Final Exam Photos Flashcards
Painting #2
Thomas Ruff, Portrait, (S. Weirauch) 1988
Graciela Iturbide, Woman Angel, Sonara Desert, Mexico, 1979.
William Klein, Swing and Boy and Girl, New York, 1954. William Klein. Gelatin Silver Print. HOward Greenberg Gallery, New York.
Lee Friedlander, New Orleans, 1968. Gelatin Silver Print.
Lisette Model, Albert-Alberta, Huberts Forty Second Street Flea Circus, New York, c. 1945. Gelatin Silver Print. National Gallery of Canada/ Musee de Beaux Arts du Canada, Ottawa.
Bill Owens, Untitled, From his book Suburbia, 1972, 1999.
Andy Warhol, Marilyn Diptych, 1962. Acrylic on Canvas. Tate, London.
Chuck Close, Self-Portrait, 1968. Acrylic on Canvas 8ft 11 1/2 in X6ft 11 1/2 in. Walker Art Center Collection, Minneapolis, Minnesota.
Bernd And Hilla Becher, Gas Tower (Telescopic Type), off Pulaski Bridge, Jersey City, New Jersey, U.S.A, 1981.
William Wegman, Man Ray Portfolio- Man Ray Contemplating the bUst of Man Ray, 1978. Silver Gelatin Print. Collection of the artist.
William Eggleston, Greenwood, Mississippi, 1970. The J. Paul Getty Museum, Los Angeles, California.
Robert Frank, Drug Store, Detroit, 1955, Plate 147 from his book The Americans, 1959. Gelatin Silver Print. Courtsey Pace McGill Gallery, New York.
Andreas Gursky, Bundestag, Bonn, 1998. Mixed Media.
Yasumasa Morimura, Self-Portrait (Actress). Red Marilyn, 1996. Ektachrome Print.
Nancy Burson, Mankind (an Asian, a caucasian, and a black blended, weighted accordingto current Population Statistics), 1983-84. COmposite Photograph.
Time Cover, Special Issue, Fall 1993.
Andres Serrano, Piss Christ, 1987. Cibachrome, Silicone, Plexiglass, wood Frame, edition of 4.
Sally Mann, Naptime, 1989, from her book Immediate Family, 1992.
Richard Misrach, Bomb crater and destroyed convoy, 1986. Chromogenic Color Print.
Pierre Et Gilles, Le Cowboy-Victor, 1978. Painted Photograph.
Catherine Opie,Chicken, 1991, from her series Being and Having 1991. Chomogenic Print. Patrick Breen Collection.
Richard Avedon, Cover of Harper’s Bazzar, April 1965
John Lamprey, Front and Profile views of a Malayan Male, c. 1868-69. Carbon Prints. Royal Anthropological Insitute of Great Britian and Ireland, London.
George Davidson, The onion Field, 1889, photogravure
Robert Demachy, Struggle, From Camera Work, January 1904. Photogravure. Metropolitan Museum of Art, New York.
Clarence H. White, Morning, 1908. Photogravure Print. George Eastman House, Rochester, New York.
Frederick H. Evans, Steps to Chapter HOuse: Sea of Steps, Wells Cathederal, 1903 Platinum Print. Museum of Modern Art, New York.
Edward J. Steichen, Self Portrait, 1902. Photogravure. Library of Congress, Washington, D.C
Alfred Stieglitz, Equivalent, 1930. Gelatin Silver Print. The J. Paul Getty Museum, Los Angeles, California.
Gertrude Kasebier, Blessed Art thou among women, 1899. Platinum Print on Japanese Tissue. Museum of Modern Art, New York.
J. H. Lartigue, My Cousin Bichonnade,1905, Association des Amis de J. H. Lartigue, Ministry of Culture, Paris.
Alvin Langdon Coburn, Vortograph, 1917. Coburn Collection. George Eastman HOuse, Rochester, New York.
Paul Strand, Photograph- New York ( WOman with sign that reads “Blind”), from Camera Work, June 1917, Photogravure. Library of Congress, Washington, D. C
Peter Henry Emerson, Poling the Marsh-Hay, Plate17 from his book of life and Landscape on the Norfolk Broads, 1886. Victoria and Albert Museum , LOndon.
Man Ray, Untitled, Fro Minotaure, 1936. Silver Print. Michael senft Collection, East Hampton, New York.
El Lissitzky, The Constructor, 1924. Photomontage. Getty Research Institute, Los Angeles, California
Henri Cartier-Bresson, Behind the Gare St. Lazare, 1932. Gelatin Silver Print.
James Van Der Zee, Couple in Raccoon Coats, 1932. Gelatin Silver Print.
Desire Charnay, Marou-Malgache- Marou, Three women, From Album of a Mission in Madagascar, 1863. Musee d’orsay, Paris.
Anna Atkins, Poppy, c 1852. Cyanotype. Victoria and Albert Museum, London.
Hippolyte Bayard, Self-Portrait as a drowned man, 1840. Direct paper positive. Societe Francaise de Photographie, Paris.
Felice A. Beato, Mount Fuji, 1868. Paper Print. Old Japan Collection, Surrey, England.
Felice A. Beato, The Execution of Mutineers in the Indian Mutiny, 1857. Victoria and Albert Museum, London.
