Final Flashcards

1
Q

Vishnu as Varaha rescuing Bhudevi

A

India, Gupta period, early 5th century
Pilgrimage site for many religions
Depicts Vishnu as his one of ten fursonas (a boar) rescuing Bhudevi underwater from a sea monster/serpent thing

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2
Q

Vishnu Narayana with Brahma

A

India, Early 6th century
Animal guardians present, pilgrimage site
Earliest known temple to worship 5 deities instead of 4
On the side of the temple marks the transition from vadic(?) Hinduism to temple Hinduism, where there are murtis and artworks and bhakti and darshan
Vishnu reclining on the serpent
Vishnu supporting/protecting Brahma during creation

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3
Q

Dancing Shiva

A

India, Tamil Nadu; Chola dynasty, (990)
*Incorporate Murti vocab word
Usually in a temple, paraded during festivals

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4
Q

Rasalila of Krishna

A

India; early-mid 19th century
Multiple Krishnas represents individuality and having a different relationship with each person you meet and how everyone can have an intimate relationship with Krishna (baby Krishna = parental, romantic, intimate)
Transcends desire!
An epic in the Puranas*** (traditional lore) about Hinduism

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5
Q

Arjun and Charioteer Krishna in Final Battle
of the Mahabharata

A

India, 1820
Originally written in sanskrit, it is the longest poem in history and written in the Mahabharata, one of two major Hindu epics (other being Ramayana). Discusses duty, war, life, etc.
Vishnu/Krishna is the charioteer

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6
Q

Sita sits upon the Earth’s Throne
(from the “Freer” Ramayana, Vol. 2)

A

India; Mughal dynasty (big border = mughal)
Artists are actually listed! (Rare). *Gold used
Story of Sita, wife of King Rama, who was kidnapped by the demon king (after RamaF called is sister ugly and chopped off her nose) and had rumors spread about her while she was away, though she was refusing him. Upon her rescue by Rama, she proved her purity over and over until she just peaced out into the Earth like a badass.
Story from Ramayana, one of the two epics.

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7
Q

The Shore Temple (two tower pic)

A

India; Pallava period, early 8th century
Dravidian style Hindu temple, not a mosque. It has a shrine for Shiva and one for Vishnu, but mostly Shiva.
Statues and architecture worn down by the nearby ocean.
Lots of depictions of cows bc Shiva rides a cow, called “Nandis’.”
Port city was utilized for religious imagery and rituals, bringing trade and exchanging of ideas.

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8
Q

Lakshmana Temple (three tower pic)

A

India; 954 CE
First of several Hindu temples built by the Chandela, a Rajput clan that ruled India for many centuries.
Sexual imagery inside and out; indoor is for worship.
Nagara (north indian/dome) style of Hindu temple.
Have to journey to get there because it makes it more holy.

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9
Q

Bhamarananda Raga

A

India, 1700
Part of a ragamala (manifest musical moods) series.
Shows a dance being performed.
Supposed to induce a specific emotion from viewers that scholars were educated to be able to identify. (ratatouille strawberry and cheese moment)
Flat color, minimal shading and 2 dimension = rajput style

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10
Q

Heroine Rushing to Her Lover

A

India, late 18th century
Rajput romance piece, a common theme with rajput art. The trees are even hugging!
The snakes represent danger.
Example of an epic, which commonly shows the path of devotion, that being love, devotion and worship.
Two different loves: Pakti (profound spiritual love) and Kama (romantic and sexual love). This is an example of KAMA***.
Flat color, minimal shading and 2 dimension = rajput style

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11
Q

Maharana Jawan Singh of Mewar worshipping a Murti

A

India, about 1830
Mewar = Rajput court kingdom (where Maharana Jawan Singh ruled)
Rajput, with Persian and Indian influence.
Flat color, minimal shading and 2 dimension, everyone in profile = rajput style

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12
Q

Qutb Minar & Alai Davarza (5 tier pillar tower)

A

India, began 13th century and 1311, respectfully
**Islamic architecture
Sandstone
Tallest minaret of the time, too tall to use
Five pillars of Islam (faith, prayer, charity, fasting, and pilgrimage)
Ghorids and others reshaping society and art (with Persian influence)
One of the most visited sites

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13
Q

Melancholic Woman and Attendant

A

India, Mughal period, 1590 (border added later)
Realism + border = Mughal
European influence (in the trees), style learned in workshop, merging of styles
One point perspective and shadow!
Arabesque florals
Romantic and sad subject

