Final Exam Flashcards

1
Q
A

JT Zealy and Louis Agassiz

Jack (Driver). Plantation of BF Taylor, Columbia, SC

1851

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2
Q
A

Frederick Law Olmstead and Calvert Vaux

“Greensward” Plan of Central Park

1857-58

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3
Q
A

Robert S. Duncanson

View of Cincinnati, OH from Covington, KY

1858

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4
Q
A

Eastman Johnson

Negro Life in the South (Kentucky Home)

1859

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5
Q
A

Frederic Edwin Church

Our Banner in the Sky

1861

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6
Q
A

Alexander Gardner and Timothy O’Sullivan

A Harvest of Death, Gettysburg

1863

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7
Q
A

Winslow Homer

Prisoners from the Front

1866

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8
Q
A

Edmonia Lewis

Forever Free

1867

(Marble gives historical sig. to freed slaves while also erasing the visual signifier of race, and thus servitude)

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9
Q
A

Winslow Homer

The Old Mill (The Morning Bell)

1871

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10
Q
A

Thomas Eakins

Max Schmitt in a Single Scull

1871

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11
Q
A

James Abbott McNeil Whistler
Arrangement in Grey and Black No. 1 The Artist’s Mother

1871-72

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12
Q
A

Thomas Moran

Grand Canyon of the Yellowstone

1872

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13
Q
A

James Abbott McNeil Whistler

Nocturne in Black and Gold (The Falling Rocket)

1875

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14
Q
A

Thomas Eakins

The Gross Clinic (Portrait of Dr. Samuel D. Gross)

1875

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15
Q
A

Winslow Homer

A Visit from the Old Mistress

1876

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16
Q
A

Thomas Ball

Freedman’s Memorial to Abraham Lincoln (Emancipation Monument)

1876

(negates freedom and reinforces hierarchy of races in a public mon. comparitively to Homer’s A Visit)

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17
Q
A

Wohaw (Kiowa)

Wohaw Between Two Worlds

1876-77

18
Q
A

William Merritt Chase

In the Studio

1880

19
Q
A

Thomas Anshutz

Ironworkers’ Noontime

1880-81

20
Q
A

Maria Longworth Nichols Storer

Lockwood Pottery Basket

1882

21
Q
A

John Singer Sargent

Madame X (Madame Pierre Gautreau)

1884

22
Q
A

Burnham and Root

Monadnock Building

1884-92

23
Q
A

Yellow Nose (Cheyenne)

Battle of Little Bighorn

1885

24
Q
A

Elle Day Hale

Lady with a Fan (Self-Portrait)

1885

25
Q
A

Robert Koehler

The Strike

1886

26
Q
A

Thomas Nast

“Liberty is not Anarchy” Harper’s Weekly

Sept. 4, 1886

27
Q
A

Eadweard Muybridge

Female Figure Hopping

1887

28
Q
A

Johannes Gelegt

The Police Monument

1889

29
Q
A

Thomas Eakins

The Agnew Clinic (Portrait of Dr. Hayes Agnew)

1889

30
Q
A

Jacob Riis

Five Cents a Spot

1889

31
Q
A

Arapaho artist

Ghost Dance Dress

1890

32
Q
A

Antonin Mercie and Paul Pujol

Robert E. Lee Monument

1890

(Commemerates States rights as southern cause after end of war, no sign of black presence)

33
Q
A

Adler and Sullivan

Wainwright Building

1890-91

34
Q
A

Mary Cassat

Young Women Picking Fruit (Preparatory study for Modern Women)

1891

35
Q
A

Henry Ossawa Tanner

The Banjo Lesson

1893

36
Q
A

Frederick Law Olmstead, Daniel Burnham, and others

World’s Columbian Exposition

1893

37
Q
A

Mary Cassat

The Boating Party

1893-4

38
Q
A

Augustus Saint-Gaudens

Memorial to Robert Gould Shaw and the 54th Regiment

1897

(hoped to rectify absence of blacks from Civil war memorials- in boston, end of century though- quote: “He forsook all to save the republic”)

39
Q
A

Henry Ossawa Tanner

Nicodemus Visiting Jesus

1899

40
Q
A

Richard Morris Hunt

Metropolitan Museum of Art (Fith Ave. Facade)

1902