being love, devotion and worship.
Two different loves: Pakti (profound spiritual love) and Kama (romantic and sexual love). This is an example of KAMA***.
Flat color, minimal shading and 2 dimension = rajput style
Maharana Jawan Singh of Mewar worshipping a Murti
India, about 1830
Mewar = Rajput court kingdom (where Maharana Jawan Singh ruled)
Rajput, with Persian and Indian influence.
Flat color, minimal shading and 2 dimension, everyone in profile = rajput style
Qutb Minar & Alai Davarza (5 tier pillar tower)
India, began 13th century and 1311, respectfully
**Islamic architecture
Sandstone
Tallest minaret of the time, too tall to use
Five pillars of Islam (faith, prayer, charity, fasting, and pilgrimage)
Ghorids and others reshaping society and art (with Persian influence)
One of the most visited sites
Melancholic Woman and Attendant
India, Mughal period, 1590 (border added later)
Realism + border = Mughal
European influence (in the trees), style learned in workshop, merging of styles
One point perspective and shadow!
Arabesque florals
Romantic and sad subject
Jahangir Preferring a Sufi Shaykh to Kings
India, Mughal Dynasty (Jahingir era)
Realism + border = Mughal
Arabesque florals
Artist name in the piece
Muslim form of Bhakti (devotion between god and worshipper)
A Sufi named Shaykh is sitting on the hourglass, representing overcoming time by basking in the light of a holy being (position of sitting there shows power, artist is at the bottom with the king)
(more clothing on angels than in european art)
Darbar of Jahangir
India, Mughal period, about 1624-28
4th Mughal emperor and his court
Artists’ names are on the heads
Realism = mughal (switch to documentation instead of storytelling)
3/4 profile view instead of regular profile
European and middle Eastern influence
Ghengas Khan fanclub