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14
Q

Jahangir Preferring a Sufi Shaykh to Kings

A

India, Mughal Dynasty (Jahingir era)
Realism + border = Mughal
Arabesque florals
Artist name in the piece
Muslim form of Bhakti (devotion between god and worshipper)
A Sufi named Shaykh is sitting on the hourglass, representing overcoming time by basking in the light of a holy being (position of sitting there shows power, artist is at the bottom with the king)
(more clothing on angels than in european art)

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15
Q

Darbar of Jahangir

A

India, Mughal period, about 1624-28
4th Mughal emperor and his court
Artists’ names are on the heads
Realism = mughal (switch to documentation instead of storytelling)
3/4 profile view instead of regular profile
European and middle Eastern influence
Ghengas Khan fanclub

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16
Q

Folio from the “Late Shah Jahan Album”

A

India, Mughal period (folio, borders, calligraphy added later)
*Calligraphy = holy art form / word of god
Akbar documented lots of realistic animals and arabesque/realistic florals
Passed from Jahangir to Shan Jahan

17
Q

Taj Mahal

A

Agra, India 1631-43
***Arabesque flowers, minarets, domes, floated/heavenly building, NOT a mosque but a tomb, diamond at the top stolen by British
Commissioned by Shah Jahan, made for wifeyyy
Mughal with Indian, Persian, and Islamic influences of architecture
Symbol of love and wealth
White marble, intricate inlay work and symmetrical design makes this a monumental masterpiece
Fake tip (og stolen by British)

18
Q

Pleasure Pillars

A

2001 by Shahzia Sikander (PAKISTANI)
Trained by one of the last miniature painters of the south asian tradition
Rajput and Mughal style inspo (no perspective)
Modern feminist perspective on sexualization of women in Indian culture
9/11 and Islamophobia references

19
Q

Under the Wave off Kanagawa
(Katsushika Hokusai***)

A

Edo period, Japan c. 1830
36 views of Mount Fuji series
Woodblock print

20
Q

Folio from Description of the Holy Cities

A

Turkey, mid 16th century
Blueprint of the mosque built around the rock in the center
Used for prayer/worship towards Mecca

21
Q

The Night Flight of Muhammad on his Steed Buraq

A

Present-day Uzbekistan and Afghanistan
1525-35
Depicts the heavenly journey that brought the Prophet Muhammad from Mecca to Jerusalem, to God, atop his horse, Buraq, which the archangel Gabriel gave him.
**Rare to depict Muhammad’s face
Loophole for depicting religious imagery
**Iconoclasm

22
Q

The Dome of the Rock

A

Jerusalem, 685-692
Built by Abd al-Malik
Golden dome
Palestine architecture, but many commissioned styles, giving it many different influences
Arabesque florals, stained glass
Surrounds a big rock
One of the first Islamic buildings ever created

23
Q

Great Mosque of Kairouan

A

Tinisia, 836-75
Courtyard, prayer hall, and divided by pillars
On the coast of Africa
Many different stylistic influences

24
Q

Mihrab (prayer niche)

A

Iran, 755/1354-55 CE
Located in either a small mosque or someone’s house
Inscriptions show who commissioned it and the prophets (important)
(Commissioned religious art was a good look)
Essential part of a mosque

25
Q

Folio from a Qur’an

A

Qur’an = literal word of God, written by Muhammad who received the teachings of God from the archangel Gabriel
**Calligraphy, to gold or not to gold
Spoken in Arabic, always Arabic
Contains prayers, moral guidance, promises of paradise, etc.
For decorative and recitation purposes
Small ones used as talismans
Gold commonly used in Qur’an folios

26
Q

Sepeleshk

A

Iran, 2014
Made by Iman Safaei
Calligraphy (holy art form)
Geometric, simple, made to look reflective
Means “no way” in Persian (slang)
Writing it not in arabic is kindof a loophole/commentary on religious calligraphy

27
Q

Archer

A

Mali, 13th-15th century
Terracotta
Brought onto the battlefield to protect soldiers/ was a battle shrine that either depicted or was associated with a war god
Strategic theft, a more psychological thing to take it than a punitive one
Ended up in France/The Louvre

28
Q

Queen Mother Waist Pendant Mask

A

Ivory
Benin artist, Portuguese influence because of immense trade with Portuguese which brought prosperity to Benin City
Stolen during Europe’s punitive siege of Benin City
Made to represent a sea monster that shows how Portuguese came over the sea to trade
***Repatriation vocab word tied strongly to Benin City