Final Exam Flashcards
Tilted Arc (1981), Richard Serra, corn-ten steel
Vietnam Veterans Memorial (1982) Maya Lin, black granite
House (1993) Rachel Whiteread, concrete
Nameless Library (Judenplatz Holocaust Memorial) (1995-2000) Rachel Whiteread, concrete
Remembering (2009), Ai Weiwei, backpacks on the facade of the hause Der Kunst (Munich)
The Umbrellas (1991), Christo and Jeanne-Clause umbrellas in Japan in California
Interventions
seeing the landscape in a different way
EX. The Umbrellas (1991), Christo and Jeanne-Clause umbrellas in Japan in California
Wrapped Reichstag (1971-95). Christo and Jeanne-Claude, Berlin
Untitled (1990), Kiki Smith, beeswax and microcrystalline wax figured on metal stands
Abject Art
beyond repulsive
EX. Untitled (1990), Kiki Smith, beeswax and micryocrystalline wax figures on metal stands
Lilith (1994), Kiki Smith, bronze and glass
Untitled (1985), Robert Gober, Plaster, wood, steel, wire lath, and enamel paint
Uncanny
Strange or mysterious, especially in an unsettling way
EX. Untitled (leg) (1989-90), Robert Gober, Beeswax, cotton, wood, leather, human hair
Visible: Untitled (1991), Robert Gober, beeswax, cotton, wood, leather, human hair, wallpaper
Untitled (Perfect Lovers) (1987-90), Felix Gonzalez-Torres, two clock
Untitled (Portrait of Ross in L.A.) (1991), elix Gonzalez-Torres, candies in cellophane, endless supply
The Way of Colo (2009), James Turrell, stone, concrete, stainless steel, and LED Lighting
Aten Reign (2013), James Turrell, installation
Untitiled (1968), Robert Irwin, Acryclic, lighting
Untitled (Dawn to Dusk) (2016), Robert Irwin, installation (marfa)
Ladder for Booker T. Washington (1996), Martin Puryear, wood (ash and maple)
Night Watch (2011), Martin Puryear, Wood (Maple, Willow, OSB board)
Myra (1995), Marcus Harvey, acrylic on canvas
The Holy Vrigin Mary (1996), Chris Ofili, Acrylic, oil, polester resin, paper collage, glitter, map pins and elephant dung on canvas
Upper Room (1999-2002), Chris Ofili, Acrylic, oil, polyester resin, paper collage, glitter, map pins and elephant dung on 13 canvases
This Litte Piggy Went to the Market, The Little Piggy Stayed at Home (1996), Damien Hirst, Glass, pig, painted steel, formaldehyde
The Physical Impossibility of Death in the Mind of Somone Living (1991), Damien Hirst, Tiger Shark, glass, steel, 5% formaldehyde solution
Thirty Pieces of Silver (1988-9), Cornelia Parker, silver and copper wire
Gallery Connections (1991-6), Angus Fairhurtst, metal, wood, glass, walkman, amplifier, speakers, headphones, cables and audio
Pieta (1996) Angus Fairhurst, photograph, color on paper
Everyone I Have Ever Slept With 1963-95 91995), Tracey Emim, Appliqued tent, mattress and light
My Bed (1999), Tracey Emin, Box frame, mattress, linens, pillows and various objects
Venice Biennale
international event of artist
olpypics of art, all countries pick artist to represent them
no single source of funding
no selling
place on invation
Whitney Biennal
whitney museuem
inside apartment
artist chooses own work
no prizes
93 “the political one” (minorities commenting on culture)
I Can’t Imagine Ever Wanting to be White 91993), Daniel J. Martinez, admisiion buttons
Couple in a Cage: Two Undiscovered Amerindians Visit the West (1992-1993), Coco Fusco and Guillermo Gomez-Pena performace
Synecdoche (1991-present), Byron Kim, oil and wax on lauan plywood, birch plywood, and plywood

Notes on the Margin of the Black Book (1991-1993), Glenn Ligon, offset prints and text pages

Wall Drawing 86 (1971), So LeWitt, graphite on wall

These final hours embrace at last; this is our ending; this is our past (2007), Robyn O’Neil, graphite on paper