Felice A. Beato, Beato’s Artist, c, 1868. Albumen Print. Old Japan Collention, Surrey, England.
Albert Berghaus, M.B Brady’s new Photographic Gallery, Corner of Broadway and Tenth Street, New York, From Frank Leslie’s Illustrated Newspaper, 1861. Wood Engraving. Library of Congress, Washington, D. C
George brander, 1796
Julia Margaret Cameron, Herschel, Albumen Print 1867
Julia Margaret Cameron, Ophelia, Study no.2, Albumen Print 1867
Charles Baudelaire, Etienne Carjat, 1863, woodburytype
Andre-Adolphe Disderi Princess Buonaparte Gabrielli, Carte de Viste, c. 1862
JOhn Thomson, The Cangue, 1871-72, from China and its People, 1874 Victoria and Albert Museum, London
Louis-Jacques-Mande Daguerre, View of the Boulevard du Temple, c 1839. Daguerreotype. Bayerisches National museum, Munich, Germany
(with canon Balls) Roger Fenton, The valley of the shadow of death, 1855. Paper Print. Victoria and ALbert Museum, London.
Alexander Gardner, Home of a Rebel Sharpshooter, Gettysburg, From Alexander Gardner’s Photographic Sketchbook of the Civil War, Plate 41, July 1863. Wet Collodion Print. Library of Congress, Washington, D.C
Alexander Gardner, The Harvest of Death, Gettysburg, Pennsylvania, July 1863, from Gardner’s Photographic Sketch Book of the Civil War. Stereoscope. Negative by Timothy O’Sullivan. Library of Congress, Washington D.C.
Lewis W. Hine, Child in Carolina Cotton Mill, 1908, Gelatin Silver Print on Masonite. Museum of Modern Art, New York.
Thomas Easterly, Keokuk, or the Watchful Fox, 1847. Hand-Colored quarter plate daguerreotype. Missouri HIstorical society, St. Louis, Missouri.
le gray, mediterranean sea at sete , 1856 albumen silver print
Joly De Lotbiniere, View of the Propylaea of the Acropolis, Athens, 1839, from Excursions of Daguerriennes, 1840-44. Engraving after a daguerreotype. George Eastman House, Rochester, New York.
Mathew Brady, Abraham Lincoln, 1860. Salted Paper Print (carte de viste) Library of Congress, Washington, D.C.
George Phillips Bond and John Adams Whipple, Moon, c 1851. Daguerreotype. Harvard College Observatory, Cambridge, Massachusetts.
Nadar and Adrien Tourhachon, Pierrot the Photographer, Paper Print, 1854-1855
Felix Nadar, Theophile Gautier
Charles Negre, Chimney Sweeps Walking, 1851. Salted Paper Print. National Gallery of Canada
Joseph Nicephore Niepce, View from the window at Gras, c 1826. Heliograph. Gernsheim Collection. Harry Ransom Humanities research center, University of Texas at Austin.
Timothy O’Sullivan, The Nipsic in Limon Bay, at High Tide, 1871. Albumen Print. George Eastman House, Rochester, New York.
Henry Peach Robinson- Fading Away 1858, 5 different negatives mounted together
J.-P Girault De Prangey, The Dome of the Rock and the Wailing Wall (Laterally reversed View) c. 1850. Daguerreotype. Bibliotheque Nationale de France, Paris.
Oscar Rejlander, The two ways of life, Combination Print, Albumen Print, Photomontage, 1857
Jacob Riis, Bandits Roost, New York, 1888, Gelatin Silver Print from the original negative. Museum of the City of New York, New York
Andrew J. Russell, Meeting of the Rails, Promontory Summit, Utah, 1869. Albumen Print. Union Pacific Historical Museum, Omaha, Nebraska.
J.T Zealy,, Jack 1850’s. Daguerreotype. Peabody Museum of Art, Archaeology and Ethnology, Harvard University, Cambridge, Massachusetts.
Albert Sands Southworth, Self-portrait, c 1848. Dagerreotype. Metropolitan Museum of Art New York.
Photographer unknown, The Fresh View Agent Soliciting, From Stereoscopes in use, Ca. 1869.
ALBERT SANDS SOUTHWORTH AND JOSIAH JOHNSON HAWES, Harriet Beecher Stowe, c, 1850. Quarter-Plate Daguerreotype. Metropolitan Museum, New York.
William Henry Fox Talbot, Negative of the Hay Stack from the pencilof Nature. National Media Museum Bradford, England
William Henry Fox Talbot, The Haystack, from the Pencil of Nature. Department of Special Collections, Glasgrow University Library, Glasgow, Scotland.
William Henry Fox Talbot, Articles of China, plate 3 from the Pencil of Nature, 1844–46. Calotype. Fox Talbot Collection. National Media Museum, Bradford England.
John Thomson, The Crawlers, 1877-78. Woodburytype. Victoria and Albert Museum in London.
Carleton E. Watkins, From the “Best General View, Mariposa Trail, c. 1865-66. from Watkin’s, Pacific Coast Stereo series, no. 1134. Albumen Print. Center for Creative Photography, University of Arizona, Tucson, Arizona.
