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Contemporary art > Final Exam > Flashcards

Final Exam Flashcards

1
Q
A

Tilted Arc (1981), Richard Serra, corn-ten steel

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2
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Vietnam Veterans Memorial (1982) Maya Lin, black granite

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3
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House (1993) Rachel Whiteread, concrete

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4
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Nameless Library (Judenplatz Holocaust Memorial) (1995-2000) Rachel Whiteread, concrete

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5
Q
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Remembering (2009), Ai Weiwei, backpacks on the facade of the hause Der Kunst (Munich)

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6
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The Umbrellas (1991), Christo and Jeanne-Clause umbrellas in Japan in California

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7
Q

Interventions

A

seeing the landscape in a different way

EX. The Umbrellas (1991), Christo and Jeanne-Clause umbrellas in Japan in California

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8
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Wrapped Reichstag (1971-95). Christo and Jeanne-Claude, Berlin

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9
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Untitled (1990), Kiki Smith, beeswax and microcrystalline wax figured on metal stands

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10
Q

Abject Art

A

beyond repulsive

EX. Untitled (1990), Kiki Smith, beeswax and micryocrystalline wax figures on metal stands

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11
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Lilith (1994), Kiki Smith, bronze and glass

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12
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Untitled (1985), Robert Gober, Plaster, wood, steel, wire lath, and enamel paint

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13
Q

Uncanny

A

Strange or mysterious, especially in an unsettling way

EX. Untitled (leg) (1989-90), Robert Gober, Beeswax, cotton, wood, leather, human hair

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14
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Visible: Untitled (1991), Robert Gober, beeswax, cotton, wood, leather, human hair, wallpaper

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15
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Untitled (Perfect Lovers) (1987-90), Felix Gonzalez-Torres, two clock

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16
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Untitled (Portrait of Ross in L.A.) (1991), elix Gonzalez-Torres, candies in cellophane, endless supply

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17
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The Way of Colo (2009), James Turrell, stone, concrete, stainless steel, and LED Lighting

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18
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Aten Reign (2013), James Turrell, installation

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19
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Untitiled (1968), Robert Irwin, Acryclic, lighting

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20
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Untitled (Dawn to Dusk) (2016), Robert Irwin, installation (marfa)

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21
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Ladder for Booker T. Washington (1996), Martin Puryear, wood (ash and maple)

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22
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Night Watch (2011), Martin Puryear, Wood (Maple, Willow, OSB board)

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23
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Myra (1995), Marcus Harvey, acrylic on canvas

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24
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The Holy Vrigin Mary (1996), Chris Ofili, Acrylic, oil, polester resin, paper collage, glitter, map pins and elephant dung on canvas

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25
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Upper Room (1999-2002), Chris Ofili, Acrylic, oil, polyester resin, paper collage, glitter, map pins and elephant dung on 13 canvases

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26
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This Litte Piggy Went to the Market, The Little Piggy Stayed at Home (1996), Damien Hirst, Glass, pig, painted steel, formaldehyde

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27
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The Physical Impossibility of Death in the Mind of Somone Living (1991), Damien Hirst, Tiger Shark, glass, steel, 5% formaldehyde solution

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28
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Thirty Pieces of Silver (1988-9), Cornelia Parker, silver and copper wire

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29
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Gallery Connections (1991-6), Angus Fairhurtst, metal, wood, glass, walkman, amplifier, speakers, headphones, cables and audio

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30
Q
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Pieta (1996) Angus Fairhurst, photograph, color on paper

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31
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Everyone I Have Ever Slept With 1963-95 91995), Tracey Emim, Appliqued tent, mattress and light

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32
Q
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My Bed (1999), Tracey Emin, Box frame, mattress, linens, pillows and various objects

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33
Q

Venice Biennale

A

international event of artist

olpypics of art, all countries pick artist to represent them

no single source of funding

no selling

place on invation

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34
Q

Whitney Biennal

A

whitney museuem

inside apartment

artist chooses own work

no prizes

93 “the political one” (minorities commenting on culture)

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35
Q
A

I Can’t Imagine Ever Wanting to be White 91993), Daniel J. Martinez, admisiion buttons

36
Q
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Couple in a Cage: Two Undiscovered Amerindians Visit the West (1992-1993), Coco Fusco and Guillermo Gomez-Pena performace

37
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A

Synecdoche (1991-present), Byron Kim, oil and wax on lauan plywood, birch plywood, and plywood

38
Q
A

Notes on the Margin of the Black Book (1991-1993), Glenn Ligon, offset prints and text pages

39
Q
A

Wall Drawing 86 (1971), So LeWitt, graphite on wall

40
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A

These final hours embrace at last; this is our ending; this is our past (2007), Robyn O’Neil, graphite on paper

41
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A

Felix in Exile (1993-4), William Kentridge, color video, transferred from 35 mm film

42
Q

Palimpsest

A

where you can see previously drawn items but have been ereased and drawn ontop of

