Final Exam Flashcards

1
Q

Jack the Dripper

A

Pollock

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2
Q

Transitional device in cinema using rapidly edited images to suggest the lapse of time

A

Montage

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3
Q

Jean Valjean is this type of character

A

Dynamic

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4
Q

This revolution moved people off the farm and into cities

A

Industrial

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5
Q

The most enduring symbolic object in Les Miserables

A

Candlesticks

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6
Q

“…my heart, that is my least vulnerable spot.”

A

Captain Renault

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7
Q

“I dreamed a dream”

A

Fantine

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8
Q

Unproduced play that eventually became Casablanca

A

Everybody Comes to Ricks

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9
Q

Common thread in Casablanca’s plot; Sam’s piano

A

Letters of transit

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10
Q

Art movement inspired by scientific discoveries in light and color

A

Impressionism

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11
Q

Art movement most closely associated with Pablo Picasso

A

Cubism

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12
Q

The Queen of the Night sings in this opera

A

The Magic Flute

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13
Q

Ballet based on primitivism with polyrhythms

A

Rite of Spring

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14
Q

Ilsa reveals to Rick that Laszlo was her husband, even in Paris

A

Recognition

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15
Q

“If we stop fighting our enemies, the world will die.”

A

Laszlo

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16
Q

Bottom of the 9th, 2 out, with the bases loaded

A

Beethoven’s 9th Symphony

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17
Q

Absolutism ended here in 1688

A

England

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18
Q

First to project a moving picture to a paying audience

A

Lumiere brothers

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19
Q

Camera becomes one of the characters in the film

A

Point of view

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20
Q

Melodic glue of Casablanca

A

As Time Goes By

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21
Q

Drew plans for the then most famous modern building in the world in less than 3 hours

A

Frank Lloyd Wright

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22
Q

In Peter Pan, the island becomes the moon which becomes the face of a clock

A

Form cut

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23
Q

Ilsa leaves Casablanca with Laszlo, not Rick

A

Reversal

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24
Q

“To owe life to a malefactor… to be, in spite of himself, on a level with a fugitive from justice… to betray society in order to be true to his own conscience; that all these absurdities… should accumulate… should accumulate on himself- this is what prostrated him.”

A

Javert

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25
"You have to think for both of us, for all of us!"
Ilsa
26
"Louis, I think this is the beginning of a beautiful friendship."
Rick
27
"It would take a miracle to get you out of Casablanca, and the Germans have outlawed miracles."
Ferrari
28
A character who stays the same throughout a work
Static
29
Rick's character was to be originally played by him
Ronald Reagan
30
Largely responsible for the bloodiest period of the French Revolution
Robespierre
31
Goals of film study
1- to learn and recognize techniques | 2- to learn why directors used selected
32
What does film create?
Liquid time and liquid space
33
What can film make us do?
Act and react differently than we normally would to a given situation
34
Who discovered persistence of vision
Roget
35
What is persistence of vision
phenomenon of the eye that makes moving pictures seem like real motion because an image on the retina remains briefly visible after its actual disappearance
36
Who created Daguerrotypes
Daguerre
37
What are daguerrotypes
photographic process that yielded a clear picture on a silvered copper plate
38
What was the Cinematographe
Combination camera projector with a patented claw for moving the film forward to create the illusion of movement- 1895
39
Kinetoscope
Created by Thomas Edison; consisted of 12 short subjects- 1896
40
One of the first fantasy films
Georges Melies' A Trip to the Moon- 1902
41
First full-length (12 minutes) epic narrative film with a cast of 40
Edwin S. Porters The Great Train Robbery- invented to show simultaneous actions
42
First full-length popular sound film
The Jazz Singe
43
First major movie star and what film
Charlie Chaplin; The Gold Rush
44
Single most important film in the development cinema as a major art form, legitimate artistic "grammar"
D. W. Griffith's Birth of a Nation
45
Who introduced cinematic rhythm
D. W. Griffith
46
Editing so as to create a pace that will involve and affect the audience- complete with cuts, close-ups, and lingering takes
Cinematic rhythm
47
Establishment of the MPAA rating system in the U.S.
1967
48
One of the most influential films ever made with deep-focus camera work, consisting of stark images and dramatic back lighting, and its creative editing
Orson Welle's Citizen Kane
49
Usually an extreme long or long shot offered at the beginning of a scene, providing the viewer with the general location of the film before subsequent shots
Establishing shot
50
A shot taken from a moving vehicle (any shot in which the camera moves from one point to another, either sideways, in or out)
Tracking, dolly, or travel shot
51
Selecting and joining two shots with a splice, in the finished film- any instantaneous change from one frame to another
Cut
52
The formal features of one shot are echoed in the arrangement or movement of the shot immediately following
Form cut
53
Alternating the shots from two or more lines of action occurring simultaneously in different locations, yet suggest they are taking place at the same time- used a lot in adventure or chase films
Cross-cutting
54
the slow fading out of one shot and the gradual fading in of the next shot, with a superimposition of images
Dissolve
55
the fade-out is the gradual fading of an image from normal brightness to a black screen. A fade-in is the opposite
Fade
56
this is a revolving horizontal movement of the camera from left to right or vice versa.
Pan or panning shot
57
shifting the focus (close or distant) during a shot to direct the viewer’s attention from one subject to another as it moves away from or toward the camera
Rack or follow focus
58
a photographic technique that permits all distant planes to remain clearly focused, from close-up ranges to infinity
Deep focus
59
Medved's three Hollywood lies
We are just in the business of entertainment, we don't really influence anybody; It's just our job to reflect society. We don't shape things, we just show them as they are; If you don't like this stuff, then just turn it off
60
Aristotle's 6 elements of tragedy
Plot, character, thought, diction, song, spectacle
61
a character who is not fully developed but sketched out through one or two distinguishing or recognizable traits
flat character
62
a fully developed character, one whom readers feel might exist in life
round character
63
a character who stays the same throughout a work
static character
64
a character who undergoes a change in personality or attitude through the course of writing usually due to a change in the situation or the plot
dynamic character
65
the central character in the text, the one with whom readers usually sympathize
protagonist
66
a person or force (the enemy) that opposes the protagonist
antagonist
67
narrator reports the facts and interprets events from the perspective of a single character
third-person limited
68
an all-knowing narrator not only reports the facts but may also interpret events and relate the thoughts and feelings of any character.
third-person omniscient
69
the facts of a narrative are reported by a seemingly neutral, impersonal observer or recorder
third-person objective
70
took a radical ap- proach and sought to create colors by using only tiny dots, hoping that it would lead to the blending of colors by the eye
Georges Seurat
71
To "give joy and consolation to every human being"
Van Gogh's goal
72
Emphasis on geometric forms
Cubism
73
The distortion of things to present emotions
Expressionism
74
One of most influential primitivists
Igor Stravinsky
75
Paul Gauguin
Primitivism
76
Simple outlines and large patches of intense color
Primitivism
77
Composer for Sergei Diaghilev's "Ballet Russe" (Russian Ballet)
Igor Stravinsky
78
intense expressiveness
expressionism
79
clarity of structure
cubism
80
simplicity of technique
primitivism
81
Rather than shaping things the way they appear in our physical eyes, he sought to present them the way they occur to the mind
Pablo Picasso