Final Exam Flashcards

0
Q

Panopticon

A

Michael Foucault coined the term Panopticon as a feeling if being watched so we can empower the ideological values of society. It is a feeling of being observed to encourage people to police their own behavior so they can model the behavior of how those in power want them to behave.

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1
Q

Hegemonic

A

A hegemonic relationship deals with a ruling or dominant force in a political or social context when one group has power over another. The lower, disempowered group feels it is in their best interest to be oppressed so they don’t stir up trouble or make things harder on themselves

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2
Q

Peri-text

A

Peri-text is the text that is on the book itself but not related to the story- ex) barcode, copyright etc.

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3
Q

Epi-text

A

Peri-text is parallel text that relates to the book but is not on the book itself. Ex) movies, book reviews, toys, etc

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4
Q

Agency

A

Agency is the ability to act on and change the world, or the physical actual ability to do something.

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5
Q

Carnivalesque

A

Carnivalesque scenarios invert traditional hierarchies by elevating those who don’t have power. It is often portrayed in role reversal, unfiltered by typical morals, the opposite of ordinary, and focuses in humor, the body and laughter

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6
Q

Ideology

A

Terry Eagleton’s conception of ideology is the often unconscious ideas we have about being, perceiving, or experiencing the world and how it relates to the reproduction or maintenance of social power

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7
Q

Implicit ideology

A

An implicit ideology is when the author may or may not be aware of the ideologies being portrayed, but still comes through in the writing

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8
Q

Ideological apparatuses

A

Ideological apparatuses are systems or institutions that work to hail us into a type of behavior or ways of being. They teach us to respect authority and work to instill norms of society so we police our own behavior.

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9
Q

Repressive apparatuses

A

Repressive apparatuses are when physical violence or coercion is involved usually because the ideological apparatuses haven’t worked and force or punishment must be taken.

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10
Q

Aporia

A

Aporia says one thing but shows another. It seems to explicitly say one thing but when read closely the text subtly contradicts itself

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11
Q

Morally ambiguous

A

Morally ambiguous stories present moral conundrums but don’t answer them. They present situations dealing with ethics and moral dilemmas but don’t tell us how to feel about it, they make the reader decide what is right and wrong.

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12
Q

Interpellation

A

Interpellation is the way culture hails us into being

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13
Q

Monolithic

A

Monolithic is one view that applies to all

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14
Q

Adult centered texts

A

Adult centered texts tend to dumb down the content of a children’s book to make it clear in what is good and bad, often very didactic and simplified. They tend to give adults more agency and try to protect children from intense situations and feelings that the author feels young minds can’t handle or shouldn’t endure

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15
Q

Child centered texts

A

Child centered texts suggests a capable, smart, witty child reader. They are not simplified and tend to have more complicated subjects or ideas. They also tend to give the child more agency.

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16
Q

Didactic

A

Didactic stories present clear moral sense of what is right and wrong

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17
Q

Heteroglosia

A

Heteroglosia, meaning “different tongue/words” pertains to a text that contains many different voices and none of the voices are privileged. Multiple view points

18
Q

Sentimentalism

A

Sentimentalism is text that intentionally tries to provoke profound emotion that is unearned or undeserved

19
Q

Catharsis

A

Refers to a profound, sublime response to a story; a feeling of spiritual elation.

20
Q

Realism

A

Realism in a novel depicts events that could happen in the world as we know it.

21
Q

Historical realism

A

Historical realism focus on realistic fiction that takes place in a notable different time from when it was published.

22
Q

Irony

A

Irony says one thing and means another.

23
Q

Pathos

A

Pathos appeals to emotion.

24
Q

Bathos

A

Bathos is insincere or overdone pathos

25
Q

Individuation

A

Individuation is when a character reaches as point when they’re ready to go off on their own.

26
Q

Radical individualism

A

Radical individualism is the American idea or notion that individuals make history or start movements. It suggests that hard work can change situations and that one is better off thinking as an individual as opposed to a larger radical. “I don’t need all ü suckas, I’ll do it myself”

27
Q

Syuzhet

A

Syuzhet is how occurrences in a story are arranged, dealing with the subject and plot. It is the arrangement in which events are communicated.

28
Q

Fabula

A

Fabula means “the speak or fable” and refers to the stuff that happens, or the events themselves.

29
Q

Generic Pastiche

A

Generic Pastiche is a bunch of different genres mushed together- borrows many different style of writing

30
Q

Bildungsroman

A

Bildungsroman means “Coming of age”, a novel of development. A character that goes through a right of passage, becoming an adult.

31
Q

The school story

A

The school story is a genre that fell out of fashion in the 20th century by used to be huge especially in the Uk. Plot mechanism for children- start at beginning of school year, end at end of school year.

32
Q

Joseph cambel’s hero’d tale

A

Hero’a tales: -unusual birth or childhood - mentorship and education-the quest-hero dies and descends into the underworld-comes back to life-mentor dies so hero can take his place

33
Q

Allegorical fantasy

A

Direct 1:1 correspondence between characters and abstract concepts or ideas. Works that happen as very different than the world we know, not just symbolic, 1:1 correlation

34
Q

Fantasy

A

Fantastic novels are set in world as we know it but fantastical things happen in real world setting.

35
Q

Science fiction

A

Sci-fi stories have magic but the magic is explained through technology. Science is responsible for the fantastical elements

36
Q

Alternate world fantasy

A

Alternate world fantasies start in the world as we know it, then through a passage way, enter into a magical world

37
Q

Heroic fantasy

A

Heroic fantasy takes place In a completely invented world, hero on a quest, dressed up in exaggerated Middle Ages, swords and shit

38
Q

Bridge to Terabithia

A

Katherine Paterson 1977

39
Q

Roll if thunder hear my cry

A

Mildred Taylor 1976

40
Q

Esperanza rising

A

Pam Munoz Ryan 2000

41
Q

Walk two moons

A

Sharon crèech 1994

42
Q

Harry potter

A

Jk Rowling 1997 Joanne Kathleen