Felix in Exile (1993-4), William Kentridge, color video, transferred from 35 mm film
Palimpsest
where you can see previously drawn items but have been ereased and drawn ontop of
Ex. Felix in Exile (1993-4), William Kentridge, color video, transfered from 35 mm film

Drawing from Stereoscope (1998-99), William Kentridge, color video, transfered from 35 mm film

Big Self Portrait (1967-68), Chuck Close, acrylic with grapgite on gessoed canvas

Robert (1996-97), Chuck Close, oil on canvas

Mining the Museum (1992), Fred Wilson, installation at Maryland Historical Society
Blackamoor
European style highly stylized depicting non European in subservient form
EX. Speak of Me as I Am (2003), Fred Wilson, Venice Biennale

To Die Upon a Kiss (2011), Fred Wilson, Murano Glass
Cyclorama
a circular picture of 360 degree scene, viewied from inside
Ex. Slavery! Slavery! (1997), Kara Walker, cut paper and adhesive on painted wall
Tableau
a group of models or motionless figures representing a scene from a story or from history
Ex. Slavery! Slavery! (1997), Kara Walker, cut paper and adhesive on painted wall

The Rich Soil Down There (2002), Kara Walker, cut paper and adhesive on painted wall

Subtlerty, or the Marvelous Sugar Baby…(2014), Kara Walker, installation (sugar)

Diary of a Victorian Dandy: 11.00 hours (1998), Yinka Shonibare, chromogenic print

The Swing (after Fragonard) (2001), Yinka Shonibare, instllation (Mannequin, cotton costume, 2 slippers, swing seat, 2 ropes, oak twig and artifical foliage)

Napolean Leading the Army over the Alps (2005), Kehinde Wiley, Oil on canvas

President Barack Obama (20018), Kehinde Wiley, Oil on canvas

Michelle LeVaugn Robinson Obama (20018, Amy Sherald, Oil on canvas

A Portrait of the Artist as a Shadow of His Former Self (1980), Kerry James Marshall, egg tempera on paper

Our Town (1995), Kerry James Marshall, acrylic on paper mounted on canvas

School of beauty, School of Culture (2012), Kerry James Marshall, acrylic on paper mounted on canvas

Untitled (1995), Laura Owens, acrylic, oil, enamel, ink, and felt-tip pen on canvas

Untitled (1997), Laura Owens, acrylic, oil, and airbrushed oil on canvas

Waterfall (2012), Hiroshi Senju, natural pigments on mulberry paper
Nihonga
japanese art created with traditional japanese artistic conventions, techniques and materials
EX. Waterfall (2012), Hiroshi Senju, natural pigments on mulberry paper
Notan
japanese use this term to describe the play of light versus dark
EX. Waterfall (2012), Hiroshi Senju, natural pigments on mulberry paper

Lick and Lather (1993), Janine Antoni, chocolate and soap

Trade (1992), Jane Quick-To-See Smith, oil and mixed media on canvas

Pad Thai (1990), Rikrit Tiravanija, installation

Yellow Lines Flower Painter (2008), Banksy, spray paint

Power Washer (2008), Banksy, spray paint

Southern Suppliers FC (1991), Maurizio Cattelan, hired soccer players

La Nona Ora (2013), Maurizio Cattelan, Wax, clothing, polyester resin with metallic powder, volcanic rock, carpet, glass

America (2016), Maurizio Cattelan, gold

Rebellious Silence (1994), Shirin Neshat, ink on silver gelatin print

Rapture (1999), Shirin Neshat, two-screen video installation

An Ocean Without a Shore (2007), Bill Biola, Video/Sound installation

The Etruscan (1976), Michelangelo Pisoletto, mirror and bronze

Rush Hour (1983), George Segal, bronze

Pay for your pleaure (1988), Mike Kelley, oil on wood

Conjoined, Defunct and Erratic (2007), Roxy Paine, stainless steel pipes and rods

Night Sky #1, (2000-2001), Vija Celmins, oil on linen, mounted on wood

Die Kontrolle (2010), Neo Rauch, Oil

49 (1974), David Reed, oil on canvas

Tan Tan Bo, (2001), Takashi Murakami, acrylic

Cremaster #3 (2002)Mathhew Barney, Film
Relational Aesthetics
A set of artistic pratices which take as their theoretical and pratical point of departure the whole of human raltions and their social context, rather than an indeoendent and private space
Pad Thai