Final Exam Flashcards

1
Q

Hurdy gurdy

A
  • Instrument dating back to medieval times.
  • 3 melody strings with keys to change pitches
  • rotating wheel inside, turned by crank
  • has drone strings
  • First used in church
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2
Q

Vielle

A

-Medieval equivalent of a violin
- comes in many shapes, sizes, and number of strings.

  • typically:
    -flat peg board
    -bow has less tension
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3
Q

Pipe and tabour

A
  • high wistle and drum
  • played by one person
  • pipe played with left hand
  • Tabour played with a stick in right hand
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4
Q

Improvisation in medieval music

A

-instrumental music was primarily improvised /performed from memory
- instruments have unwritten accompaniments to songs and to dancing
- if something was notated, it was only the melody or bass and everything else was improvised

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5
Q

Medieval time period

A

750-1400

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6
Q

Renaissance time period

A

1400 - 1600

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7
Q

Baroque time period

A

1600-1750

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8
Q

Estampie 4 from “Le manuscrit du roi”

A

Genre: Dance Music, Estampie
Composer: Anonymous
Time period: Medieval

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9
Q

Pavane

A

Dignified court dance in duple meter
Performed side by side
AABBCC
Mostly consisting of slow and quick steps

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10
Q

Galliard

A

Vigorous dance marked by kicks and jumps
Triple meter

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11
Q

Pavane-galliard pairs

A

A pavane and a galliard played back to back that both have a variation of the same melody

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12
Q

Dances from “Danserye”
“La Dona” (1)

A

Genre: pavane dance
Composer: Tielman Susatos
Time period: Renaissance

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13
Q

Dances From “Danserye”
“La Dona” (2)

A

Genre: Galliard Dance
Composer: Tielman Susatos
Period: Renaissance

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14
Q

Luis De Narvaez

A

Composer
Renaissance
Wrote “The six books of the Dauphin,” tablature written for Vihuela

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15
Q

Pieces for vihuela from “Los seys libros del Delphin” a

A

Name: “Cancion Mille regres,” intabulation of Josquin’s chanson “Mille regretz.”
Time period: Renaissance
Composer: Luis de Narvaez
Genre: cancion (?)

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16
Q

Pieces for vihuela from “Los seys libros del Delphin”, b

A

Title: cuatro diferencias sobre “Guardame las vacas”
Genre: variations on a common tune
Composer: Luis de Narvaez
Time period: Renaissance

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17
Q

Vihuela

A

Ancestor of the guitar
Mix between a lute and a vielle

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18
Q

Tablature / intabulation

A
  • Sheet music where lines represent strings and numbers on the lines represent frets. Rhythm is indicated above the staff.
  • popular for lutes and vihuelas
  • some tablature had vocal lines above for a player to accompany herself
19
Q

Variations (diferencias in Spanish)

A
  • A theme is played, and then repeated with improvised embellishments and ornaments.
  • also includes an improvised line over an ostinato
20
Q

Harpsichord

A

-Iconic keyboard instrument of the baroque basso continuo
- has multiple choirs of strings and one or two keyboards
-Came before piano
-Strings are plucked
-Was invented during the renaissance

21
Q

Viol da gamba or viol

A
  • belongs to string family, ancestor of cello
  • has 6 strings tuned in 4ths, and frets
  • developed in Spain in early renaissance
22
Q

Lute

A
  • Pear shaped with a rounded back and flat fingerboard
  • 5 double strings, plucked with fingers or feather
  • has frets
23
Q

sackbut

A
  • ancestor to the trombone
  • brass family
  • made up of bent tubing and slide tubing
24
Q

Consort

A

In England, an ensemble of three to seven instruments

25
Q

Cornett

A
  • Played like a trumpet
  • popular in renaissance
  • could be curved or straight
  • loud instrument
26
Q

Canzon septimi toni a 8

A

Composer: Giovanni Gabrieli
Genre: Ensemble canzona (?)
Time period: renaissance

27
Q

Recercada secunda on the “La Spana” tune from the “Trattado de glosas”

A

composer: Diego Ortiz
Time period: renaissance
Genre: i think variations? Maybe

28
Q

Toccata No. 3 from Libro Primo

A

Composer: Girolamo Frescobaldi
Time period: Baroque
Genre: Toccata
Country: Italy

29
Q

Music for after the Credo from “Fiori musicali”

A

Composer: Girolamo Frescobaldi
Time period: Baroque
Genre: Ricercar
Country: Italy

30
Q

Armide

A

Composer: Jean-Baptiste Lully
Time period: Baroque
Genre: Tragedie en musique or French Opera
Sub genre: French overture
Country France

31
Q

Trio sonata in D Major, Op. 3 no. 2
Mvt 1
Mvt 2

A

Composer: Arcangelo Corelli
Time period: Baroque
Genre: trio sonata
Mvt 1: Grave
Mvt 2: Allegro

32
Q

Concerto for Violin in A minor, Op. 3 no. 6
Mvt 1
Mvt 2

A

Composer: Antonio Vivaldi
Time period: Baroque
Genre: violin concerto
Mvt 1: Allegro
Mvt 2: Largo
Country: Italy

33
Q

Ricercar

A

Solo improvisations (?)

34
Q

Prelude and fuge

A

_____________

35
Q

Subject

A

_______________

36
Q

Sonata

A
  • each movement based on a single subject with continuous expansion
  • has a tonal sense of direction
  • four movements in the same or closely related keys
  • typical layout is slow-fast-slow-fast
  • very limted harmonic pallate
  • emphasis on lyricism over virtuosity
  • typical traits: walking bass, dialogue between violins (trio sonata), lots of suspension and forward momentum
37
Q

Concerto

A

________________

38
Q

Ritornello form

A

___________________

39
Q

Binary form

A

________________

40
Q

Suite

A

______________________

41
Q

Ornamentation (agréments in French)

A

__________________

42
Q

French Overture

A
  • both a form and a genre
  • intended to accompany the entry of the king before the theatrical work
  • established Lully’s ballets and operas
  • two sections, each played twice
  • homophonic, majestic, dotted rhythms
  • faster second section, fugal imitation
43
Q

Giovanni Gabrieli

A

____________________

44
Q

Arcangelo Corelli

A
  • Baroque time period (late 17th century)
  • 1666 studied violin and composition in Bologna
    -1675 leading violinist and composer in Rome
  • organized and led the first orchestras in Italy
  • Established foundation for violin playing
  • his sonatas have never been out of print