Final Exam Flashcards

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1
Q

Orchestras in the Romantic Period

A

They were larger and more varied in tone color than the classical orchestra. They also might include up to a hundred musicians.

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2
Q

Exoticism

A

music in which the rhythms, melodies, or instrumentation are designed to evoke the atmosphere of far-off lands or ancient times.

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3
Q

Nationalism

A

the use of musical ideas or motifs that are identified with a specific country, region, or ethnicity, such as folk tunes and melodies, rhythms, and harmonies inspired by them.

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4
Q

Program Music

A

music that is intended to evoke images or convey the impression of events.

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5
Q

Program Symphony

A

a piece of music for orchestra or other large ensemble which follows the form of a symphony (several movements, contrast between slow and fast, use of sonata-allegro form)

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6
Q

Absolute Music

A

instrumental music composed purely as music, and not intended to represent or illustrate something else.

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7
Q

Incidental Music

A

music in a play, television program, radio program, video game, film, or some other presentation form that is not primarily musical.

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8
Q

Nocturne

A

a short composition of a romantic or dreamy character suggestive of night, typically for piano.

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9
Q

Etude

A

a short musical composition, typically for one instrument, designed as an exercise to improve the technique or demonstrate the skill of the player.

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10
Q

Symphonic Poem

A

a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source.

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11
Q

How did Franz Liszt earn his living?

A

As a touring piano virtuoso up to age 36.

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12
Q

What did Liszt’s music consist of?

A

unprecedented dynamics, leaps, rapid octaves, and arpeggios

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13
Q

Franz Liszt was…

A

charismatic, an incredible performer, an innovative composer

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14
Q

Who created the symphonic poem?

A

Franz Liszt

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15
Q

Who composed the Revolutionary Etude?

A

Frederic Chopin, it has challenging rapid passages for the left hand.

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16
Q

Frederic Chopin

A

wrote mostly exquisite miniatures.

17
Q

Who composed the Fantastic Symphony?

A

Hector Berlioz, it startled Parisians and was a piece with an autobiographical program, novel orchestration, and visions of the weird and diabolical as well as a march to the scaffold.

18
Q

Hector Berlioz

A

Enjoyed a career as a conductor outside of France and he created new orchestral tone colors.

19
Q

P.I. Tchaikovsky

A

Composed Romeo and Juliet - initially a dismal failure.

20
Q

Richard Wagner

A

Associated people, objects or thoughts with a musical idea called leitmotif.

21
Q

Who composed the Ring Cycle?

A

It was composed by Richard Wagner which although it contained gods, magic, and giants, was really a commentary on 19th-century society and culture.

22
Q

20th Century Music

A
  • A time of revolt and change
  • Does not follow the general musical structures of earlier periods
  • Composers drew inspiration from folk and pop music, Asia and Africa, and all eras of European music, not just serious art music
23
Q

Impressionism and symbolism started where?

A

In France.

24
Q

When did radio broadcasts begin to reach audiences?

A

The 1920s.

25
Q

Impressionism

A
  • A style associated with composer Claude Debussy

- Does not feature clearly delineated forms

26
Q

Expressionism

A
  • An art form associated with social protest
  • Rejects conventional prettiness
  • Used deliberate distortion to assault and shock audiences
27
Q

Claude Debussy

A

An impressionist composer who’s piece: Prelude to the Afternoon of a Faun depicts a creature who is half man, half goat.

28
Q

Richard Strauss

A

Wrote operas that used chromaticism and dissonance to depict perversion and murder.

29
Q

Igor Stravinsky

A
  • Studied composition with Nikolai Rimsky-Korsakov
  • Composed The Rite of Spring – an example of primitivism, causing the most famous riot in music history in 1913, required an enormous orchestra
  • Innovator in rhythm, harmony, and tone color
  • Drew inspiration from 18th-century music in later years
30
Q

Blues

A
  • Usually follows a 12 bar pattern for improvisation
  • Can be happy, sad, fast or slow
  • May be vocal or instrumental
31
Q

Jazz

A
  • Began in bars and brothels but is now considered an American art form
  • Is a combination of martial music, blues, and ragtime
  • Features “Call and response” between voices and/or instruments
  • Backbone of the jazz ensemble is the rhythm section
32
Q

Dixieland or New Orleans Style Jazz

A

Flourished from 1900 to 1917 and feature collective improvisation.

33
Q

Sing Style Jazz

A
  • Flourished from 1935 to 1945
  • Usually featured a rhythm section made up of piano, percussion, guitar, and bass
  • Often featured saxophone as a solo instrument
34
Q

Duke Ellington

A
  • The most prolific composer of Swing Style Jazz

- He used a rich variety of tone color, harmony and distinctive sounds of individual musicians.

35
Q

Bebop Style Jazz

A

Differed from earlier jazz styles in that it was meant for attentive listening not dancing.
-Featured saxophonist Charlie Parker, one of the greatest of all jazz improvisers.

36
Q

Free Jazz

A

Typically did not follow a set form of harmony.