Ex. Felix in Exile (1993-4), William Kentridge, color video, transfered from 35 mm film

43
Q
A

Drawing from Stereoscope (1998-99), William Kentridge, color video, transfered from 35 mm film

44
Q
A

Big Self Portrait (1967-68), Chuck Close, acrylic with grapgite on gessoed canvas

45
Q
A

Robert (1996-97), Chuck Close, oil on canvas

46
Q
A

Mining the Museum (1992), Fred Wilson, installation at Maryland Historical Society

47
Q

Blackamoor

A

European style highly stylized depicting non European in subservient form

EX. Speak of Me as I Am (2003), Fred Wilson, Venice Biennale

48
Q
A

To Die Upon a Kiss (2011), Fred Wilson, Murano Glass

49
Q

Cyclorama

A

a circular picture of 360 degree scene, viewied from inside

Ex. Slavery! Slavery! (1997), Kara Walker, cut paper and adhesive on painted wall

50
Q

Tableau

A

a group of models or motionless figures representing a scene from a story or from history

Ex. Slavery! Slavery! (1997), Kara Walker, cut paper and adhesive on painted wall

51
Q
A

The Rich Soil Down There (2002), Kara Walker, cut paper and adhesive on painted wall

52
Q
A

Subtlerty, or the Marvelous Sugar Baby…(2014), Kara Walker, installation (sugar)

53
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A

Diary of a Victorian Dandy: 11.00 hours (1998), Yinka Shonibare, chromogenic print

54
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A

The Swing (after Fragonard) (2001), Yinka Shonibare, instllation (Mannequin, cotton costume, 2 slippers, swing seat, 2 ropes, oak twig and artifical foliage)

55
Q
A

Napolean Leading the Army over the Alps (2005), Kehinde Wiley, Oil on canvas

56
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A

President Barack Obama (20018), Kehinde Wiley, Oil on canvas

57
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A

Michelle LeVaugn Robinson Obama (20018, Amy Sherald, Oil on canvas

58
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A

A Portrait of the Artist as a Shadow of His Former Self (1980), Kerry James Marshall, egg tempera on paper

59
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A

Our Town (1995), Kerry James Marshall, acrylic on paper mounted on canvas

60
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A

School of beauty, School of Culture (2012), Kerry James Marshall, acrylic on paper mounted on canvas

61
Q
A

Untitled (1995), Laura Owens, acrylic, oil, enamel, ink, and felt-tip pen on canvas

62
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A

Untitled (1997), Laura Owens, acrylic, oil, and airbrushed oil on canvas

63
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A

Waterfall (2012), Hiroshi Senju, natural pigments on mulberry paper

64
Q

Nihonga

A

japanese art created with traditional japanese artistic conventions, techniques and materials

EX. Waterfall (2012), Hiroshi Senju, natural pigments on mulberry paper

65
Q

Notan

A

japanese use this term to describe the play of light versus dark

EX. Waterfall (2012), Hiroshi Senju, natural pigments on mulberry paper

66
Q
A

Lick and Lather (1993), Janine Antoni, chocolate and soap

67
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A

Trade (1992), Jane Quick-To-See Smith, oil and mixed media on canvas

68
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A

Pad Thai (1990), Rikrit Tiravanija, installation

69
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A

Yellow Lines Flower Painter (2008), Banksy, spray paint

70
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A

Power Washer (2008), Banksy, spray paint

71
Q
A

Southern Suppliers FC (1991), Maurizio Cattelan, hired soccer players

72
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A

La Nona Ora (2013), Maurizio Cattelan, Wax, clothing, polyester resin with metallic powder, volcanic rock, carpet, glass

73
Q
A

America (2016), Maurizio Cattelan, gold

74
Q
A

Rebellious Silence (1994), Shirin Neshat, ink on silver gelatin print

75
Q
A

Rapture (1999), Shirin Neshat, two-screen video installation

76
Q
A

An Ocean Without a Shore (2007), Bill Biola, Video/Sound installation

77
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A

The Etruscan (1976), Michelangelo Pisoletto, mirror and bronze

78
Q
A

Rush Hour (1983), George Segal, bronze

79
Q
A

Pay for your pleaure (1988), Mike Kelley, oil on wood

80
Q
A

Conjoined, Defunct and Erratic (2007), Roxy Paine, stainless steel pipes and rods

81
Q
A

Night Sky #1, (2000-2001), Vija Celmins, oil on linen, mounted on wood

82
Q
A

Die Kontrolle (2010), Neo Rauch, Oil

83
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A

49 (1974), David Reed, oil on canvas

84
Q
A

Tan Tan Bo, (2001), Takashi Murakami, acrylic

85
Q
A

Cremaster #3 (2002)Mathhew Barney, Film

86
Q

Relational Aesthetics

A

A set of artistic pratices which take as their theoretical and pratical point of departure the whole of human raltions and their social context, rather than an indeoendent and private space

Pad Thai

Contemporary art (6 decks)

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